Indus Valley civilisation (3300 BC-1900 BC) is one of the oldest ancient civilisation in the globe which is believed to have originated around the basins of Indus River. The civilisation was spread on an area of the present day Northeast Afghanistan to Pakistan and Northwest India. This is the most widespread civilisation covering a region of 1.25 million kilometres. Indus valley civilisation along with ancient Egypt and Mesopotamian, was one of three earlier civilisations of the ancient world, and of the three the most widespread. Evidence for an advanced urban culture, sophisticated engineering and technology was found during the excavation making Indus valley as the first urban centre of the region.
Mesopotamian Civilisation
Mesopotamian civilisation is also known as the first civilisations in the globe existed during the period between 3500BC to 500BC. According to the experts, the civilisation originated in the northeast by the Zagros Mountains, southeast by the Arabian Plateau on the area covering present-day Iraq, Syria, and Turkey. The origin of the civilisation dates back to 3500 BC and there is no known proper evidence of any other civilised society before Mesopotamian civilisation. According to the experts, the timeline of ancient Mesopotamia is believed to be around 3300 BC-750 BC.
Ancient Egypt
Ancient Egypt is one of the best examples for the culturally richest civilisations in the ancient world. The timeline of the ancient Egyptian civilisation is held between 3100 BC-2686BC as experts believe that the civilisation coalesced around 3150 BC on the area of present Egypt. The civilisation was originated on the banks of the River Nile. The ever standing pyramids and the Sphinx are the best examples for engineering skills of people of ancient Egypt. Ancient Egypt has given us a number of wonders including ever standing pyramids, the mummies of the ancient Pharaohs, the first solar calendars, Hieroglyphics, and many others.
Mayan Civilisation
Mayan civilisation originated near present-day Yucatan and was spread on an area of Yucatan, Quintana Roo, Campeche, Tabasco, and Chiapas in Mexico, and other areas of the region. The timeline of the civilisation is held to be around 2600 BC-900 AD. The Mayan people are still known for their knowledge of Astronomy. The ancient Mayan civilisation began in Central America from about 2600 BC. The civilisation had a booming population of about 19 million during its peak time. By 700 BC, the Mayans had their own system to write which they applied to carve their own solar calendars on stones. The ancient Mayans were culturally and technologically-rich when compared to the many contemporary civilisations. The Mayans constructed the pyramids bigger than those in Egypt. The sudden disappearance of sophisticated Mayan civilisation is still a mystery for the researchers.
Chinese Civilisation
Chinese civilisation is the fifth oldest known civilisation in the ancient world. The period of the civilisation lies between 1600 BCE and 1046 BCE in the present day China. Experts believe that Chinese civilisation born at Yellow River and Yangtze region and is still known for the invention of paper and silk. Gunpowder, canons, the compass, and many others are some of the major inventions of people of ancient China. The Yellow river civilisation is the base for ancient Chinese civilisation. Around 2700 BC the legendary Yellow Emperor began his rule. Later number of dynasties ruled mainland China till the end of Qing dynasty in 1912 AD with the Xinhai revolution.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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