AKSHAY KUMAR ON HIS HOUSEFULL JOURNEY AND WHY THE LATEST IS THE MOST AMBITIOUS SO FAR
by ASJAD NAZIR
WHEN Akshay Kumar did the first Housefull movie, he was convinced they were onto a winner and its massive success led to three further films in the franchise, including the latest instalment.
Housefull 4 is the most ambitious in the series as it sets the comedy mayhem across two time periods and has another all-star cast. Akshay is clearly in love with the comedy series
and signalled his intention to carry on returning for further films in the fun franchise.
Not surprisingly, he was in good spirits when Eastern Eye caught up with him to discuss the Housefull journey and latest film.
Why do you think the Housefull franchise has been so successful?
I feel the success is down to memorable characters and moments in the film. Who can ever forget Chunkey Pandey as Aakhri Pasta, who is an indispensable part of the franchise. (Laughs) He is the pasta to our plate of sauce. Also our producer Sajid Nadiadwala has been a part of the film since the inception and given us full liberty to experiment with the script and to be as crazy as we wanted. In a weird way, our craziness is something the audiences related to as I think we have helped bring out their lighter side. They’ve enjoyed each of the Housefull films and kept asking for more, which is what makes it one of the biggest comedy franchises in the country.
What has been your favourite memory on Housefull journey?
Working on all Housefull films have been fun. It’s actually an internal joke between Sajid and me, that whenever I feel like I need a vacation I tell him let’s make a Housefull. It’s my way of having a good time. Plus we always shoot a schedule in London, which is always a good idea. Each time I come here, the city has so much to offer. I don’t remember how many films Riteish (Deshmukh) and I have worked together in, but he is more than a co-actor and a very close friend, who has been on the journey with me.
You once again have a massive ensemble cast, including Bobby Deol, Kriti Sanon, Pooja Hegde, Kriti Kharbanda and a host of cameos from actors such as Rana Dagubatti joining you and Riteish. How does Housefull 4 compare to the other three?
All the Housefull films are a comedy of errors. The context is different, but we have kept the inherent comedy of errors element and entertainment quotient constant across the films. Housefull 4 is different as we have experimented with reincarnation comedy, which is a genre that has never been explored in Indian cinema. We’re playing dual roles; one from the 1419 era and the other in present-day 2019, so let’s just say there’s double the comedy!
Tell us about the film and the characters you play?
The film is a story of six lovers parted because of an evil conspiracy in 1419, and they cross paths again in 2019. In the present life, the three men fall in love with the wrong women and are about to marry their sisters-in-law. However, history repeats itself, and the three couples land up in Sitamgarh, where it all began. That’s what the film is about! It will confuse you, put you on a laughing riot and take you through the grandeur of 1419 with a spark of 2019. All of us play double roles; my first character is called Bala, while my second is a London-based barber called Harry.
How do you approach a film where you have more than one character?
Comedy is more about spontaneity and comic timing. That’s the most important
thing and something integral to both my characters, 1419 Bala and 2019 Harry. But they’re both very distinct characters, and it often felt like I’m working on two different films, two different characters and in two different eras.
What is your favourite moment in the movie?
The film is full of hilarious moments, which I believe will have the audience falling off their seats. Enacting them was an incredible experience, and I cannot really choose one as a favourite. But if I had to choose then it would be shooting for the song, Shaitaan Ka Saala. It’s just so over the top, mad to another level and all about having fun. Acting in 1419 was super fun with the grandeur of the sets, palatial palaces and amazing costumes along with my bold and bald avatar.
You have a great gift for making people laugh, what is the secret of good comedy?
Thank you! As easy as it looks, comedy is undoubtedly one of the most difficult genres and
especially if a film is an out and out comedy because you have to keep up the tempo. What works for me is that I try not to try too hard while doing my scenes, be it drama, romance, action or comedy. However, a lot of credit goes to my co-actors and director. It is all about having the right comic timing, and if we all work in tandem it translates to an exceptional outcome on screen.
Which of your comedy films have you enjoyed?
I have spent a large part of my career doing comedies, so it would be unfair for me to pick the best from a brilliant bunch of films. From Hera Pheri to Bhool Bhulaiya to the Housefull franchise, all the films I have done have been thoroughly enjoyed by my audiences, which is my biggest reward.
Who is the funniest person you know in real life?
Well, the one and only Mrs Funnybones (Twinkle Khanna), who I happen to be married to. She also happens to be the funniest woman in the country and probably, the planet!
Will there be a Housefull 5?
I really hope so! Like I said I it’s a film, which is like a vacation for me, and who doesn’t like vacations? In fact, we have an idea also for the next one. We were discussing an idea about bringing together the cast across all instalments. It would be like comedy avengers.
Why should we watch Housefull 4?
Well, it’s not often you get to have laugh-out-loud moments from the 14th and 21st century in one film! Housefull 4 is one film where you can bring your entire house to the cinema. It’s a movie you can watch with your family. There’s a big dose of confusion, humour, belly shaking and side-splitting laughs. I mean, who would want anything else, but this Diwali treat?
IN SIR KEIR STARMER’S cabinet reshuffle last week, triggered by the resignation of Angela Rayner, the prime minister shifted Jonathan Reynolds from business and trade secretary and president of the board of trade after barely a year in the post to chief whip, making him responsible for the party.
The move doesn’t make much sense. At Chequers, the UK-India Free Trade Agreement was signed by Reynolds, and the Indian commerce and industry minister, Piyush Goyal. They had clearly established a friendly working relationship.
Reynolds apparently bought Goyal an ice cream some weeks ago when they were walking in London’s Hyde Park and ironed out the last remaining problems.
Goyal will have to start all over again with Reynolds’s replacement, Peter Kyle.
At least, Lisa Nandy, who managed to sign a cultural agreement with India, remains culture secretary, despite persistent reports she was due for the sack. I have high hopes of Kanishka Narayan, who has been appointed parliamentary under-secretary in the Department for Science, Innovation and Technology. Crucially, chancellor Rachel Reeves has not been given another job.
But, in his heart of hearts, Starmer must know he cannot win the next general election if she remains his chancellor. Her vindictive VAT raid on private schools has ruined the lives of many children and forced school after school to close. And the rules on inheritance tax and non-doms have driven many Indian entrepreneurs to flee to Dubai. Starmer should be “pragmatic” – a word he likes – and reverse these policies for the good of the country.
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Finding romance today feels like trying to align stars in a night sky that refuses to stay still
When was the last time you stumbled into a conversation that made your heart skip? Or exchanged a sweet beginning to a love story - organically, without the buffer of screens, swipes, or curated profiles? In 2025, those moments feel rarer, swallowed up by the quickening pace of life.
We are living faster than ever before. Cities hum with noise and neon, people race between commitments, and ambition seems to be the rhythm we all march to. In the process, the simple art of connection - eye contact, lingering conversations, the gentle patience of getting to know someone - feels like it is slipping through our fingers.
Whether you’re single, searching, or settled, the landscape is shifting. Some turn to apps for convenience; others look for love in cafés, gyms, workplaces or community spaces. But the challenge remains the same: how do we connect deeply in a world designed to move at lightning speed?
We’ve become fluent in productivity, in chasing careers, in cultivating polished identities. Yet are we forgetting how to be fluent in intimacy? When was the last time you sat across from someone and truly listened - without checking your phone, without planning the next step, without treating time like a currency to be spent?
It’s a strange paradox: we have more access to people than ever before, yet many feel more isolated. Fun is always available - dinners, drinks, nights out, fleeting encounters - but fulfilment is harder to grasp. Are we mistaking access for intimacy? Are we human, or are we slowly adapting into versions of ourselves stripped of those raw, humanistic qualities - vulnerability, patience, tenderness - that once defined love?
Perhaps we’ve grown comfortable with the fast exit. It’s easier to ghost than to explain. Easier to keep moving than to pause. But what does that cost us? What do we lose when romance becomes a checkbox on an already overstuffed to-do list?
The truth is - the heart doesn’t move at the pace of technology or ambition. It moves slowly, awkwardly, with a rhythm that resists acceleration. Maybe that’s the point. Love has always lived in the messy spaces - hesitant pauses, nervous laughter, words spoken without rehearsal.
So the real question for 2025 is not “Have we gone too far?” but “Can we afford to slow down?” Can we still allow ourselves the sweetness of beginnings - the chance encounters, the unplanned moments, the quiet courage to be open?
Because in the end, connection is not about speed or access—it’s about presence. In a world that won’t stop moving, choosing to be present might be the bravest act of love we have left.
Instagram & TikTok: @Bombae.mix
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Shabana Mahmood, US homeland security secretary Kristi Noem, Canada’s public safety minister Gary Anandasangaree, Australia’s home affairs minister Tony Burke and New Zealand’s attorney general Judith Collins at the Five Eyes security alliance summit on Monday (8)
PRIME MINISTER Keir Starmer’s government is not working. That is the public verdict, one year in. So, he used his deputy Angela Rayner’s resignation to hit the reset button.
It signals a shift in his own theory of change. Starmer wanted his mission-led government to avoid frequent shuffles of his pack, so that ministers knew their briefs. Such a dramatic reshuffle shows that the prime minister has had enough of subject expertise for now, gambling instead that fresh eyes may bring bold new energy to intractable challenges on welfare and asylum.
“Can Shabana Mahmood save Keir Starmer?” is the question being asked in Westminster. Small boats are increasingly talked about as an existential risk to the government. It will not be the only issue at the next general election – the economy and public services will matter, too – but Labour fear being unable to get heard on anything else without visible progress in the Channel.
The new home secretary has been asked to “think the unthinkable”. Ministers and MPs should be eager to try anything that might work – but might heed the lessons of six years of failure to stop the boats as they do. It is hardly as if former Conservative home secretaries Priti Patel and Suella Braverman were unwilling to brainstorm the unthinkable, nor indeed to legislate the unworkable. If performative gestures – asylum seekers on barges – could stop the boats, it would have been all quiet in the Channel long ago.
As justice secretary, Mahmood’s voice was tough on crime, reflecting her communitarianism. Yet her policy involved a liberalism of necessity. With the prisons overflowing, shortening sentences and seeking public consent for alternative forms of punishment was unavoidable. Number 10 media briefings about being willing to make Labour MPs ‘queasy’ on asylum could – ironically – be a form of comfort zone politics; a distraction from tougher choices that might actually work. Hotel use for asylum could end in 2026 – not 2029 – if ministers both streamlined appeals and gave asylum seekers from high-risk countries limited leave to remain – with the right to work and the responsibility to house themselves. It could save billions, if the government can navigate the political risks. Labour’s challenge is to show how it can deliver an orderly and humane system by cooperating with allies, not ripping up treaties.
Migrants in a dinghy crossing the English Channel
As Mahmood becomes the most prominent British Asian and British Muslim in public life, others project contradictory ideas of what they imagine her politics, faith and personality mean. It is curious that Maurice Glasman could declare her the new leader of his Blue Labour faction (though Mahmood does not share the baron’s misplaced enthusiasm for US president Donald Trump) while Reform donor Aaron Banks declared that a Muslim lawyer as home secretary would immediately ‘open the floodgates’ to refugees from Gaza, exemplifying more about his presumptions and prejudices, than her politics.
There is no novelty in a British Asian home secretary now. Sajid Javid broke that ceiling in the Conservative government of 2018, yet Mahmood is already the fifth visible minority politician to hold that office. However, overt racism towards her goes unchecked on X/Twitter – where radicalised site owner and US businessman Elon Musk is infinitely more likely to retweet than to suspend racist voices who say no Muslim should ever be home secretary. That is Tommy Robinson’s view – yet Musk champions his London march on Saturday (13), where ex-soldier and minor TV celebrity Ant Middleton will pitch a London mayoral campaign founded on the absurdly racist proposition that Sadiq Khan, Mahmood and Conservatives opposition leader Kemi Badenoch should be barred from high office if their grandparents were not British-born.
This is the curious paradox of multi-ethnic Britain today: British Asian faces in high places have never been more common. Yet a vocal minority challenges the equal status of ethnic and faith minorities more aggressively than for a generation. It is not just the government that must show more leadership by speaking up to defend our multi-ethnic society. Every civic institution can contribute to how we respect differences and strengthen our common ground.
Knowing our history better is one vital foundation. Everyone is aware of this country’s pride in defeating fascism matters – but fewer know that the armies that won the war look more like our modern Britain of 2025 than that of 1945. Half of the public do know that Indian soldiers took part. Not so many understand that Hindu, Sikh and Muslim soldiers fought alongside British officers in the largest volunteer army the world has ever seen. The My Family Legacy campaign from British Future, the Royal British Legion and Eastern Eye will help British Asian families find and tell their stories. Writing this vital chapter fully into our national history remains work in progress – but can show why national symbols, like the poppy, belong to us all and can help to bring this diverse society together.
Sunder Katwala
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
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Indian infantrymen on the march in France in October 1914 during World War I. (Photo: Getty Images)
This country should never forget what we all owe to those who won the second world war against fascism. So the 80th anniversary of VE Day and VJ Day this year have had a special poignancy in bringing to life how the historic events that most of us know from grainy black and white photographs or newsreel footage are still living memories for a dwindling few.
People do sometimes wonder if the meaning of these great historic events will fade in an increasingly diverse Britain. If we knew our history better, we would understand why that should not be the case.
For the armies that fought and won both world wars look more like the Britain of 2025 in their ethnic and faith mix than the Britain of 1945 or 1918. The South Asian soldiers were the largest volunteer army in history, yet ensuring that their enormous contribution is fully recognised in our national story remains an important work in progress.
About half of the public do know that Indian soldiers took part. It is better known among British Asians - with almost 6 out of 10 aware of the contribution. Yet while that means that more than three million British Asians have heard something about this, that suggests too that a couple of million of Asians in Britain today remain unaware of the South Asian contribution to the war effort.
It is less well understood that Hindu, Sikh and Muslim soldiers fought alongside British officers in the largest volunteer army that the world has ever seen. About four in ten report being aware that there were Hindu and Sikh soldiers in the Indian Army - while just under a third are aware of the Muslim contribution. Yet there is an appetite to learn more. Three-quarters of the public believe that learning more about this history could help social cohesion in Britain. It is a view held as strongly by the white British and by British Asians.
So the My Family Legacy project from British Future, the Royal British Legion and Eastern Eye seeks to make a contribution to doing that. It aims to raise awareness of the South Asian contribution in the world wars, among South Asian communities and people from all backgrounds in Britain today. It asks British Asian families to share stories and pictures of ancestors who served, creating an archive for future generations.
When we talk about the Indian Army, we are talking about the army drawn from the India of the 1940s. This was pre-independence India – so it included modern day India and Pakistan, Bangladesh and Sri Lanka. The Indian Army grew from 195,000 men in the Autumn of 1939 to over 2 million by the end of the war. A fledgling Indian Air Force went from 285 men to 29,000. This made the Indian army of the Second World War the largest volunteer army in history.
It may sound strange to our modern ears: that Indian soldiers would volunteer for the army of the British imperial power. Yet those who volunteered often saw the German and Japanese regimes as an existential threat as well as believing that India should govern itself after the war. So the Indian Army volunteers outnumbered – by a 50:1 ratio – the 43,000 rebels who heeded the call to form a rebel army for the Germans and Japanese.
We should not shy away from the complexity and controversies of understanding that we are a post-imperial society. But this country’s role in winning the Second World War should always endure as a source of shared pride.
It matters because we should honour the past properly: we should recognise the service and commemorate the sacrifice of all who contributed, especially when the liberties of all of us today are their legacy.
Yet this matters too because of how it can help us to look forward as well as back and help us to bind together our society today. To have a story of how our past, present and future are linked, is an important part of what it means to be a nation. Understanding the diversity of the war effort is a crucial way to join the dots in the making of modern post-war Britain.
That becomes all the more important in times like these, when a vocal, visible and toxic minority are making their most aggressive attempt for a generation to all into question the equal status and very presence of ethnic minorities in Britain.
Yet the toxic and racist far right fringe have always been deeply ignorant of the history of which they claim to be so proud. What could be more absurd than neo-fascists trying to wrap themselves in the very flag under which we defeated fascism - especially when that victory over fascism was achieved by multi-ethnic and multi-faith armies just as diverse as the modern Britain which honours today the victory which made this democratic and diverse society possible.
So this new effort to help people to find, document and tell their family stories of courage and contribution, service and sacrifice can make a difference. It can help show how our national symbols and traditions of Remembrance can bring today's modern, diverse Britain together ever more powerfully when we commemorate all of those who served.
Sunder Katwala is the director of thinktank British Future and the author of the book How to Be a Patriot: The must-read book on British national identity and immigration.
How noticing the changes in my father taught me the importance of early action, patience, and love
I don’t understand people who don’t talk or see their parents often. Unless they have done something to ruin your lives or you had a traumatic childhood, there is no reason you shouldn’t be checking in with them at least every few days if you don’t live with them.
Earlier this year, I had the privilege of looking after my parents – they lived with me while their old house was being sold, and their new house was being renovated.
Within this time, I noticed things happening to my dad (Chamanlal Mulji), an 81-year-old retired joiner. Dad was known as Simba when he lived in Zanzibar, East Africa because he was like a lion. A man in fairly good health, despite being an ex-smoker, he’d only had heart surgery back in 2017. In the last few years, he was having some health issues, but certain things, like his walking and driving becoming slow, and his memory failing, we just put down to old age. Now, my dad was older than my friend’s dad. Many of whom in their 70’s, dad, at 81 was an older dad, not common back in the seventies when he married my mum.
It was only when I spent extended time around my parents that I started noticing that certain things weren’t just due to old age. Some physical symptoms were more serious, but certain things like forgetting that the front door wasn’t the bathroom door, and talking about old memories thinking that they had recently happened rang alarm bells for me and I suspected that he might have dementia.
Dementia generally happens in old age when the brain starts to shrink. Someone described it to me as a person’s brain being like a bookshelf. The books at the top of the shelf are the new memories and the books at the bottom are the new memories. The books at the top have fallen off, leaving only the old memories being remembered. People with dementia are also highly likely to suffer from strokes.
Sadly, my dad was one of the few that suffered a stroke and passed away on 28th June 2025. If you have a parent, family member or anyone you know and you suspect that they might have dementia, please talk to your GP straight away. Waiting lists within the NHS are extremely LONG so the quicker people with dementia are treated, the better. Sadly, the illness cannot be reversed but medication can help it from getting worse.
One thing I would also advise is to have patience. Those suffering with dementia can be agitated and often become aggressive, but that’s only because they’re frustrated that they cannot do things the way they used to.
The disease might hide the person underneath, but there’s still a person in there who needs your love and attention.” - Jamie Calandriello