STYLIST-TURNED-SINGER MOIN SABRI DISCUSSES HIS UNIQUE CAREER
by ASJAD NAZIR
ARTISTS will take different paths towards their musical dream and some like the journey taken by singer Moin Sabri are unique.
The Mumbai-based singer started off as a successful hairstylist and worked with many big named celebrities, including Neha Kakkar, Tusshar Kapoor, Rana Dagubatti, Rajkumar Rao and south Indian superstar Suriya.
He then surprised everyone with his voice and used his superb singing ability to slowly rise through the musical ranks.
He has sung for films and also released his own songs, including his most recent track Judaai. The multi-talented music star hasn’t disconnected from styling and today balances singing with making big named celebrities look great.
Eastern Eye caught up with singing stylist Moin Sabri to talk about his music, unique career path, new song and future hopes.
Tell us about your work as a stylist?
I actually started my career working with musicians in Mumbai. I worked on Indian Idol with Salim and Sulaiman sir, Ashaji (Bhosle), Sunidhi Chauhan and Anu Malik sir. It was my first reality show as a stylist. Then I worked on many commercials and projects, including the film City Lights with Rajkummar Rao. I have also worked with Neha Kakkar as a stylist and worked on the movie Golmaal Again with Tusshar Kapoor sir. I have worked with Rana Daggubati and Suriya in Chennai. Overall, as a stylist, I have worked with many heroines and I feel blessed to have done so.
You are a very successful stylist, who has worked with many stars, but where is your musical connection from?
I come from a very musical family; so my background is as a musician and it has always been in my blood. People have always appreciated my voice and that belief people had in me led me towards singing. Having been brought up in a family of musicians and being surrounded by music, it was a natural progression for me.
You were working as a successful stylist and got your first musical break. Tell us about that?
I started my singing career with the Bollywood movie Revolver Rani and I am thankful to the whole team, including Kangana (Ranaut) maam, (director) Sai Kabir sir and music composer Sanjeev Srivastav sir. Sai Kabir sir got to know that I am from the Sabri family and called me to sing a song, and shortly after, he gave me an opportunity. Sanjiv Srivastava sir also supported me a lot during the recording. I had no idea this song would be there in the movie and was so happy when it was. So Revolver Rani will always be close to my heart as it was my first step in Bollywood. Then I followed it up with various musical projects and here I am today with my own single Judaai.
Tell us about your latest song Judaai?
My most recent music release Judaai features my very dear friend and brother Gunjan Utreja in the music video. The music sounds amazing thanks to Aditya Dev, who is a very big programmer in the industry. I am also very thankful to all those who made the song and music video happen.
Who are your greatest musical influences?
I am inspired most by my family, including Iqbal Afzal saab, Rashid saab and the two most important people of our family, who earned fame in the Bollywood industry, Sajid Khan and Wajid Khan.
What kind of songs do you enjoy singing?
I enjoy singing romantic songs, but the genre I like most is Sufi because it has a depth of emotion that I can really connect with, and brings out the best in my singing.
What project can we expect next from you?
There are many good upcoming projects and I am looking forward to sharing them with you all.
Now that you have launched a successful singing career, will you disconnect yourself from being a hairstylist?
Styling is my passion and I enjoy it. Music is in my blood, so will never go away, but styling is something I learned and will never disconnect myself from it. Both have given me so much. I always imagined that one day I will have my own salon, where my own music would be played and this is what happened to me.
What inspires you?
Music always inspires me and I think always will.
Why do you love music?
You don’t need anyone when you connect to some good music. When I am sad I always listen to good music. Music connects you to God.
Critics praise Gulzar’s opening narration as the series’ emotional anchor.
Several reviewers find the animation ambitious but uneven.
Many reviews note secondary voice performances lack range compared with the narration.
Reviewers differ on pacing and storytelling focus: some call it tight, others say it feels stitched.
Viewers and critics recommend watching for the scale and music, not for flawless character work.
This Kurukshetra review is a round-up of what critics and early viewers are saying about Netflix’s new animated retelling, and one name keeps coming up: Gulzar. Across reviews, the opening narration is almost universally singled out as the strongest element, while opinions split sharply on animation quality, voice casting and whether the series’ narrow battlefield focus pays off.
Netflix’s animated Kurukshetra draws praise for its ambition but criticism for uneven voice performances Instagram/netflix_in
What do reviewers say about Kurukshetra and Gulzar’s role?
Multiple reviews call Gulzar’s baritone the series’ single greatest asset. Critics write that his lines give scenes emotional gravity. They said the narration "grounds" the show and often rescues moments that might otherwise feel flat. A few outlets even suggested his voice elevates sequences beyond the animation’s limits.
Do critics think Kurukshetra gets the animation right?
The answer is mixed. Several reviewers applaud the scale, chariot set pieces, wide battle frames and the sheer ambition. Others point out inconsistencies, like faces that do not always register emotion and occasional stiffness in character movement. Many reviews used the same phrasing: “impressive in scope, uneven in detail.”
How do reviewers view the voice cast beyond Gulzar?
This is where opinions cluster on the negative side. A number of critics say secondary voiceovers feel one-note and do not match the gravitas Gulzar brings. A handful of reviews praised specific performances, but the dominant note was: solid, not stellar.
Pacing and focus. Some reviewers appreciated the choice to limit the story to battlefield days and called it focused and brisk. Others felt certain backstories were teased, leaving them wanting more, and described the structure as stitched together. So, pick your critic: some loved the discipline, others wanted a fuller sweep.
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