Skip to content
Search

Latest Stories

AA Dhand: 'Asian crime fiction is no laughing matter'

AA Dhand will debut short film at Bradford Festival

AA Dhand: 'Asian crime fiction is no laughing matter'

A BRITSH ASIAN crime fiction novelist is taking his first short film to the prestigious Bradford Literature Festival.

AA Dhand, 43, came to prominence with his series of novels about detective Harry Virdee, which were set in and around Dhand’s home city of Bradford. Since his first Virdee novel Streets of Darkness in 2016, he’s published several more chronicling the detective’s work. His work often touches on relevant themes for the Asian community; his upcoming novel The Blood Divide, will be set in Bradford and India and covers the partition of India.


In addition, he’s now moved into screenwriting. His first short film No Ordinary Life, charts his family’s experience of taking over a corner shop in Bradford and dealing with violence and hostility from the locals.

Arriving in the UK in 1982, Dhand’s Punjabi mother and father from Delhi bought a corner shop in Bradford. Despite being the only non-white family on their estate when they moved in, they ran the shop successfully for 35 years. Dhand’s early career was as a pharmacist, but his lifelong passion for literature saw him start to write crime fiction.

These life experiences were also what inspired Dhand to create the Harry Virdee novels. “I didn’t really need to research my whole life,” he said. He also wanted to change the type of Asian representation on screen, with many major shows written by the diaspora being humorous. “Everything I’ve ever seen was comedic. It was Goodness Gracious Me or it was Citizen Khan. And I felt it was a space for a Luther-esque character, especially in a city like Bradford,” said Dhand.

Having started writing in 2006, it took him a decade to get published with the first Virdee novel. The novel is now so successful that a Harry Virdee TV series is now in the works. “This genre was crying out for a character like Harry Virdee, because I’ve never seen him before, no one’s ever represented this community in an exciting sort of way…he is my James Bond, Jack Bauer, Jason Bourne,” says Dhand.

As well as debuting his short film, Dhand will also be taking part in a range of writing workshops and discussions at the festival.

Diversity and encouraging a wide range of writers into crime fiction is important to Dhand, but he doesn’t feel change has happened quickly enough. “I think that the appetite is out there to find those voices. And that’s why I’m doing a crime fiction workshop to try and help some of those voices, crack and break through the barriers and become published,” he said.

When his debut novel was published, he was one of the few British-Asian crime writers in the genre and the first to achieve major success.

Since his first novel, many more British-Asian writers have come to the forefront of the crime fiction genre as seen by the popular podcast The Red Hot Chilli Writers, which Dhand contributes to. For Dhand, his colleagues on this all-Asian podcast are some of his favourite writers today. “Aisha Malik, who writes the Sophia Khan series and she’s got a huge book coming out next month, I’m really excited about that…then the other literary heroes are Abhir Mukherjee, Vaseem Khan, and Imran Mahmood,” he said.

Bradford’s recent receipt of City of Culture 2025 is something that Dhand thinks will further invigorate the city and its festival.

“The Bradford City of Culture is absolutely huge. I was so excited. I’m so delighted that city has finally managed to land that I think it will have really positive effects to the community in terms of artistic creation,” said Dhand.

The short film, No Ordinary Life, will be screening at the Pictureville cinema in late June (24) as part of the festival.

More For You

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

Waheeda Rehman and Dev Anand in Guide (1965)

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

ASJAD NAZIR

THE most common description of the 1965 classic Guide across the decades is that it was way ahead of its time, and that still holds true today. The marvellously multi-layered movie, based on the best-selling novel The Guide, tackled a range of themes, including adultery, love, betrayal, heartbreak, and a painful path towards redemption.

India’s official entry for the Oscars revolved around a stifled woman walking out of an unhappy marriage and having a live-in relationship with another man, only to be betrayed again after he is imprisoned. The man in question embarks on an unexpected journey towards spiritual redemption.

Keep ReadingShow less
LGBTQ+ representation in global media: How queer stories are evolving

A celebration of queer stories worldwide – diverse, powerful, and unapologetically authentic

LGBTQ+ representation in global media: How queer stories are evolving

Media has transformed from just a form of entertainment into a dynamic platform for representation, validation, and social change. For young queer individuals, seeing their identities reflected authentically on screen can be nothing short of transformative. Positive, nuanced portrayals of queer lives not only encourage self-acceptance but also challenge outdated societal norms, making space for the beautiful diversity of human experiences.

Over the last few years, queer representation in global media has undergone a remarkable evolution, shifting away from harmful stereotypes and embracing stories that are rich, real, and relatable.

Keep ReadingShow less
Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

Female-led blockbusters: A global shift in cinema's power dynamics

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.
Keep ReadingShow less
Nayantara Roy’s debut novel traces
love and secrets in family home

Nayantara Roy

Nayantara Roy’s debut novel traces love and secrets in family home

AMIT ROY

NAYANTARA ROY, who lives in Los Angeles – where she has a satisfying creative job as a television executive – has been talking to Eastern Eye about her debut novel, The Magnificent Ruins.

Roy has been safe from the fires where she lives in Silverlake in the east side of the city. But she can see the orangetinged cloud in the sky – “the situation is still dire in LA”. Santa Monica, where she works, has been threatened.

Keep ReadingShow less
Hadiqa Kiani: Return of the Pakistani pop queen

Hadiqa Kiani

Hadiqa Kiani: Return of the Pakistani pop queen

HADIQA KIANI is arguably the most iconic female figure in modern Pakistani popular culture.

Beginning her career as a TV host, she made the leap into global pop stardom with a series of acclaimed albums and songs. More recently, she surprised everyone by excelling in acting, delivering powerful performances in celebrated serials.

Keep ReadingShow less