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Aamir Khan rumoured to be starting Osho biopic in December

Buzz in Bollywood has it that Mr. Perfectionist Aamir Khan, who was last seen in his home production Secret Superstar (2017), has signed his next. It is being widely reported that his next movie will be a biopic on controversial spiritual guru Osho, also known as Acharya Rajneesh.

The latest we hear that Khan will start shooting for the movie in December. He will begin the first schedule of the movie in Pune. The film will be helmed by Shakun Batra, whose last film Kapoor & Sons (2016) won loads of appreciation and adulation. Karan Johar will bankroll the movie under Dharma Productions in association with Aamir Khan Productions.


“Yes, it’s happening for sure. Shakun Batra, the writer, and director of such exciting Dharma Productions films as Kapoor & Sons and Ek Main Aur Ekk Tu (2012), is going to be directing the Osho biopic and has reportedly been working on its script for the past eight months. There was talk that Karan Johar might collaborate with Shakun to make this into web series but that is apparently not true. Shakun and Aamir are now convinced this is a film for the big screen audience,” reveals a source to an entertainment portal.

Meanwhile, Aamir Khan is busy with his upcoming film Thugs Of Hindostan, co-starring Amitabh Bachchan, Katrina Kaif and Fatima Sana Shaikh.

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Dulquer Salmaan

Dulquer Salmaan recalls days on Hindi sets when he struggled to find a chair unless he acted like a star

Instagram/dqsalmaan

Dulquer Salmaan says he got 'pushed around' in Bollywood sets: "Wouldn't find a chair to sit"

Highlights:

  • Dulquer Salmaan says he was pushed around on early Hindi film sets
  • Reveals he had to “create an illusion of stardom” just to get a chair
  • Compares Bollywood’s entourage culture with simple Malayalam sets
  • Says perception drives behaviour on larger Hindi productions
  • Actor gearing up for the release of Kaantha on Netflix and his next Malayalam film

Dulquer Salmaan has spoken plainly about how different his early days in Hindi cinema felt. The actor, now seen as a pan-India name, said the size and pace of the industry forced him to project a sense of stardom he did not believe in. It became a matter of survival on set. The comments came during a roundtable with THR India, where he revisited those first months after Karwaan and The Zoya Factor. He kept using one simple point to explain it: perception. A word that keeps coming up when artists talk about hierarchy on Mumbai sets.

Dulquer Salmaan Dulquer Salmaan recalls days on Hindi sets when he struggled to find a chair unless he acted like a star Instagram/dqsalmaan

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