Academic’s research paves way for legal support for victims of transnational marriage abandonment
The study by Prof Sundari Anitha, professor of gender, violence and work at University of Lincoln, has established a pattern of domestic abuse and controlling behaviour in transnational marriage abandonment cases for the first time.
Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
Landmark research by a university professor has helped victims of transnational marriage abandonment to avail crucial legal support.
The study by Prof Sundari Anitha, professor of gender, violence and work at University of Lincoln, has established a pattern of domestic abuse and controlling behaviour in transnational marriage abandonment cases for the first time.
The research conducted in 2016 proved that such abandonment is also a form of domestic violence.
Transnational marriage abandonment occurs when a person abandons their foreign national spouse abroad and prevents them from returning, often separating them from their children. It affects hundreds of women.
The recommendations of the research has urged the family justice system in England & Wales to include transnational marriage abandonment in their definition of domestic abuse, a first in the western world.
It paved way for victims to access the legal support provided to those affected by domestic violence. This was achieved in 2017 when Prof Anitha was working with Southall Black Sisters, a leading domestic violence organization, and lawyers.
A woman can apply to live permanently in the UK if she can prove that her marriage ended due to domestic violence under the 'domestic violence rule'. However, only those living in the UK can submit an application.
A recent High Court decision is set to change this, giving those who have been abandoned abroad the opportunity to return to the UK. The court order came in the case against the Home Office filed by a 31-year-old Pakistani national.
She was in the UK on a spouse visa when she got married to a British citizen and endured years of terrible financial, physical, emotional, and sexual abuse at his hands. One day, her husband pushed her to take their kid, who was then two years old, to Pakistan. As soon as they arrived, he stole her travel documents and left for the UK with their daughter.
It took her eight months to see her daughter again since she was unable to submit an application for Indefinite Leave to Remain while she was in Pakistan. According to the High Court, there is no justification for treating victims of domestic abuse in the UK differently from victims of transnational marriage abandonment .
Following the court order, provisions must be put in place for abandoned wives to obtain safety and economic security before applying for indefinite leave.
“My research highlighted the violence and injustice suffered by abandoned wives due to the actions of men who have British citizenship or residence rights in the UK, for too long these women had been out of sight and out of our minds," Prof Anitha is reported to have said.
“This research brought home the ways in which state policies make it easy for these men to treat their foreign national wives as disposable women and to separate them from their British children with impunity.”
Nath Gpikpi, the solicitor who represented the Pakistani woman, said that the UK government will have no choice but to facilitate her return to the country following the fuling.
"If you were in the UK on a spouse visa and have been stranded abroad against your will, do seek legal advice, you may now be able to make an application to come back to the UK," Gpikpi pointed out.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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