Ace Bhatti on The Effects of Lying: We Asians have the same problems as the British
The actor’s role in the movie is a departure from his usual serious roles, but he said though the film is a comedy, the depth of his character is what attracted him to the role
By Sarwar AlamJul 05, 2023
ACTOR Ace Bhatti said his new film, about unravelling family secrets, reflects the universal appeal of good drama, with audiences drawn to the plotline and not the characters’ ethnicity.
In The Effects of Lying, Bhatti plays Naveen, a “dutiful husband and loving father” whose life falls apart over a series of events taking place over the course of a day – including finding his wife in bed with his brother.
As the day unfolds, decades of secrets are finally exposed and Naveen is forced to face up to some home truths.
Bhatti, 53, told Eastern Eye, “It’s a comedy. It’s almost a farce. But behind that farce is utter pain. This man whose life is sort of plodding along, learns three devastating truths. But it’s about keeping face, which happens in all walks of life. It’s about keeping that family together, but eventually it just all falls apart. But in a weird way, it comes back together again.
“That was the challenge, to do that one and a half hours but also in the time that we had to film it.”
Though the cast has predominantly south Asian actors, such as Laila Rouass, Navin Chowdhury, Shaheen Khan, Bhasker Patel and newcomer Lauren Patel, the film is not specifically an Asian story, rather a drama that happens to be about an Asian family, said Bhatti.
Ace Bhatti with Laila Rouass
“Stories are universal,” he said. “Through my years as an actor I’ve realised people don’t care as long as the story is good.
Bhatti praised director Isher Sahota (Grace, Mcdonald & Dodds) and producer Jon Tarcy (Life in Black), for having “the courage” to make a film about a British brown family that he said may in the past have been “put on a shelf and forgotten about”.
“John and Isher said, ‘look, we don’t want to be waiting around, let’s just do it and make it’. I have to applaud that.
“We took a punt and we did it,” said Bhatti. “If something’s decent, no matter what background you’re from, if people are moved by it, they will watch it. That’s what’s great about drama, you can watch an American drama, an Indian drama, a Chinese drama – if you’re moved by it, people don’t care where it’s from.”
The film was shot in two weeks and Bhatti credited experienced actors Rouass and Chowdhury as a big reason why the film was wrapped up in such a short amount of time. “I’ve worked with Laila before in Life Isn’t All Haha Hehe and she was fantastic in that. When I read the script, I phoned her straight away as I knew she would be perfect in the role of (his on-screen wife) Sangeeta. And Navin is a very seasoned actor.
“At the beginning we did say, ‘can we do this?’ It was a case of just throwing yourself in the deep end and in a way that’s what helped us.
Ace Bhatti
“We knew we had to get it right first time. We rehearsed and rehearsed to get to the core of each scene because there’s a lot of history, a lot of pain in each scene. I really enjoyed it and I hope it shows in the performance.”
With his career spanning more than 30 years, Bhatti has seen the strides made by south Asian actors in the UK. He admitted to feeling “joyous” at the work done by the younger generation of Asian actors.
“When I first started acting, and this is something I’ve never spoken about before because I never wanted to use it as an excuse, but a very prominent actor used to openly say to me ‘P***s can’t act’.
“You hear it now and it’s shocking. But this was the 1970s and 1980s, it wasn’t safe to walk down the street.
“Now we’ve really established ourselves. I applaud the youngsters coming up behind me, saying, ‘we want more of this’ (like The Effects of Lying).
“We’re going to do great dramas. All I can do is just be overwhelmed and joyous about it because, before Art Malik there was no one else. And then it was me and my generation, but the parts weren’t that great. The parts still need to be improved, they’re still 40 years behind, but something like this (The Effects of Lying) is relevant and shows we (Asians) are British and have the same problems as everyone else,” he joked.
Bhatti is known for playing intimidating characters in shows like Silent Witness, Line of Duty and Baptiste.
The 53-year-old’s role in The Effects of Lying is a departure from his usual serious roles, but he said though the film is a comedy, the depth of his character of Naveen is what attracted him to the role.
“I feel awkward pointing it out, but I think it’s good if it gives people confidence, if it gives the next generation confidence to say, ‘that’s just a story, I can relate to that’. If someone on the street stops me – white, brown, black, whatever background they may be from – and says to me ‘I really enjoyed that’, end of story for me.”
Bhatti, who has helped break the glass ceiling by playing roles that weren’t written specifically for a south Asian actor, urged people to demand for change and see a wide variety of dramas relating to south Asian communities.
“Certain dramas get made and say certain things, but people need to recognise we have different aspects to our lives. We’re not terrorists. We’re not sexual deviants. We’re not wife beaters and killers. There’s a lot of those stories that happen all the time. There’s other stories.
“We’ve just got to keep demanding. We’ve got an Asian prime minister, for God’s sake, which shows how far we’ve come. Production companies now want these kinds of stories and the audience want these kinds of stories.”
ACTOR Raj Ghatak praised the enduring appeal of The Producers as he takes on a role in the hit Broadway show, now playing in the West End.
Ghatak is the first person of colour to portray Carmen Ghia, the flamboyant partner of eccentric director Roger DeBris (Trevor Ashley) and, consequently, his character is dressed in the south Asian attire of sherwani (tunic) and kurta pyjama.
In an interview with Eastern Eye, he said, “The world was arguably a happier place when it was first written.
“But what we’re finding now is that audiences are so grateful to laugh. They sit down, immerse themselves in the story, and forget everything else. That’s the power of theatre.”
Describing the show as a kind of “therapy” for modern times, Ghatak said, “Audiences tell us how welcome it is to laugh so hard again”.
It is the first major London revival of American filmmaker and actor Mel Brooks’ classic, which earned an unprecedented 12 Tony Awards, and has transferred from a sold-out run at the Menier Chocolate Factory to the Garrick Theatre.
Based on Brooks’ 1967 cult film, the story follows two desperate Broadway producers who scheme to get rich by producing a flop, only for their plan to go hilariously wrong.
Trevor Ashley as Roger DeBris and Ghatak as Carmen Ghia in The Producers
Teeming with Brooks’ signature wit, the show delights in its irreverence, sending up everything from show business to politics. Ghatak said, “It’s massively exciting to be part of it. And this time around, they’ve leaned in to my ethnicity. I wear a kurta pajama and a sherwani – things that have obviously never been done before. It gives us visibility.”
Two decades ago, Ghatak starred in Bombay Dreams, AR Rahman’s West End musical produced by Andrew Lloyd Webber, that became a cultural turning point for British Asian performers.
Ghatak recalled how the show “broke the glass ceiling for south Asian actors”.
He said, “At the time, it was just a job – a very high-profile one. But, years later, people tell me they were taken to see that show as children, and because of it, they felt they had permission to be an actor. That’s something that was never the case in my day.”
That generational shift is something Ghatak takes pride in. “When I look back, it feels like we’ve come a long way. But we still have a long way to go.”
Being part of The Producers brought Ghatak face to face with one of his heroes. Brooks himself, now 99, had to approve his casting.
The actor said, “They filmed my meeting. I met the team on a Friday afternoon, and on Monday morning they said, ‘Pending Mel Brooks’ approval, we’d like to offer you the role.’ I remember thinking, if I don’t get his approval, does this mean I can’t do the job?”
The cast had four weeks of full-time rehearsals. “For that production, I watched both films,” Ghatak said, referring to the 1967 original and the 2005 version with Nathan Lane and Matthew Broderick.
“I wanted to understand the source material. I’m a firm believer that if it’s not broke, don’t fix it. Otherwise, you’re changing something for the sake of it. But rehearsals are where you experiment and play.” He credited both Brooks’ writing and Patrick Marber’s direction for the show’s humour.
“Our director comes from a background of plays. My own background is in plays, TV and film. So, we both approached this with the idea that, however heightened the situation or character, it must be grounded in truth,” he said.
Ghatak trained at the Royal Central School of Speech and Drama and Queen Mary University in London and has worked with Emma Thompson, Nicole Kidman, Riz Ahmed, Sir Derek Jacobi, Ewan M c G r e - g o r, Hugh Jackman and Benedict Cumberbatch. His stage credits include The Kite Runner, Life of Pi, Everybody’s Talking About Jamie and The Father and the Assassin. He has worked with some of the most respected directors in theatre, including Dominic Cooke, Indhu Rubasingham, Rufus Norris, Kerry Michael and now Marber.
Despite his achievements, the actor is conscious of the ongoing struggles for representation. He said, “As much as the situation has improved, we’ve still got a long way to go. Roles that challenge me, excite me. There are so many stories from the Asian subcontinent and diaspora that deserve to be told.
“When I started, there were very few people I could look to as role models. That’s why I’ve become such a champion for diversity and inclusion.”
Born and raised in north London to Bengali parents from Kolkata, he grew up surrounded by music and culture.
“My father was a doctor, and my mother was a chemistry teacher,” Ghatak said, adding, “But there was always music at home. My father sings Rabindra Sangeet, my mother plays guitar, and my sister is a classical singer.” Initially, he didn’t see acting as a viable career. “I went to a very academic school.
My interests were split between medical sciences and the performing arts.”
Eventually, he followed his childhood passion and trained as an actor.
He said, “A show like The Producers challenges me in a different way - it makes me laugh and it makes me think. That’s what keeps me passionate about the work.”
Asked what continues to excite him about musical theatre, Ghatak said, “Being in this show and telling this story. The comedy, the chaos, the craft… it’s such a joy. And to be the only person of colour among the six principal cast members, representing our community on such a stage, that’s something I’m proud of.”
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