Adipurush director responds to controversy over Saif Ali Khan’s ‘Islamised’ look as Ravana: ‘It’s got nothing to do with any Khiljis, Nadir Shahs, Genghis Khans, and Babars of the world’ | EasternEye
Adipurush director responds to controversy over Saif Ali Khan’s ‘Islamised’ look as Ravana: ‘It’s got nothing to do with any Khiljis, Nadir Shahs, Genghis Khans, and Babars of the world’
Starring Prabhas, Kriti Sanon, Saif Ali Khan, and Sunny Singh, Adipurush is set to release on February 12, 2023.
In an exclusive conversation with an Indian news channel, director Om Raut and dialogue writer Manoj Muntashir responded to the ongoing controversy around their forthcoming film Adipurush, which is based on the epic Ramayana.
The film has been facing unprecedented criticism ever since the makers dropped its official teaser on October 2. Right after the teaser dropped on YouTube, a number of people took umbrage of the portrayal of the lead characters, especially Ravana, and the poor CGI.
Reacting to the same, director Om Raut said, “We expected a very positive response, to be honest. It is kind of mixed. There are a lot of people who are saying good things about it. There are some people who are not, and there are some differences in their minds. This has been a journey, I must say.
He continued and said that he approached Manoj Muntashir to write the dialogue for Adipurush because of the love they share for Lord Ram. “Your research and study and knowledge of the literature, of the greatest Indian literature Ramayana, is extremely high, we all know that,” said Raut.
Speaking about the controversy over Saif Ali Khan’s so-called Islamised look as Ravana, Raut said, “He is demonic. He is a person who is the greatest villain of all time. He’s a ten-headed demon and you will have to see the film to actually understand that particular point. The demonic image of today’s generation of today’s time is the one I have tried to translate onto the screen correctly. We are making this film for the next generation. The idea behind this film is to take our great holy script, our Ramayana to the next generation. And not only for the next generation but for the world to see. And in order to make him intimidating, there is a certain visual, a certain image that comes to mind, which we tried to capture through our imagination. But definitely, that has got nothing to do with any Khiljis of the world, Nadir Shahs of the world, Genghis Khans of the world, Babars of the world. Not at all remotely is there a connection between them.”
Starring Prabhas, Kriti Sanon, Saif Ali Khan, and Sunny Singh, Adipurush is set to release on February 12, 2023.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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