T20 WC: Gulbadin stars as Afghanistan stun Australia with 21-run win
Afghanistan, also on two points like Australia, will stay in St Vincent to face Bangladesh on Monday, knowing what is needed to qualify for the semi-finals for the first time.
Vivek Mishra works as an Assistant Editor with Eastern Eye and has over 13 years of experience in journalism. His areas of interest include politics, international affairs, current events, and sports. With a background in newsroom operations and editorial planning, he has reported and edited stories on major national and global developments.
Gulbadin Naib led Afghanistan to a surprising 21-run victory over Australia in their Group One Super Eight match in the T20 World Cup at the Arnos Vale Stadium on Saturday. This was Australia's first defeat in the tournament.
Australia, set a target of 149, looked on course with Glenn Maxwell scoring 59 off 41 balls. However, Gulbadin took his third wicket in the 15th over, removing Maxwell and turning the game in Afghanistan's favour.
Australia were bowled out for 127 with four balls remaining, handing Afghanistan their first-ever win over Australia in a senior international match.
"It is a great moment for me, my nation, my people," said Gulbadin, who was named Man of the Match for his four wickets for 20 runs. "I learned a lot about the pitch from when we batted, and I am glad that (captain) Rashid (Khan) had faith in me."
Earlier, Pat Cummins took his second hat-trick in consecutive matches, disrupting Afghanistan's innings after a strong opening stand.
Rahmanullah Gurbaz and Ibrahim Zadran gave Afghanistan a solid start with a 118-run partnership.
Gurbaz scored 60 off 49 balls, and Zadran added 51 off 48 balls. However, four wickets for eight runs shifted the momentum back to Australia, with Marcus Stoinis and Adam Zampa contributing to the breakthroughs.
Cummins' hat-trick, which included the wickets of Rashid Khan, Karim Janat, and Gulbadin, ended Afghanistan's innings at 148 for six.
Australian captain Mitchell Marsh acknowledged the team's poor performance in the field. "It was an off night for us in the field and we own that," he said. "We knew it was a difficult wicket, but both teams bowled and batted on it, and we were simply outplayed by a better team on the night."
Reflecting on the match, Afghanistan captain Rashid Khan praised his team's performance. "It was important to return to the previous playing eleven after we tried a few different things in the last match against India,” he said. “We had in our minds that 140 was a good total on this wicket. The belief was there, and having so many bowling options like Gulbadin makes the job easier."
With the top two teams from the group advancing to the semi-finals, Australia now must win their final match against unbeaten leaders India in St Lucia on Monday to secure a place in the last four. Afghanistan, also on two points like Australia, will stay in St Vincent to face Bangladesh on Monday, knowing what is needed to qualify for the semi-finals for the first time.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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