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Ajay Devgn teases fans with the poster of wife Kajol’s next, Helicopter Eela

Superstar Ajay Devgn, who was last seen in Raj Kumar Gupta’s Raid (2018), unveiled the teaser poster of wife Kajol’s forthcoming movie earlier today. Apart from sharing the poster, the actor also announced the official title of the film. Helmed by Pradeep Sarkar, the movie has been titled as Helicopter Eela.

Sharing the teaser poster and title of the film, Ajay Devgn wrote on his Twitter handle, “She's here, there, everywhere!!! #HelicopterEela is coming on 14th September.@KajolAtUN @riddhisen896 @pradeepsrkar @HelicopterEela @ADFfilms @PenMovies @jayantilalgada.”


Helicopter Eela, which was earlier titled Eela, stars Kajol and National award-winning actor Riddhi Sen in important roles. Kajol plays a single mother and an aspiring singer in the movie. Helicopter Eela has been written by Mitesh Shah.

Ajay Devgn has produced the film in association with Jayantilal Gada (Pen). It is co-produced by Kumar Mangat Pathak, Vikrant Sharma, Reshmaa Kadakia, Kushal Kantilal Gada and Neeraj Gala.

Helicopter Eela is scheduled to hit the silver screen on 14th September 2018.

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5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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