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Akshay Kumar takes up yet another cause-based film

Bollywood superstar Akshay Kumar, who has previously toplined such social dramas as Airlift (2016), Jolly LLB 2 (2017), Toilet: Ek Prem Katha (2018) and PadMan (2018), is gearing up to add yet another issue-driven film to his credit.

According to reports, Kumar is reuniting with filmmaker R. Balki after the thunderous success of their maiden venture, PadMan, which opened to great critical response earlier this year.


Titled Mahila Mandal, their next movie is likely to be a woman-centric subject just like PadMan which dealt with the issue of menstruation and hygiene. “The film is being called Mahila Mandal. In keeping with its title, it revolves around women. Nonetheless, the role that Akshay plays is of immense significance,” an industry source divulges the information.

If industry insiders are to be believed, Mahila Mandal revolves around a bunch of women scientists who worked on India’s Mars Orbiter Mission (MOM), also called Mangalyaan (2014).

The casting process for the roles of women scientists has also begun and from what we hear a story narration has been given to Vidya Balan and Nimrat Kaur and both the actresses have agreed to come onboard.

We are now waiting for an official announcement of the project.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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