Known for his impeccable comic timing, flawless characterization and passion, actor Ali Asgar is clearly an expert in his field. However, the actor still regards every project as his very first and works with the same dedication. In a candid chat, he talks about his new show Jio Dhan Dhana Dhan, how he unwinds himself and his future plans.
How is it working with Sunil Grover and Shilpa Shinde in Jio Dhan Dhana Dhan?
It's a delight to work with Sunil Grover. I am working for the first time with Shilpa Shinde, she is superb. Working with Sugandha Mishra is like being back with my previous team. The same is true for Paresh Ganatra. It's like home for me.
How do you feel working with young producers Preeti and Neeti and their bunch of writers?
They keep on trying new things. The best part of Preeti is that she keeps on innovating. Her confidence level is really amazing and that helps us a lot and makes us more confident. It's been ages that I have been working with them. It's been 10 to 11 years that I have been associated with them. She knows everyone's strength and what we can deliver. She knows everyone's positive as well as negative sides and limitations. She doesn't stop for anything. She accepts new challenges and makes us accept them as well.
Your energy and enthusiasm are still the same. How do you maintain that?
I think that is the quality which has kept me moving in my life. I started working in 1984, so it's been almost 33 years now that I have been in television and films. I have tried all the mediums, except radio. As hungry as I was to face the camera on day one, I am still that hungry today. For an actor the day you think that you know this medium and you know how to perform, that is the end of your career. So, every day, I work like a newcomer, I keep on asking my writers to improvise. I think you must be honest with your work and acting skills and this is what has kept me focused. I have never been to any class or acting school, I have learnt from the 70s actors. I have collected all the DVDs and have researched a lot. God has been kind to me and my family has been very supportive.
At this stage, if you are offered a daily soap, would you do it?
I would love to do it. I would love to do a cameo role too…maybe something negative, a romantic character or maybe a father’s role.
Are you getting any films offers?
Yes, after Judwaa 2, thankfully, I have started getting offers.
How do you unwind yourself?
For me, if I perform well, my day is spent well and I get good feedback, my day is made. Sometimes, if I don't perform well, I look forward to the next day to rectify it. My kids are my life, my son is 14-year-old and my daughter is 12-year-old. I am a family man, I don't party. My wife is not from the industry. She is a teacher. I love spending time with them. It is the highlight of my day.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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