EASTERN EYE and the Asian Media Group (AMG) partnered with the Old Vic to bring a special audience to the world-famous theatre for a performance of Oedipus, starring Oscarwinner Rami Malek and Indira Varma in the lead roles.
“The thing I’m most excited about is the number of brown faces in the room,” joked Pavita Cooper, a trustee of the Old Vic.
The idea behind the partnership was set out by Shailesh Solanki, executive editor of AMG: “It’s real privilege for us to partner with the Old Vic and help the theatre engage with diverse communities who contribute so much to the rich tapestry of life in Britain.”
Pavita Cooper interviews Lilac Yosiphon at Old Vic Theatre
Guests last Tuesday (25) included Lord Jitesh Gadhia, a non-executive member of the Court of the Bank of England; hospitality entrepreneur Tony Matharu; former Tory party treasurer Malik Karim; Rishi Khosla, founder and CEO of the OakNorth Bank; philanthropist Dr Nik Kotecha, Dr Bharat Shah of Sigma Pharmaceuticals, Network International chairman Sir Ron Kalifa, chair of fintech Snoop Dame Jayne-Anne Gadhia and hotelier Girish Sanger.
Dr Nik Kotecha, Shailesh Solanki, Rohit and Kalindi Chandaria
The Old Vic was represented by many of its senior figures, including Lilac Yosiphon, who spoke to Cooper about the challenges involved in being associate director of Oedipus.
At a reception prior to the performance, Amit Roy, editor-at-large at Eastern Eye said that AMG was helping the Royal Horticultural Society, the National Trust, all three armed services and other organisations “recruit talent and market to ethnic communities”.
Aditya Solanki, Kalpesh Solanki, Elizabeth Hitchcock, Milan Khosla, Tony Matharu, and Rishi Khosla
He pointed out that Eastern Eye has a dedicated Arts & Culture section, and has been hosting its own Arts Culture & Theatre Awards (ACTA) for 10 years “to celebrate the best south Asian talent in the creative arts”.
In her remarks, Cooper said: “Like many of you in the room, I’m the daughter of Indian immigrants who came here with less than £10. They were focused on trying to get my sister and me to become doctors, and keeping us away from boys. They failed on both counts.
Scott and Diane Digangi Trench
“Once I was an adult, I was able to engage in theatre and start to go regularly, and it’s become a huge passion of mine. The Old Vic has a really strong social mission. Our outreach programme ensures that children from all diverse parts of London can experience attending a show and access our wide range of education programmes.”
Lord Jitesh Gadhia, Tony Matharu, Bharat Shah and Amit Roy
Cooper said: “In the last few months, I have been to the National Theatre, to the Bridge Theatre, to the Donmar. You all know that when you go to the ballet or the opera, we are in the minority. Thank you to the Asia Media Group for bringing you all together, because we need to encourage more people from diverse backgrounds to enjoy all of the arts.”
Paul Harrison, Lady Gill Kalifa and Sir Ron Kalifa
Inviting Asian entrepreneurs to support the Old Vic, she said: “I work with a team here to increase representation, both on the stage and in the audience. As a registered charity we are one of the very few theatres in London that does not receive regular public subsidy. The Old Vic is dependent on the generosity of its supporters deliver our mission and to invigorate, inspire and open doors to the world class theatre.”
At a time when more and more of us are feeling the overload of restlessness, stress, and anxiety – caused by work, family, and mass media – Rishab Sharma’s Sitar for Mental Health is just what is needed.
His show isn’t just a performance – independent of the audience – but an interactive movement that explores the intersection of sound, consciousness, and wellbeing. From the outset, the audience become part of the music and its hypnotic qualities.
To create this effect, Sharma draws upon the ancient raga system to tap into the therapeutic essence of Indian music, using tone, rhythm, and resonance to restore balance to the audience’s psyche.
In effect, the concert is – in parts - a trace-like meditation to the inner consciousness, a dialogue between the body and the soul. In other parts, it’s a raucous fusion of classic ragas and hits from popular culture – there’s even a quick nod to The Game of Thrones. It’s this modern fusion with just the right mix of spirituality and pop that makes the show an extraordinary blend that is soothing, serene, and tranquil.
Glimpses from Rishab Sharma's concert
The show opens with a short biographical film that highlights Sharma’s own battle with anxiety and depression, and the way the sitar has helped him to fight those mental demons. Sharma (a fourth generation of satarists) refers to his music guru, the late Ravi Shanker, his isolation during the lockdown, and the numerous international accolades he has received over the last few years (he’s still only 27).
After a light-hearted introduction, Sharma begins with a short pranayama (breathing exercise) to prepare the audience for the transcendental experience. The show is clearly a focus on mental health and wellbeing aspects which in recent years, have highlighted in social policies.
It’s no hyperbole to say that Sharma’s ragas unfold with astonishing grace and artistry. Though they are all beautifully composed, some of the pieces are particularly moving. For instance, Kailashon Ke Vaasiis a powerful work inspired by Lord Shiva’s cosmic abode. The slow-burning tune is spiritually rich, and as the other instruments joined in, the performance lifted into another realm. Every pluck and pause of the sitar is measured as if Sharma knows what the audience is feeling. With some members brimming with tears, the auditorium becomes a collective experience of shared memory. It’s as if the music and his strumming of the sitar is like a wormhole into our deep consciousness.
Other pieces seem more delicately composed – quiet and personal. Roslyn for instance, has a certain restraint, melancholy, and vulnerability. The silence between the notes speak as loudly as the notes themselves.
The sitar, with its shimmering overtones and elastic glides, becomes a tool for emotional release. The interplay between sitar and tabla creates a pulsating energy that gently realigns the listener’s attention inward, offering an experience that is simultaneously grounding and transcendent.
Glimpses from Rishab Sharma's concert
The finale ShivTaandav is, of course, a beautiful and emotional tribute to Sharma’s Hindu roots and the audience – all standing – felt a certain religious and cultural pride in seeing the passion with which this was delivered. Sheer poetry in motion.
In the end, Sharma’s performance leaves the listener not just musically enriched, but spiritually and emotionally renewed. This is entertainment and therapy at its finest – a rare and beautiful gift in our restless age of modernity and cacophony of life. If you are to see one classical performance this year, this is it.
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