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Ananya Panday psyched up about working with Deepika Padukone

On Tuesday, Dharma Productions’ head honcho Karan Johar announced his next production venture, featuring Deepika Padukone, Ananya Panday and Siddhant Chaturvedi in central characters. Produced by Karan Johar, the upcoming movie will be directed by Shakun Batra who has previously helmed Ek Main Aur Ek Tu (2012) and Kapoor & Sons (2016).

Ananya Panday, who made her acting debut with Dharma Productions’ Student of the Year 2 (2019), is quite psyched up about working with Deepika Padukone. During a recent interview, the newcomer said, "I am really delighted that I can finally tick it off my wish list now. The film is really of a different genre, where there will be some romantic drama. It is something that I have not done before and I am looking forward to."

The actress, whose latest film Pati Patni Aur Woh (2019) is still running successfully in several cinemas across the world, went on to add, "Deepika Padukone is an actress I truly love and I also really enjoyed watching Siddhant in Gully Boy (2019). Moreover, I am working again with Dharma Productions, which feels like home and I am really happy about it. I'll forever be grateful to Karan Johar. My director Shakun Batra, I believe, is one of the finest in the industry and he has been the dream director I have always wanted to work with."

Meanwhile, Ananya Panday is currently working on Khaali Peeli, produced by filmmaker Ali Abbas Zafar. The actress has been paired opposite Ishaan Khatter in the film. This is the first time when the duo is working together on a project. Directed by Maqbool Khan, Khaali Peeli is reportedly a remake of the Telugu film Taxiwaala (2018) starring southern heartthrob Vijay Deverakonda. It is scheduled to release on 12th June 2020.

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The Mummy

Relies on body horror, sound design and shock value over spectacle

X/ DiscussingFilm

How Lee Cronin’s 'The Mummy' turns a classic adventure into a domestic horror

Highlights

  • Moves away from the adventure tone of The Mummy (1999) into possession-led horror
  • Shifts the setting from desert tombs to a family home in Albuquerque
  • Focuses on parental fear and a “returned” child rather than treasure hunting
  • Relies on body horror, sound design and shock value over spectacle
  • Critics call it bold and unsettling, but uneven in storytelling

From desert spectacle to domestic dread

For decades, The Mummy has been tied to adventure, romance and spectacle, most famously in The Mummy (1999). That version thrived on sweeping desert landscapes, archaeological intrigue and a sense of escapism.

Lee Cronin takes a sharply different route. His reworking strips away the sense of adventure and relocates the horror into the home. The story still begins in Egypt, anchored by an ancient sarcophagus, but quickly shifts to the United States, where the real tension unfolds inside a family house.

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