Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
PAKISTANI prime minister Shehbaz Sharif and opposition leader Raja Riaz agreed to name Senator Anwaar-ul-Haq Kakar as caretaker premier to oversee elections, the prime minister's office said.
Kakar, 52, a little-known politician from the southwestern province of Balochistan, will name a cabinet and head a government to steer the nation through economic and political crises until a new government is elected.
"The prime minister (Sharif) and leader of opposition have jointly signed the advice which will be sent to the president for approval," the statement said.
President Arif Alvi approved Kakar's appointment, the president's office said in a statement.
Under Pakistan's constitution, a neutral caretaker government oversees national elections, which must be held within 90 days of the dissolution of the parliament's lower house - which in this instance means early November.
The choice of caretaker prime minister has assumed greater importance because the candidate will have extra powers to make policy decisions on economic matters, while the elections may be delayed by up to six months.
The Election Commission has to draw new boundaries for hundreds of federal and provincial constituencies and, based on that, it will give an election date.
Riaz told broadcaster Geo News that he believed elections would take place in February next year, and not as scheduled before November.
Kakar, who Riaz said was the opposition's candidate for premiership, has been serving a six-year term in Pakistan's Senate since 2018, but his selection came as a surprise as he had not even been mentioned earlier as a prospective candidate.
His mineral-rich home province of Balochistan is Pakistan's largest by size, but smallest by population, and has been a hotbed of violent nationalist insurgency for decades.
Kakar is listed as an independent politician by the Senate, but is reported by local media to be a part of the Balochistan Awami Party, which is widely considered to be close to the country's powerful military.
The military continues to have a huge role behind the scenes in Pakistan. It has ruled the country directly for over three decades of its 76-year existence, and wields significant power in politics.
Political analysts say that if the caretaker set-up stretches beyond its constitutional tenure, a prolonged period without an elected government would allow the military to consolidate control.
The party of former prime minister Imran Khan, who is currently in jail and barred from contesting elections for five years following his conviction for corruption, expressed hope that Kakar would ensure free, fair and credible elections.
"If there are questions over the credibility of elections, there will be no political stability, which is critical for economic certainty," former foreign minister Shah Mahmood Qureshi, who is currently leading Khan's party, said in a TV interview.
Economic stabilisation is the top challenge with the $350 billion economy on a narrow recovery path after an International Monetary Fund (IMF) bailout averted a sovereign debt default.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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