AP X playlist: I’m always discovering new sounds and revisiting favourites
By ASJAD NAZIRMar 16, 2023
AMERICAN battle rapper AP X has added to his impressive list of musical milestones with newly released single I’m Him.
The top talent from Dallas has shown off his lyrical, vocal and music skills on a multi-layered song with an international sound. Eastern Eye caught up with the red-hot rapper and got him to select 10 songs he loves.
He said: “My playlist constantly changes. I'm always discovering new sounds and revisiting favourites. These are 10 diverse songs I've been enjoying lately. I recommend checking out ones you haven't heard and appreciate ones you already know, by relistening to them.”
I'm Him by AP X: This song is a flex anthem meant to show the world that I'm really the rapper I say I am. The ambience starts off dark and heavy like a storm but ends on an ethereal/hopeful note. It reminds me that ‘I'm him’ and will eventually find light at the end of the tunnel, as long as I keep pushing. I hope when y'all listen to it, you feel the same way.
Best Rapper Alive by Lil Wayne: This captures everything I love about Lil Wayne. He effortlessly flows on the beat with clever metaphors and makes it clear he's here to stay. Production-wise, the guitars, bassline, and choir vocals in the background solidify the song's timeless rockstar feel.
Adaptation by The Weeknd: To me, this song is about The Weeknd realising the vices he's been chasing can't fulfil him. That he's gone too far for things to ever go back to how they were. The song's raw and cinematic production - combined with his impressive vocals - really captures the despair that resulted in his jaded persona.
The cover of his new song I’m Him
November 18th by Drake: Always loved Drake, and this song is what really did it for me. The vibes are immaculate. Drake's melodies and bars, the chill beat, and screwed up vocals all come together to make one of the smoothest songs of all time. It sounds just as good today as it did when I first heard it 11 years ago.
Rock Bottom by Eminem: Beautifully written and performed, this song really showcases the desperation and struggle Eminem faced before he finally blew up. The boom bap style beat paired with Eminem's smooth flow make this a classic.
Stolen by Jay Sean: When I first heard this song, it blew my mind. I never thought that Indian music could blend with western music like this. Rishi Rich and Stargate completely flipped a classic Bollywood sample and created a whole new sound. Throw on Jay Sean's amazing vocals, and you can see why Stolen is one of my all-time favourites.
AP X
Try Again by Aaliyah: The funky Timbaland beat paired with Aaliyah's beautiful vocals and harmonies make this song such a vibe. It's the kind of song you can play in any setting, from parties to gyms, cars, etc. You can also really hear the sincerity in her voice when she sings. Definitely one of my favourites of hers.
By Mistake by Young Dolph: Everything about this song is big and powerful. It's a shameless flex that makes you feel like you made it out the struggle right there with him. The beat hits super hard and Dolph's dope voice and ad libs only add to the vibe. Every time I play this song, I just feel like getting hype and turning up.
Stop Breathing by Playboi Carti: This is a pretty menacing song, but I love everything about it. The hellish beat paired with his raspy delivery make this song's energy unmatched. There's no build-up before the drop, and the intensity doesn't slow down at any point in the entire song. The violent lyrics and aggressive ad-libs only further add fuel to the fire.
Ek Raasta Hai Zindagi by Kishore Kumar: This song was part of my parent's music collection; I grew up listening to this and other Bollywood classics. Beyond my own nostalgia, there's so much to appreciate about this song. The production is beautiful, from the tempo of the drums to the strings, bells, all of it. The track's vibe makes you feel like you're about to start an adventure with Kishore Kumar's roaring vocals leading the way.
WHEN Rishi Sunak became an MP, he swore his oath on a copy of the Bhagvad Gita, but few people – including perhaps Britain’s first Asian prime minister – will have been aware of the efforts of a Shropshire-born civil servant in that little moment of history.
Charles Wilkins (1749-1836) was an employee of the East India Company and an avid Sanskrit lover. He arrived in India and went on to study the language under scholars in then Benares (now Varanasi, which India’s prime minister Narendra Modi represents) and produced what is believed to be the first English translation of the holy Hindu text.
It made the Gita accessible not only to the British, but also millions of Indians, including Mahatma Gandhi, and years later, Sunak.
This is just one of the anecdotes Manu Pillai uncovers in his new book, Gods, Guns and Missionaries: The Making of the Modern Hindu Identity, published earlier this year.
Pillai traces the transformation of the religion over the past four centuries – from the arrival of early Europeans in the Indian subcontinent to British rulers and the rise of Indian leaders during the freedom movement – and examines the impact of those influences.
Manu Pillai
“Most of us look at Hindu identity today through the prism of Hindu-Muslim relations, because in the present, that is what became,” Pillai told Eastern Eye. “But to me, it seemed like a lot of modern Hinduism was actually influenced by colonialism and Christianity.”
Not so much in the way that missionaries converted millions of people, Pillai explained, as they “never had physical success in terms of numbers”, but “they had a lot of intellectual success in terms of placing these moulds and frameworks of thinking, which we took in order to articulate a modern avatar for Hinduism. So, I thought that story deserved to be told.”
This is his fifth book, which Pillai began in 2019, following a dissertation on Hindu nationalism at King’s College London. At the outset, he clarified the book is not about his academic thesis, rather it examines the impact of the early Portuguese, the Italians and other Europeans, then the East India Company, the British and finally, Indian reformers and politicians prior to and after independence.
Pillai said, “Hinduism is not a Western-style religion. It’s a cultural framework in which there’s multiple diversities. Think of it like a draw cabinet; it is the overall frame that is Hinduism. But each door has its own individual identity, as well.”
And , the cover of his new book
Pillai charts the influence of hardline Portuguese missionaries whose influence is evident in Goa even today, while in the south, an Italian priest, Roberto de Nobili, adopted the local Hindu ways in order to spread the teachings of Christianity.
The book also shows how British colonial rulers were initially reluctant to the push from missionaries in the UK to proselytise communities in the subcontinent, before eventually changing their minds. Reformers such as Serfoji and Raja Ram Mohan Roy adopted a more modern approach, followed by Dayananda Saraswati, Bal Gangadhar Tilak, Jotiba Phule and Veer Savarkar, whose interpretation of Hinduism came at a time of India’s freedom struggle.
This intertwining of religion and politics is not new, though, Pillai said. History has shown how rulers patronised places of worship and this continues in contemporary times, too.
The writer described how Jawaharlal Nehru (independent India’s first prime minister) and “the Nehruvian elites made a conscious effort to keep religion out, but bubbling just beneath that first level, (but) religion was always present in politics. Caste was always present in politics.”
Pillai said, “It was Nehru’s charisma and electoral success that allowed him to keep it at bay or in check. But it was never absent. By Indira Gandhi’s time, she started playing the religious card as needed, whenever she felt her party could benefit from it.”
He added, “The difference is religion has now come much more centrestage and openly acknowledged.”
Pillai also noted how economic clout and technology have both played a part in the recent assertion of religious identity, the most obvious is the patronage of places of worship, while carrying out rituals under the guidance of a priest over a video link is now the norm.
In the book, he writes about how the spread of the English language in the subcontinent meant exposure to new ideas, thus empowering Indians to not only challenge authority, but also learn about the world outside their country.
“The British employ Indians who can speak English. They pay those Indians. Those Indians are getting cash revenue. They are no longer dependent just on their farms (to earn their living). They use that to patronise their community. They build temples,” Pillai said.
“So, ironically, the wealth created by service in the British East India Company ends up in the flowering of Hinduism. The railways, which the British laid to move their troops around, also enables pilgrim traffic to temples. “All of these things come together – technology, politics and economics.”
More recently, Pillai said Hindu resurgence “isn’t purely due to political dynamics”. His view is that with rising disposable income, “you have time to think about identity, and now you have money to patronise things.”
He cites the example of Kerala, where he is from, explain how remittances from the Gulf countries led to a boom in old family temples being renovated. “There is something culturally coded in organising a big puja, or making donations to a temple is seen as an a c h i e v e m e n t , weighing yourself in grain and donating to a temple.
“So that kind of religious identity also boomed with economic boom. It’s not as an economic boom creates some rational paradise. On the contrary, an economic boom can actually result in a greater flowering of religiosity.
“Partly because of that, post liberalisation (of India in the 1990s), there’s been a new middle class that’s emerged, there’s also now disposable income. People have the wherewithal to now think beyond roti, kapda, makaan (food, clothes and shelter), and to think about who are we as a people? And the answer to that question lies in religion, culture, heritage.”
India and south Asia’s vast diversity dictate the way Hinduism is practised, across not just the subcontinent, but also across the world, where the diaspora communities are settled. Consequently, this shapes the evolution of Hindu identity.
Pillai said the next challenge for Hinduism will be maintaining that inner diversity, “because we live in times where there’s so much emphasis on that homogenised identity, on one reading of that label, of what it means to be a Hindu.
“It takes away from how much pluralism there is within the faith itself. The richness of Indian culture, in general, has been the fact that all religions that have entered India have become pluralized, even if it’s Islam.
“Islam in Kerala is not the same as Islam in Bhopal. When the north Indian Muslims under the Muslim League, as I mention in the book, went to Kashmir in the 1940s hoping to woo the Kashmiri Muslims, they were horrified. They thought that Kashmiris, with their saint worship, and all of that were not even proper Muslims. They said, ‘we’ll have to teach them Islam first, before making them Muslims, because they couldn’t recognise that version of Islam. “Everything in India is hybridised, and in many ways, that has been our strength, these hybrid identities have continued over so many generations. “What would be a major challenge is this tendency towards homogenising… towards feeling there has to be only one version of Hinduism and one interpretation of things.
“Even our epics have so many retellings. In Kerala there is an oral kind of Ramayana, in which Shurpanakha, when she propositions Rama and says, ‘I want to marry you’. And he says, ‘No, I’m already married. You go to Lakshmana.’ Shurpanakha turns around and says, ‘That’s okay; the Sharia says you can marry twice, more than one woman.
“So this is a Ramayana in which Shurpanakha quotes the Sharia, because it’s a Muslim Ramayana.
“That is the kind of country we come from. And I think losing that, where everything has become standardised, and that’s a global phenomenon, something we’re seeing around the world. That is a tragedy. That would be the bigger challenge.
“We need more people telling these stories about our inner plural, pluralism and diversity – which is not to devalue that framework. The framework has its own value. I’m not saying that Hinduism should somehow be only about its pluralism, but at the same time, it has to be a fine balance between maintaining that inner richness, maintaining all the threads in the tapestry without painting the whole tapestry one single shade.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.