AN influential medical journal article that found hydroxychloroquine increased the risk of death in Covid-19 patients was retracted on Thursday (4), adding to controversy around a drug championed by US President Donald Trump.
Three of the authors of the article retracted it, citing concerns about the quality and veracity of data in the study.
The anti-malarial drug has been controversial in part due to support from Trump, as well as implications of the study published in British journal The Lancet last month, which led several global Covid-19 studies to be halted.
The three authors said Surgisphere, the company that provided the data, would not transfer the dataset for an independent review and they "can no longer vouch for the veracity of the primary data sources".
The fourth author of the study, Dr Sapan Desai, chief executive of Surgisphere, declined to comment on the retraction.
"When you have reputable journals that put this kind of work out and are retracted 10 days later, it just increases mistrust," said Dr. Walid Gellad, a professor at University of Pittsburgh's medical school.
The Lancet said on Thursday it "takes issues of scientific integrity extremely seriously, and there are many outstanding questions about Surgisphere and the data that were allegedly included in this study".
It said institutional reviews of Surgisphere's research collaborations were urgently needed.
Another study in the New England Journal of Medicine that relied on Surgisphere data and shared the same lead author, Harvard Medical School Professor Mandeep Mehra, was retracted for the same reason.
The observational study published in The Lancet on May 22 said it looked at 96,000 hospitalized Covid-19 patients, some treated with the decades-old malaria drug. It claimed that those treated with hydroxychloroquine or the related chloroquine had higher risk of death and heart rhythm problems than patients who were not given the medicines.
The World Health Organization, which paused hydroxychloroquine trials after The Lancet study was released, said on Wednesday it was ready to resume trials, and dozens of other trials have resumed or are in process.
"I did not do enough to ensure that the data source was appropriate for this use," the study's lead author, Professor Mehra, said in a statement. "For that, and for all the disruptions – both directly and indirectly – I am truly sorry."
Many scientists voiced concern about the study, which had already been corrected last week because some location data was wrong.
Nearly 150 doctors signed an open letter to The Lancet calling the article's conclusions into question and asking to make public the peer review comments that preceded publication.
The episode highlights how studies to prevent and treat the virus are being conducted at unprecedented speed while garnering high levels of attention that could give findings unwarranted weight.
New Stratus strain linked to hoarse voice among UK cases
Experts say no increase in severity, vaccines remain effective
Reduced testing makes tracking variants increasingly difficult
Noticing the subtle signs
Across England, some people are reporting a hoarse voice alongside mild cold-like symptoms — a subtle signal of the new Stratus Covid strain. With its two offshoots, XFG and XFG.3, this variant is quietly becoming a larger part of UK infections.
Unlike previous waves marked by fever or loss of smell, the Stratus strain is drawing attention for more understated changes, prompting doctors to remind the public that even minor symptoms can indicate infection.
Dr Alex Allen, consultant epidemiologist at the UK Health Security Agency, said:
“Viruses continue to mutate over time. While Stratus is spreading, there is no evidence it causes more severe illness than previous variants.”
Tracking Covid in a low-testing era
Falling numbers of people taking Covid tests make it harder for authorities to measure the true spread of XFG and XFG.3. Internationally, XFG has already appeared in Europe, Southeast Asia, and the Americas.
The World Health Organisation has assessed the variant as “low risk” globally. Vaccines remain effective against symptomatic and severe disease, though certain spike protein mutations in Stratus may partially reduce antibody recognition.
Everyday precautions and awareness
While hospitalisations have not risen sharply, medical experts advise paying attention to subtle symptoms like a hoarse voice, particularly for children, older adults, and those with pre-existing conditions.
Dr Kaywaan Khan, Harley Street GP, said:
“Stratus shows that Covid continues to evolve. Staying alert to mild symptoms and maintaining vaccinations remain the best tools for protection.”
For many, the lesson is that Covid’s presence is still felt in everyday life — sometimes in the smallest, most unexpected ways.
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Traditional sarees in blue and white marked the occasion
Charity walk at Clumber Park united 38 participants across generations
Traditional sarees in blue and white marked the occasion
Over £2,000 raised for Parkinson’s UK
Sarees and solidarity at Clumber Park
Members of the Bangladeshi community in Yorkshire gathered this summer for a colourful charity walk that raised more than £2,000 for Parkinson’s UK.
The event, held on 26 July at Clumber Park in Worksop, was organised by the Dhaka Medical College Alumni Association UK (DMCAA UK). Thirty-eight participants, from children to grandparents in their 60s, walked in coordinated blue and white sarees – colours reflecting Parkinson’s UK – turning the park into a vibrant celebration of culture, unity, and purpose.
Families walking for a cause
The day was about more than fundraising. It brought together families across generations, with children not only joining the walk but also being recognised with certificates for their involvement. After the walk, the community enjoyed a picnic, where younger participants shared their reflections on the importance of giving back.
Dr Mahjabin Islam, Consultant Neurologist and NIHR Sheffield BRC Doctoral research fellow at the University of Sheffield, described the event as a milestone:
“This was our first large-scale fundraising effort, and it was such a rewarding experience. Seeing families, from the youngest to the eldest, come together in our cultural attire for such an important cause was very special. We are proud that our community could unite in this way to support Parkinson’s UK.”
It was organised by the Dhaka Medical College Alumni Association UKParkinson’s UK
A growing need for awareness
Parkinson’s is the fastest-growing neurological condition in the world, affecting 166,000 people across the UK. With over 40 symptoms, ranging from tremor and pain to anxiety, the condition has no cure.
Ailsa Dragan, Community Fundraiser for Yorkshire at Parkinson’s UK, praised the effort:
“We’re so grateful to Dr Islam, the DMC Alumni Association UK, and everyone who both organised and took part in the walk to make it such a great success.”
For the organisers, the walk was both a cultural celebration and a commitment to supporting those living with Parkinson’s – and a reminder that small community-led efforts can make a meaningful difference.
The International Siddhashram Shakti Centre has brought devotion and colour to Harrow with its 19th annual Navratri Garba celebrations, launched on 22 September at the Harrow Leisure Centre under the guidance of HH Rajrajeshwar Guruji. The fortnight-long festival, running until 2 October, will end with a Sharad Poonam finale on 5 October. This year, the event also honoured 60 years of Harrow Council, reinforcing the connection between culture, faith and civic pride.
Aniruddhacharya Ji’s Message
Visiting saint Pujya Shri Aniruddhacharya Ji Maharaj, in London for a Shrimad Bhagwat Katha organised by Siddhashram, addressed the gathering with a call to balance modern education with spiritual roots.
“Chant the Hanuman Chalisa, study the Gita and Ramayan, and never forget your Dharma even as you achieve in the modern world,” he said. “Guruji’s efforts are extraordinary in uniting communities and strengthening Sanatan values globally.”
Spiritual Blessings
Guruji reminded devotees that Navratri is more than dance. “It is about awakening the soul, staying united, and living with devotion. This year, as we celebrate Harrow Council’s 60th anniversary, may Mataji bless everyone with wisdom, strength and joy,” he said.
Civic Leaders Speak
The event drew praise from local MPs and civic leaders. Gareth Thomas MP described it as “a celebration that enriches Harrow’s diversity”. Bob Blackman MP called it “a proud moment reflecting unity across generations.”
Harrow Council’s Managing Director, Alex Dewsnap, said the combined celebration of Navratri and the Council’s 60th year showed how “faith, culture and civic duty are intertwined in Harrow.” Mayor Cllr Anjana Patel praised Siddhashram for “preserving traditions while uniting people of all backgrounds.” Council Leader Cllr Paul Osborn said the Garba “captures the joy and togetherness that define Harrow.”
Several councillors including Cllr Hitesh Karia, Cllr Vipin Mithani, Cllr Kanti Rabadia, Cllr Krishna Suresh, Cllr Sasi Suresh, Cllr Chetna Halai, Cllr Graham Henson, Cllr Stephen Greek, Cllr Thaya Idaikkadar, Cllr Kuha Kumaran, Cllr Ramji Chauhan, Cllr Mina Parmar, and former Mayors Bhagwanji Chauhan, Ajay Maru and Cllr Pankit Shah, Labour Party leaders Mike Williams and James Watkins also joined the celebrations. Notable guests included Manoj Ladwa and philanthropist Samjibhai Patel, who honoured civic leaders on Siddhashram’s behalf.
Saints Abhiramacharya Ji Maharaj of Prayagraj and Pujya Shri Jentibapa from Gujarat also graced the celebrations.
Representatives from the Metropolitan Police, Fire Brigade, British Army, Royal Navy, St John’s Ambulance and Harrow Interfaith groups joined on different days, demonstrating strong community support.
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Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal
Selena Gomez married Benny Blanco in Santa Barbara on September 27.
The pop star wowed in a Ralph Lauren halter gown and a second sheer lace dress.
Her Old Hollywood Marcel wave bob was the highlight of the bridal look.
Guests included Taylor Swift, Paul Rudd, Martin Short, Steve Martin, and Paris Hilton.
Celebrity weddings increasingly use multiple outfits as branding and PR moments.
Selena Gomez wedding photos are finally here, and yes, she looked absolutely stunning. The pop star tied the knot with Benny Blanco in Santa Barbara, California, rocking not one but two Ralph Lauren dresses, each perfectly timed for different parts of the day. Her old Hollywood bob hairstyle completed the look, giving classic glamour vibes while also showing how stars stage multiple wardrobe moments for maximum impact.
Selena Gomez wedding shocks fans with dual Ralph Lauren gowns and Old Hollywood bob reveal Instagram/selenagomez/itsbennyblanco
Old Hollywood bob steals the spotlight
Gomez’s hairstylist, Renato Compora, went all out, crafting a Marcel wave bob that looked straight out of a 1950s Hollywood set. He layered treatments, deep conditioning, and thermal protection before curling every inch, creating those soft, polished waves. Fans have seen Gomez experiment with her bob before, but this wedding-ready style was absolute perfection.
First, there was the custom satin halter gown with a flowing full skirt: classic, romantic, and timeless. Then, Blanco shared photos showing Gomez in a sheer lace skirt with intricate floral detailing, strappy heels, and a dramatic veil. But it is not just a fashion flex. Celebrities are increasingly using multiple looks to craft a narrative, create media buzz, and showcase personal branding across different wedding moments.
The wedding was not just about the couple; it was a Hollywood mini-festival. Taylor Swift arrived solo. Ed Sheeran, Paris Hilton, and Gomez’s co-stars from Only Murders in the Building, Paul Rudd, Steve Martin, and Martin Short, were all there. The ceremony at Sea Crest Nursery had 170 family and friends, complete with private security, exquisite floral touches, and Ralph Lauren suits for the groom and his groomsmen.
— (@)
Celebrity wedding trends and branding
Gomez’s multiple looks hint at a bigger trend: weddings as brand statements. Celebrities are increasingly viewing their weddings as an extension of their public persona, right down to the meticulously chosen dresses and hairstyles. Every ensemble, photo carousel, and accessory presents an opportunity to establish the narrative, attract media attention, and convey a tale without using words.
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Visitors view gowns and displays at the Marie Antoinette Style exhibition at the V&A
For Eastern Eye visitors to the sumptuous new Marie Antoinette Style exhibition at the V&A, the whole show has to be seen in the context of India’s relations with France and especially that between Tipu Sultan, ruler of Mysore, and the young fashion queen.
Marie Antoinette, the Princess Diana of her day, loved to wear the muslin and printed cotton gowns sent from India.
In return, she sent Tipu delicate Sèvres porcelain, plus busts of herself and her husband, King Louis XVI.
Tipu’s plan was to form an alliance with the French in his fight against the British. The alliance never materialised, although Tipu did send ambassadors to France.
A portrait of Tipu Sultan
Tipu and Marie Antoinette’s exchange of gifts was immortalised in paintings and sketches.
The exhibition’s curator, Sarah Grant, told Eastern Eye of Marie Antoinette’s connection with Tipu: “Tipu Sultan sent his ambassadors to the court of France on an official visit. They presented gifts to Marie Antoinette – Indian muslins and beautiful gowns. And she presented gifts which they took back. But one of the busts (of herself) was looted by British soldiers in the 19th century and brought to England. So it had this extraordinary history. There was this interesting exchange of style and fashion between India and France.
A painting of Marie Antoinette and Louis XVI receiving Tipu Sultan’s ambassadors in 1788
“All this is well documented. There are paintings of the ambassadors arriving at court in Versailles. There was an exhibition, Visitors to Versailles, which looked at diplomatic visits from India and China. But it seems Tipu Sultan and Marie Antoinette had a particular connection.
“India had developed the technology for printed and dyed cotton, something in which they were leaders in the world. France tried to steal that knowledge and technology, and sent spies to observe the processes. There was a ban on importing Indian printed cottons into France. So many people were wearing them that officials feared importing would damage France’s native industries. But cotton cloth was still being imported from India. They were printing it in France and selling it.”
She agreed “100 per cent” with the V&A’s director, Tristram Hunt, who described Marie Antoinette as “the most fashionable queen in history across 230 years of design, dress and film”.
Hunt added: “The exhibition combines her infamy with her influence. Balancing the sumptuous 18th century gowns on show are contemporary fashion pieces in the final room, including couture works by designers such as Moschino, Dior, Chanel and Vivienne Westwood, and, of course, the wonderful costumes designed for Sofia Coppola’s brilliant Oscar winning Marie Antoinette.”
Grant said: “Part of it is she was very fashionable. She loved fashion. Obviously, most monarchs, most queens, most emperors, most empresses, dress in finery. But she was particularly interested in new fashions, new styles. The pace of fashion accelerated under her.
The Sutherland Diamonds
“She’s not just stylish. She’s not just wearing what everyone else is wearing. She is creating new fashions and inspiring other people. Certainly, people in the Anglo-Saxon world, in North America and in Britain, were following very closely what Marie Antoinette was wearing in France. She dies young, and we never see her age.”
Tipu, who was born on December 1, 1751, was the Sultan of Mysore from 1782 until he was killed in battle defending his stronghold of Srirangapatnam on May 4, 1799. He was defeated in the Fourth Anglo-Mysore War by a combined force of the British East India Company troops supported by the Marathas and the Nizam of Hyderabad.
Marie Antoinette born Maria Antonia Josepha Johanna von Habsburg-Lothringen, archduchess of Austria, in Vienna on November 2, 1755, the daughter of Empress Maria Theresa and Emperor Francis I. She married Louis Auguste, Dauphin of France, in May 1770 at the age of 14, becoming the Dauphine of France.
On May 10, 1774, her husband ascended the throne as King Louis XVI, and she became queen. She was the last queen of France before the French Revolution and the establishment of the First Republic. Her husband was sent to the guillotine on January 21, 1793, in Paris, during the French Revolution. She was similarly executed on October 16, 1793.
A portrait of Marie Antoinette by François Hubert Drouais (1773)
Marie Antoinette was accused of saying, “Let them eat cake”, when informed the poor couldn’t afford bread. She said no such thing. But the quote has stuck and her alleged heartlessness used to justify her execution.
The exhibition has a sketch of the executioner waving her head. There is also the chemise she wore in her death cell. It very much resembles an Indian kurta. There is also a plaster cast of her severed head.
The exhibition displays a muslin dress from 1785-90, similar to the one Marie Antoinette had worn.
Antoinette had worn. “This is one of only two muslin chemise dresses from Marie Antoinette’s time that survives, a style that the queen helped to popularise,” says a note. “In her memoirs, Madame Campan described the queen and her friends in the summer of 1778 dressed in ‘muslin gowns, with large straw hats and muslin veils, a costume universally adopted by women at that time’. The queen also wore a muslin gown given to her by Tipu Sultan in 1788.”
There is another “Robe à la francaise”, from 1775-80: “In the late 1770s, Marie Antoinette and her circle embraced gowns made of cotton and linen as lighter and fresher alternatives to silk. This gown’s pink silk lining, visible through the fine white muslin, creates a blush effect, which was a specific contemporary trend. France’s East India Company imported many cotton fabrics from India, such as this figured and embroidered muslin.”
The exhibition has a reference to diamonds, probably sourced from India.
The “Diamond Necklace Affair” is explained: “In 1784 and 1785, a necklace became the centre of a theft that captivated the French public. With diamonds totalling 2,842 carats, it was the most expensive necklace ever made in France. Louis XV commissioned it for his mistress, Madame du Barry, but died before it was completed. The necklace was offered to Marie Antoinette who refused it, but a con artist, Jeanne de la Motte, tricked a courtier, the Cardinal de Rohan, into paying for part of it, supposedly on behalf of the queen. La Motte then absconded with the diamonds. Although Marie Antoinette was entirely innocent, the fallout dealt a fatal blow to her already ailing reputation.”
A muslin gown worn by the French queen
There is a display of the “Sutherland Diamonds”, with the setting from 1780-90: “The stolen necklace from the ‘Diamond Necklace Affair’ was broken up and brought to England. These diamonds almost certainly come from that sale. Probably mined in Golconda, India, the stones are of the finest clarity and brilliance. The central diamond alone weighs about 15 carats. They were worn by successive Duchesses of Sutherland to the coronations of Queen Victoria and George VI.”
The steel tycoon Lakshmi Mittal could consider dropping in to see the exhibition, since some of the 250 objects on display come from Chateau de Versailles, the main royal residence (although Marie Antoinette also had a private residence, Petit Trianon, in the palace grounds). When Mittal’s daughter, Vanisha Mittal, married Amit Bhatia in 2004 in a £30m wedding, there was a glittering feast for 1,000 guests at the Palace in Versailles hired for the occasion.
Marie Antoinette Style is at the V&A until March 22, 2026.