TEEN TALENT AVANTIKA VANDANAPU DISCUSSES HER MOVE FROM INDIAN CINEMA TO HOLLYWOOD
THE latest south Asian star to emerge in the Hollywood sky is 16-year-old American actress Avantika Vandanapu.
The talented American teenager found success in India at the age of 10 with a string of successful films, alongside big-named stars, and commercials across three years, before returning to the US. After strong supporting roles in Hollywood films, TV shows and high-profile theatre productions, the trained actress, fluent in English, Tamil, Spanish, Hindi, and Telugu, landed the lead role in recently released movie Spin.
The coming-of-age Disney drama sees her play the daughter of a widowed father who unexpectedly finds her calling in DJing. With more Hollywood projects on the way, including Senior Year, and plans to become a producer she has become one to watch.
Eastern Eye caught up with rising star Avantika to discuss her new film Spin, impressive rise, ambitious plans, and her new-found DJing skills.
How have you handled so many acting projects at a young age?
I have amazing, supportive people around me who help me make solid decisions and manage pressure. With them around me, I feel better about dealing with the relatively new aspects of being an actor in both India and America. Truly, a good support system makes all the difference. Also, it can be quite overwhelming to be working in two industries (Hollywood and Indian cinema), simultaneously. Feeling like I have to take every job that comes my way and worrying about spreading myself too thin, are emotions I am all too familiar with.
What helps you manage that?
I find that having role models who are successfully managing careers in two or more industries is so helpful. Looking at their career paths, I try my best to emulate them in my own work, while also staying true to myself.
What was it like moving back to America after three years of working in India?
I moved to India soon after I booked my first Telugu film. It was quite a transition as I had grown up in America, but it was a leap I had to take for my passion. My parents were also big supporters of my journey, so I remain very thankful to them. After three years of working in India, I decided to finally return to America because I felt that opportunities for people of colour were growing in Hollywood. I wanted to take a shot at pursuing my dreams in my homeland. After returning to the US, I realised that Hollywood had more acting roles and movies I was drawn to working in. I was determined to make a career for myself, and here we are now.
Spin
What was the experience of being a part of pathbreaking animated series Mira, Royal Detective?
I loved voicing an animated character. It was such an interesting experience. Watching your voice come to life in the format of a painting, of sorts, was so amazing. Aside from the voiceover aspect of the project, I was honoured to be a part of Disney’s first south Asian animated show. I met wonderful people and members of the south Asian community through Mira, Royal Detective – for that, I will remain eternally grateful.
How did you feel landing the lead role in Spin?
Unlike most “you booked it” calls, I was told that I got the role in the (audition) room! I was not expecting it at all because it’s not really a common practice to tell an actor that they booked the part in the room. As you can imagine, I was in tears and overwhelmed by the big news. I bet, somewhere in Disney’s archives, there’s a video of me crying in the room with my audition sides in my hands.
Tell us about your new film Spin?
Spin covers the journey of Rhea Kumar, an Indian American teenager coming of age and discovering her passions. Rhea struggles to juggle family, friends, responsibilities to her family’s restaurant, coding club, and her new-found interest in music, reignited by Max. Throughout the film, Rhea learns the importance of prioritising, keeping her morals, juggling various things on her plate, and aiming for the stars. It’s a beautiful, empowering story about a young girl who aspires to be a musician, and how she goes about it.
Tell us a little more about your character Rhea?
Rhea is a bubbly, determined, and extraordinarily loyal person. She is definitely relatable in the sense that she’s struggling with confidence and having trust in her capabilities – an obstacle many teenagers face. Her love for music and her perseverance is inspiring and I hope that those qualities will motivate viewers to take a leap of faith when it comes to pursuing their passion.
What was the biggest challenge of acting in the movie?
One of the main challenges I faced while playing Rhea Kumar was overcoming the nerves I had, of this being my first feature film in America. I didn’t want to let anyone down and wanted to ensure that I did my best job for this movie.
What was it like working with Bollywood actor Abhay Deol and British actress Meera Syal in Spin?
For being artists of such calibre, all of them are such humble and considerate people. They remind me to stay grounded no matter where the industry takes me. Abhay ji, Meera ji, and Aryan (Simhadri) are all such giving actors as well, it is an absolute pleasure to work alongside them.
Do you now have any DJing skills?
Preceding this film, I had absolutely no experience of DJing. However, I received nearly two months of training for this film from our wonderful music composer Marius and our on-set DJ VJ. The classes really helped me understand the fundamentals of beat-matching, song-selection, and gave me a much-needed insight into a DJ’s mind. By no means am I a professional DJ, but I’m glad I received such amazing training because it immensely helped me to get into Rhea’s character.
What music dominates your own personal playlist?
I love listening to r’n’b, 80’s pop, and jazz music.
What kind of roles do you want to play in the future?
I would like to be a part of empowering movies that shed light on important issues in our society. It’s very crucial for me to play roles in films that can truly make a difference.
Is it true that you are already thinking of producing?
Yes! I recently optioned the rights of a New York times best-selling trilogy of books. I would like to start off producing one of the books. I am currently in the initial stages of pitching the idea of the movie to producers and production companies.
What inspires you?
I don’t really know how to answer this question without sounding generic. But truthfully, people inspire me. People are so beautiful and the desire to tell stories to them and to tell their stories inspires me.
Why should we all watch Spin?
Watch Spin if you need a little boost in mood, daily inspiration, or just want to forget about the world for a minute.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.