FABULOUS NEW MUSIC STAR FOLLOWS IN THE FOOTSTEPS OF HIS FATHER ADNAN SAMI
by ASJAD NAZIR
THE pressure of being the son of massively popular musical maestro Adnan Sami and legendary actress Zeba Bakhtiar hasn’t crushed Azaan Sami Khan.
The multi-talented young star has instead, rapidly risen up through the ranks with his mesmerising musical mastery and jumped out of the giant shadow cast by his world-famous parents. He has successfully composed songs for blockbuster films and even wrote the superb movie screenplay for successful cinematic gem Superstar.
The singer, songwriter and musician recently released his highly acclaimed debut solo album Main Tera, which has nine standout tracks that cover a range of emotions. This will launch a new phase, which will see him rise even further.
Eastern Eye caught up with Azaan Sami Khan to discuss his new album, music and comparisons with his famous father.
You are still young but have had an amazing musical journey. How do you look back on it?
I think the most important thing for me to acknowledge is that since a very young age, I had the opportunity to shadow very talented artists and surround myself with their work. I try to use those experiences every day in my professional life and incorporate it in everything I do. So yes, a lot of it would be called a good musical journey. So far, it’s accredited to Allah and then the people I’ve had the opportunity of knowing, being around and working with. I can’t really accredit myself for most of that.
You say that all your projects are very closely connected to you. You are clearly doing the right things. Do you have a set method of working?
I don’t know if I’m doing the right thing or not, but no, I don’t have a set method of working. After working on every song, I get very nervous and think I won’t be able to come up with the same level of creativity again. There’s always a heightened sense of nervousness. But, there’s no fixed process of working for me. I don’t really devise a plan and think, today, I’m going to sit down and write a song. It happens very sporadically.
What led to your new album Main Tera?
After (composing) film music, I felt I wanted to do something that would tell my own story. There are similar compositions I have done before, but my music always represents how I’m feeling. When I’m happy, I’ll compose a cheerful thing. When I’m sad, I’ll create something that signifies that. The process is the same when I’m lonely or excited, and so on. So, there’s a biographical element, which I’ve tried to bring forward with my music. There are things I felt would be apt to put on my own album, instead of trying to impose it on a character in a movie, as it is what I am personally feeling, and it would be a dishonest thing to do otherwise. So, the fact I wanted to get my own story across led to my own album.
Tell us about the new album?
The album is a musical amalgamation of my personal experiences. It defines who I am and who I’ve been up to this point. Whoever listens to it would probably get to know me better than they would when they hear me speak or in any other way. It gets very dark in some places and is super happy in some. There’s a reflective point in every song. Moreover, I’ve had the fortune of working with some tremendous music producers and artists from around the world, who have put their heart and soul into bringing this album to fruition.
Who do you hope connects with it?
Truthfully, I have never thought about making a song for a particular kind of audience. I try to imitate or insinuate something I feel and hope to connect with anyone out there who’s feeling the same. I think that’s very important. For instance, Main Tera is about that feeling you get when you just start falling in love with somebody or meet someone and that infatuation builds up. I hope it resonates with anyone around the world who is feeling that or has felt that. I feel music holds the power to connect people like that. I never aim for a certain age group or demographic, it’s always about whoever’s feeling the same and can connect with it.
Which songs on there are closest to your heart?
That’s like asking someone who their favourite child is. Can’t really choose now, can you?
You have already set a high bar, does that put pressure on you?
Not at all! I don’t think about that kind of pressure at all. I only try to release things I feel are in a ready condition to be out. A lot goes in the making of a song. There are previous versions of the same songs I might not release. I don’t compare my songs with one another, and don’t want that on my mind. I always try to put out the best I can and give my listeners the best possible experience.
You are versatile, but which genre do you prefer?
I listen to all kinds of music, from western classical to eastern classical and a wide range of genres. Being a musician and composer requires me to listen to a vast variety of music, and I personally enjoy that. However, there’s no specific genre.
What can we expect next from you?
Right now putting the album out in the best possible way is what’s on my mind. Once the album is out, I want to get out and perform the songs live and connect with the audience on a deeper level.
How do you deal with any comparisons to your father Adnan Sami?
It’s not a comparison per se, I have always looked at it as a legacy. And when there’s a legacy, there’s a standard to be maintained, and that for me is very important. I am aware of who my father is and what an incredible legend he is, musically. So, more than a comparison (of our work), it is a responsibility for me to uphold that certain standard.
What inspires you musically?
Feelings inspire me the most.
If you could master something new in music, what would it be?
I don’t think you can master anything that other people have already spent their lives trying to master; you just try to do the best you can. I would probably try to be a better songwriter and composer, so basically, just try to be better at what I am already doing.
Which artists would you love to collaborate with?
I would love to have collaborated with someone from the past, like Frank Sinatra or assisted RD Burman saab. I really like Habib Ali Muhammad saab as a composer. There are a whole lot of other people I would love to collaborate with and hope I get to do it someday.
What music dominates your personal playlist?
Everything, basically. It can be the most random chart-topping music, or it can be something underground and underrated that I may have come across. I listen to a variety of genres and they all dominate my playlist.
Why should we pick up your new album?
I think more than anything, it’s an honest attempt at putting forward a glimpse of who I am. And more than me, there are incredible musicians and artists, who you’ve heard on some of your favourite songs in the past 20 to 30 years; they’ve all worked on it. So, if you need to take that trip down memory lane, along with me, definitely check the album out.
Why do you love music?
I think it has been a companion of my life since I was very young. I’ve been defined as a musician and an actress’ son my whole life. Music has always been that secure friend of mine that I lean on.
Jury in Sean "Diddy" Combs’ sex trafficking and racketeering trial sends fifth note to judge.
Concern raised about one juror’s ability to follow instructions; judge advises deliberations to continue.
Jurors request transcripts of Cassie Ventura and Daniel Phillip’s testimonies.
Combs faces five charges, including racketeering conspiracy and sex trafficking, and could face life in prison.
Jurors in the high-profile criminal trial of Sean “Diddy” Combs have raised new concerns as deliberations continue, sending a fifth note to the judge questioning whether one juror can follow instructions. The jury also asked to review key testimonies from singer Cassie Ventura and witness Daniel Phillip, signalling the complexity and weight of the decision they face.
Diddy trial jury raises alarm over juror and demands key witness testimoniesGetty Images
Jury seeks witness transcripts in Diddy sex trafficking trial
On the second day of deliberations, the jury asked to review four specific pieces of testimony: three from Combs’ ex-girlfriend Cassie Ventura and one from male stripper Daniel Phillip. The requests relate to critical events, including an incident at the InterContinental Hotel and a Cannes Film Festival encounter.
The defence and prosecution are currently negotiating which parts of these testimonies should be submitted to the jury. Combs, who has denied all charges, remained in court as the latest note was read and legal teams reconvened.
The jury’s focus on testimony details suggests they are carefully weighing evidence linked to the most serious allegations, including coerced sexual encounters allegedly orchestrated by Combs as part of a broader racketeering conspiracy.
Marc Agnifilo, attorney for Sean "Diddy" Combs, arrives at federal courtGetty Images
Concerns over juror raise questions during deliberations
Just hours into the first day of deliberations, the jury sent a note to Judge Arun Subramanian expressing concern that one juror “cannot follow” legal instructions. That juror, reportedly a scientist by profession, had earlier described the trial as a “good break” during voir dire.
Judge Subramanian instructed the jury to continue deliberating, reminding them of their duty to follow court instructions. Legal experts say such internal jury issues can complicate proceedings but are not uncommon in high-stakes trials.
Sean 'Puffy' Combs arrives at Manhattan Supreme Court in 2001Getty Images
If found guilty, Combs could face a minimum of 15 years and up to life in prison. The charges include racketeering, sex trafficking, and transporting women for prostitution. The trial, now in its final phase, has drawn intense public interest and influencer coverage outside the Manhattan courthouse.
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Diljit Dosanjh in a still from Sardaar Ji 3 set for overseas release only
Sardaar Ji 3 rakes in £275,000 (₹3 crore) on opening day in Pakistan, surpassing Sultan.
Diljit Dosanjh responds to backlash: “When we shot the film, everything was fine.”
Film was not released in India due to controversy over Pakistani actress Hania Aamir’s casting.
Worldwide opening weekend collection touches £1.6 million (₹18.1 crore).
The Punjabi-language horror-comedy Sardaar Ji 3, starring Diljit Dosanjh and Pakistani actress Hania Aamir, has become the highest-grossing Indian film ever released in Pakistan. Despite being banned in India, the film grossed £275,000 (₹3 crore) on its opening day and £825,000 (₹9 crore) over the first weekend in Pakistan alone.
The movie was released internationally on 27 June but did not receive clearance in India due to political tensions following the Pahalgam terror attack. Its success across the border has reignited debates around cross-border cultural collaborations and censorship.
Sardaar Ji 3 Pakistan box office collection sets new benchmark
Despite ongoing tensions and a ban on Indian films in Pakistan since 2019, Sardaar Ji 3 was cleared by the Pakistani censor board and released nationwide. The opening day collections broke the previous record held by Salman Khan’s Sultan, which had earned £265,000 (₹2.9 crore) on day one in 2016.
Nadeem Mandviwalla, a leading cinema distributor in Karachi, called it “the best opening for any Indian or Pakistani film in recent years,” adding that school holidays and the lack of quality cinema had contributed to packed halls.
Diljit Dosanjh shared videos of audience reactions from Pakistan on his Instagram, celebrating the overwhelming support while refraining from commenting directly on the boycott in India.
Diljit Dosanjh defends overseas release, says “situation changed after shoot”
The controversy stems from the casting of Hania Aamir, which violated the Indian film workers’ ban on Pakistani artists. Actor Naseeruddin Shah publicly defended Dosanjh, criticising attempts to scapegoat him for political gain.
Speaking in an interview, Dosanjh clarified, “We shot the film in February when everything was fine. After the attack, the producers knew they couldn’t release it in India. They’ve spent a lot on this film, and releasing it overseas is the only way to recover costs.”
Ranbir Kapoor calls Lord Ram the most meaningful role of his career during his final-day speech.
Ramayana: Part 1 shoot wraps after an extensive schedule led by director Nitesh Tiwari.
Ravi Dubey, who plays Lakshman, is seen sharing an emotional hug with Ranbir on set.
The film is set to release in cinemas during Diwali 2026, followed by Part 2 in 2027.
The filming of Ramayana: Part 1, directed by Nitesh Tiwari, has officially come to an end. Ranbir Kapoor, who plays Lord Ram in the ambitious mythological film, delivered a heartfelt speech during the wrap ceremony, calling it the most significant role of his career. A now-viral behind-the-scenes video captures Ranbir hugging his co-star Ravi Dubey, who plays Lakshman, as the cast and crew celebrated the emotional milestone.
Producer Namit Malhotra reveals how AI will make Ramayana resonate globally with native-language realism IMDB/Reddit
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Ranbir Kapoor calls Lord Ram his most meaningful role
In a clip circulating on social media, Ranbir Kapoor can be seen standing before the full cast and crew on the final day of the shoot. Addressing the team, he expressed deep gratitude for being part of what he called a “once-in-a-lifetime” project. “Portraying Lord Ram has been the most meaningful role of my life,” he said, standing beside Ravi Dubey, who portrays Lakshman. Ranbir also thanked co-stars Sai Pallavi, Yash, Sunny Deol, and others, acknowledging their contribution to the massive production.
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Director Nitesh Tiwari also addressed the gathering with an emotional speech, which was met with cheers and applause. Videos from the day show a close-knit crew cutting a cake and capturing candid moments, one of which was Ranbir embracing Ravi in a warm hug.
Ramayana Part 1 set for Diwali 2026 release
With filming now complete, Ramayana: Part 1 is set to enter post-production. The star-studded cast includes Ranbir Kapoor as Ram, Sai Pallavi as Sita, Yash as Ravana, Sunny Deol as Hanuman, Kajal Aggarwal as Mandodari, and Lara Dutta as Kaikeyi. The film is being mounted on a grand scale, with Oscar-winning VFX studio DNEG handling visual effects.
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The first instalment is expected to hit theatres during Diwali 2026, with Part 2 planned for a Diwali 2027 release. An official poster reveal is expected on 3 July, as anticipation builds for what is shaping up to be one of Indian cinema’s most ambitious mythological sagas.
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Ensemble Festival 2025 returns to Royal Docks with bold new outdoor shows
Ensemble Festival 2025 to be held on 26–27 July at Royal Victoria Docks, London.
Free outdoor event featuring circus, dance, street art and physical theatre.
Highlights include new works by Sadiq Ali, Vidya Thirunarayan and Miss High Leg Kick.
This year marks the 10th anniversary of organisers Certain Blacks.
This summer, London’s historic Royal Victoria Docks will transform into a hub of vibrant outdoor performance as Ensemble Festival 2025 returns on 26 and 27 July. Presented by arts organisation Certain Blacks, the free weekend event features an interesting line-up of new circus, dance and street theatre works, while also celebrating a decade of championing diverse and underrepresented artists.
Set across two full days, the Ensemble Festival 2025 programme includes exciting new commissions such as Tell Me by Sadiq Ali Co., a Chinese pole circus piece tackling HIV stigma, and Holy Dirt, a visceral collaboration between director David Glass and Indian artist Vidya Thirunarayan.
Vidya Thirunarayan in Holy Dirt brings myth and ritual into raw physical form The Clay Connection
The festival also sees the return of audience favourite Miss High Leg Kick with Palais de Danse, a multi-sensory throwback to the 1950s dance hall era. Nandita Shankardass’s Roots to Rise brings together Indian classical movement with contemporary dance to explore memory, ancestry and women’s resilience. Other acts range from aerial theatre in Hug by Levantes Dance Theatre to climate-themed installations like Hydropunk by Artizani and Tenderfoot Theatre.
Sadiq Ali's pole performance explores HIV stigma with athletic graceLuke Whitcomb
Certain Blacks marks 10 years of championing diversity
2025 is a milestone year for Certain Blacks, the East London-based organisation behind Ensemble Festival. Known for spotlighting talent from across socio-economic, ethnic, gender and neurodiverse backgrounds, Certain Blacks has become a vital force in the UK arts scene.
Sadiq Ali delivers a daring upside-down act in his powerful show Luke Whitcomb
“Our aim has always been to bring diverse artists from the margins into the mainstream,” said artistic director Clive Lyttle. “This year’s Ensemble Festival reflects that, with a powerful mix of voices and perspectives, many being showcased on this scale for the first time.”
Ensemble Festival forms part of Without Walls, a major UK network that supports ground-breaking outdoor performance. As one of its partners, Certain Blacks plays a key role in shaping new work for public spaces across the country.
Dancers in Nandita Shankardass’s Roots to Rise connect movement with memoryJohn Evans
The festival remains accessible with step-free access and dedicated facilities, and also continues its commitment to sustainability with green practices across production.
TikTok is testing a new one-way messaging feature called bulletin boards.
Jonas Brothers, People magazine, and Paris Saint-Germain among early testers.
The feature mimics Instagram’s broadcast channels but may expand further.
Only creators can post; followers can react with emojis but not comment.
TikTok is trialling a new feature called bulletin boards, allowing select creators and brands to send direct broadcast-style messages to their followers, similar to Instagram’s broadcast channels. The Jonas Brothers, football club Paris Saint-Germain, and People magazine are among the first to test the tool, which shows TikTok’s growing focus on creator-fan intimacy beyond its traditional feed.
TikTok’s new tool mimics Instagram’s broadcast channels
Unlike regular TikTok posts that rely on algorithms or viral reach, bulletin boards aim to offer a more direct communication path. Only the creator can post updates, which may include text, videos, or images, while followers can respond with emoji reactions but cannot comment. The format is clearly inspired by Instagram’s broadcast channels, launched in 2023, where artists and influencers routinely share behind-the-scenes content and personal messages.
The new bulletin system was first spotted by marketing strategist Christina Garnett, who shared screenshots via Threads, showing how fans are invited to follow these boards. Once subscribed, users receive notifications whenever a creator sends out a new update.
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Big-name creators signal broader rollout plans
Early involvement from mainstream acts like the Jonas Brothers indicates TikTok is positioning bulletin boards as a premium tool for high-engagement fanbases. With creators constantly seeking ways to reach audiences without relying on the platform’s unpredictable feed algorithm, the feature could become a valuable line of direct communication.
It is also a clear move in the current trend of social platforms “borrowing” each other’s best features: Instagram mimicked TikTok’s short-form videos with Reels, while TikTok introduced Stories in 2022. Now, it is returning the favour with this broadcast-style tool.
People's Bulletin boardICYMI
The key question remains whether TikTok will differentiate its version with interactive additions like polls, which Instagram already offers. But for now, bulletin boards could offer artists and brands a streamlined way to share announcements, tour updates, and exclusive previews straight to their superfans’ inboxes.