39 dead in Bangladesh violence; rallies banned and internet shut down
Sparked by student anger over the controversial quotas, the protests are also being fuelled by economic issues, including high inflation and rising unemployment in Bangladesh.
Vivek Mishra works as an Assistant Editor with Eastern Eye and has over 13 years of experience in journalism. His areas of interest include politics, international affairs, current events, and sports. With a background in newsroom operations and editorial planning, he has reported and edited stories on major national and global developments.
Police in Bangladesh's capital Dhaka banned all public rallies on Friday following the deadliest day of student protests, during which government buildings were torched, and a nationwide internet blackout was imposed.
This week's unrest has resulted in at least 39 deaths, including 32 on Thursday. Clashes have been reported in nearly half of the country's 64 districts, suggesting the toll may rise.
Sparked by student anger over the controversial quotas, the protests are also being fuelled by economic issues, including high inflation, rising unemployment, and dwindling foreign exchange reserves, according to some analysts.
On Friday morning, students resumed their protests ahead of planned pro-government counter-demonstrations set to start after midday prayers in the Muslim-majority country.
Dhaka's police force banned all public gatherings for the day, marking the first time such a step has been taken since the protests began, to prevent further violence.
"We've banned all rallies, processions, and public gatherings in Dhaka today," police chief Habibur Rahman told AFP, stating the move was necessary for "public safety."
Dhaka Metropolitan Police spokesman Faruk Hossain told AFP that officers had arrested Ruhul Kabir Rizvi Ahmed, the joint secretary of the main opposition Bangladesh Nationalist Party (BNP).
"He faces hundreds of cases," Hossain said, without providing further details on Ahmed's detention.
Earlier, police in the capital reported that protesters had torched and vandalised numerous police and government offices. Among the affected buildings was the Dhaka headquarters of state broadcaster Bangladesh Television, which remains offline after hundreds of students stormed the premises and set fire to a building.
"About 100 policemen were injured in the clashes yesterday," Hossain told AFP. "Around 50 police booths were burnt."
Hospital staff descriptions suggest police fire caused at least two-thirds of the deaths reported this week.
By Friday morning, the streets around the capital were empty but bore signs of the previous night's chaos, with burnt vehicles and scattered bricks from protesters visible.
Fresh clashes erupted between police and protesters in Dhaka later in the morning. Hundreds of students blocked roads in the Banani district, as witnessed by an AFP correspondent. Police fired tear gas in several areas around the city of 20 million people.
The protests have also revived old and sensitive political fault lines between those who fought for Bangladesh's independence from Pakistan in 1971 and those accused of collaborating with Islamabad.
Among the former are the Awami League, the ruling party led by Hasina, who has labelled the protesters "razakar," a term used for collaborators during the independence era.
Internet shutdown
Clashes were reported in at least 26 districts on Thursday, according to broadcaster Independent Television. The network reported over 700 injuries, including 104 police officers and 30 journalists.
London-based watchdog Netblocks reported a "nation-scale" internet shutdown on Friday, stating that it "prevents families from contacting each other and stifles efforts to document human rights violations."
Recent marches have called for the abolition of a quota system that reserves more than half of civil service jobs for specific groups, including children of veterans from the country's 1971 liberation war against Pakistan. Critics argue the system benefits children of pro-government groups supporting prime minister Sheikh Hasina, who has ruled since 2009 and won her fourth consecutive election in January after a vote without significant opposition.
'Symbol of a rigged system'
Rights groups accuse Hasina's government of misusing state institutions to maintain power and suppress dissent, including through extrajudicial killings of opposition activists. This week, the administration ordered schools and universities to close indefinitely as police intensified efforts to control the deteriorating law and order situation.
"This is an eruption of the simmering discontent of a youth population built over years due to economic and political disenfranchisement," Ali Riaz, a politics professor at Illinois State University, told AFP. "The job quotas became the symbol of a system which is rigged and stacked against them by the regime."
Despite Hasina's national address on the now-offline state broadcaster seeking to calm the unrest, students have vowed to continue their campaign.
"Our first demand is that the prime minister must apologise to us," protester Bidisha Rimjhim, 18, told AFP on Thursday. "Secondly, justice must be ensured for our killed brothers," she added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.