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Bedfordshire A5 crash victims identified by tattoos and scars

Bedfordshire A5 crash victims identified by tattoos and scars

THREE of the four men who died in a car crash that caught fire on the A5 in Bedfordshire, had to be identified from their tattoos and scars.

Zahir Baig, Sahir Iqbal, Jason McGovern and Mohammed Uddin were in a black BMW when the crash happened on 10 October. It was found 100m (328ft) from the road, close to the Flying Fox roundabout near Heath and Reach.


All four died from multiple injuries and fatal burns, Bedfordshire Coroner's Court heard.

During the opening of the inquest, senior coroner Emma Whitting heard that the car was driven by Baig, 39, from Luton. The car "went airborne and landed in a field", ending on its roof.

Another cause given for Baig's death was excessive alcohol. His body was identified by tattoos.

Iqbal, 39, from Luton, seated rear nearside seat was idenfied by a tattoo, and Uddin, 41, also from Luton, travelling front passenger seat, was identified from scars on his body.

The fourth person, McGovern, 46, from Leighton Buzzard, was travelling in the rear offside passenger seat. A full inquest into the accident will be heard next year.

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Martin Parr, who captured Britain’s class divides and British Asian life, dies at 73

Highlights:

  • Martin Parr, acclaimed British photographer, died at home in Bristol aged 73.
  • Known for vivid, often humorous images of everyday life across Britain and India.
  • His work is featured in over 100 books and major museums worldwide.
  • The National Portrait Gallery is currently showing his exhibition Only Human.
  • Parr’s legacy continues through the Martin Parr Foundation.

Martin Parr, the British photographer whose images of daily life shaped modern documentary work, has died at 73. Parr’s work, including his recent exhibition Only Human at the National Portrait Gallery, explored British identity, social rituals, and multicultural life in the years following the EU referendum.

For more than fifty years, Parr turned ordinary scenes into something memorable. He photographed beaches, village fairs, city markets, Cambridge May Balls, and private rituals of elite schools. His work balanced humour and sharp observation, often in bright, postcard-like colour.

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