Shining legacy of 1954 Indian classic ‘Boot Polish’
The movie masterpiece, produced by Raj Kapoor, broke all the rules to become a huge international success and offered audiences something genuinely different.
A still from Boot Polish
By Asjad NazirSep 14, 2024
ONE of the greatest Indian films that very few from the modern generation have seen is the 1954 classic Boot Polish.
The movie masterpiece, produced by Raj Kapoor, broke all the rules to become a huge international success and offered audiences something genuinely different. The emotional story of two orphans trying to survive the harsh realities of homelessness and their journey towards a brighter future received international acclaim, including a special mention at the Cannes Film Festival.
It also won best film at the Filmfare Awards after its release on August 20, 1954.
Eastern Eye marks the recent 70th anniversary of this extraordinary Bollywood movie you likely haven’t seen by revealing 10 reasons why it remains special after so many decades.
Story: The biggest hero of Boot Polish was the writing. Bhanu Pratap delivered a gripping storyline of two orphans, forced to fend for themselves in an unforgiving world, who try to make an honest living by shining shoes. The well-crafted tale takes audiences into the heart of darkness but then lifts them into the light with a wonderfully crafted ending. There are relatable human emotions, great life lessons, and important social commentary, which remain relevant today. Boot Polish showed that if the writing is strong enough, a movie doesn’t need big stars to be successful.
A poster from Boot Polish
Performances: There haven’t been many performances from young protagonists in a commercial Hindi film that can match the brilliance of child actors Ratan Kumar and Naaz. Their portrayals of two siblings trying to survive in cruel surroundings while holding onto their humanity struck a chord with audiences globally. Their innocence added honesty to the emotions onscreen, elevating the film further. Both received international acclaim, with Naaz earning a special mention at the Cannes Film Festival. David also delivers an award-nominated performance as the kind-hearted bootlegger.
Direction: Legendary filmmaker Raj Kapoor may have only been credited as the producer, but it is said that he ghost-directed large parts of the film. Prakash Arora, who had worked as Kapoor’s assistant in previous blockbusters, was officially credited as director. Whether it was one or both of them working together, the direction is flawless from start to finish. From the great pacing to the realistic storytelling inspired by Italian neo-realism and bringing out the best in the cast, everything about the filmmaking was spot-on.
Reality: By the 1950s, most Bollywood movies had a larger-than-life quality, but Boot Polish offered a grounded connection to reality, making it more relatable. It spotlighted poverty without the romanticism of commercial films, which portrayed impoverished characters living carefree lives. This realistic drama inspired other filmmakers to add authenticity to their stories, eventually contributing to the Hindi cinema art house movement. Its raw reality also helped it connect with international audiences.
A still from Boot Polish
Timeless: Themes such as child poverty, homelessness, struggling to make an honest living, and the plight of orphans make this film timeless. The human emotions and the universal dream of a better tomorrow covered in the movie remain relatable even today. This shows how special this time-transcending treasure is.
Music: The songs, composed by music duo Shankar Jaikishan, perhaps don’t get the credit they deserve. The standout track, Nanhe Munne Bachche Teri Mutthi Mein Kya Hai, written by legendary lyricist Shailendra, was a huge hit. Sung by Mohammed Rafi and Asha Bhosle, the song became iconic. The other tracks blend seamlessly into the narrative, adding depth to the story.
Moments: The film is filled with memorable moments, from captivating set pieces like the climax to tearjerking scenes and inspiring dialogues about the value of hard work. These unforgettable scenes, built around emotions and key messages, are still impactful today. The songs are also beautifully picturised.
Ending: Boot Polish was inspired by the neo-realism of Italian cinema, which was taking global cinema by storm, but the huge difference was the ending. Whilst Italian cinema took a deep dive into darkness, Boot Polish offered rays of hope, culminating in a feel-good ending that resonated deeply with audiences. The finale tied in with the children’s journey and gave the film great repeat value.
A still from Boot Polish
Path breaker: From its storytelling and unique protagonists to its international success, Boot Polish was a path-breaking film for Bollywood. It helped Indian cinema gain global recognition, becoming the first commercial Hindi film to achieve wide distribution in America. Its achievements gave Indian filmmakers the courage to try new things and expand creatively.
Life-affirming: While some may view it as a tearjerker, Boot Polish is ultimately life-affirming. Decades before Slumdog Millionaire, this film told the story of street orphans overcoming adversity while holding onto their humanity. It shows that kindness can exist in a cruel world and that challenges can be overcome. By illustrating the value of perseverance, Boot Polish has inspired generations and remains a cinematic masterpiece.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.