Shining legacy of 1954 Indian classic ‘Boot Polish’
The movie masterpiece, produced by Raj Kapoor, broke all the rules to become a huge international success and offered audiences something genuinely different.
A still from Boot Polish
By Asjad NazirSep 14, 2024
ONE of the greatest Indian films that very few from the modern generation have seen is the 1954 classic Boot Polish.
The movie masterpiece, produced by Raj Kapoor, broke all the rules to become a huge international success and offered audiences something genuinely different. The emotional story of two orphans trying to survive the harsh realities of homelessness and their journey towards a brighter future received international acclaim, including a special mention at the Cannes Film Festival.
It also won best film at the Filmfare Awards after its release on August 20, 1954.
Eastern Eye marks the recent 70th anniversary of this extraordinary Bollywood movie you likely haven’t seen by revealing 10 reasons why it remains special after so many decades.
Story: The biggest hero of Boot Polish was the writing. Bhanu Pratap delivered a gripping storyline of two orphans, forced to fend for themselves in an unforgiving world, who try to make an honest living by shining shoes. The well-crafted tale takes audiences into the heart of darkness but then lifts them into the light with a wonderfully crafted ending. There are relatable human emotions, great life lessons, and important social commentary, which remain relevant today. Boot Polish showed that if the writing is strong enough, a movie doesn’t need big stars to be successful.
A poster from Boot Polish
Performances: There haven’t been many performances from young protagonists in a commercial Hindi film that can match the brilliance of child actors Ratan Kumar and Naaz. Their portrayals of two siblings trying to survive in cruel surroundings while holding onto their humanity struck a chord with audiences globally. Their innocence added honesty to the emotions onscreen, elevating the film further. Both received international acclaim, with Naaz earning a special mention at the Cannes Film Festival. David also delivers an award-nominated performance as the kind-hearted bootlegger.
Direction: Legendary filmmaker Raj Kapoor may have only been credited as the producer, but it is said that he ghost-directed large parts of the film. Prakash Arora, who had worked as Kapoor’s assistant in previous blockbusters, was officially credited as director. Whether it was one or both of them working together, the direction is flawless from start to finish. From the great pacing to the realistic storytelling inspired by Italian neo-realism and bringing out the best in the cast, everything about the filmmaking was spot-on.
Reality: By the 1950s, most Bollywood movies had a larger-than-life quality, but Boot Polish offered a grounded connection to reality, making it more relatable. It spotlighted poverty without the romanticism of commercial films, which portrayed impoverished characters living carefree lives. This realistic drama inspired other filmmakers to add authenticity to their stories, eventually contributing to the Hindi cinema art house movement. Its raw reality also helped it connect with international audiences.
A still from Boot Polish
Timeless: Themes such as child poverty, homelessness, struggling to make an honest living, and the plight of orphans make this film timeless. The human emotions and the universal dream of a better tomorrow covered in the movie remain relatable even today. This shows how special this time-transcending treasure is.
Music: The songs, composed by music duo Shankar Jaikishan, perhaps don’t get the credit they deserve. The standout track, Nanhe Munne Bachche Teri Mutthi Mein Kya Hai, written by legendary lyricist Shailendra, was a huge hit. Sung by Mohammed Rafi and Asha Bhosle, the song became iconic. The other tracks blend seamlessly into the narrative, adding depth to the story.
Moments: The film is filled with memorable moments, from captivating set pieces like the climax to tearjerking scenes and inspiring dialogues about the value of hard work. These unforgettable scenes, built around emotions and key messages, are still impactful today. The songs are also beautifully picturised.
Ending: Boot Polish was inspired by the neo-realism of Italian cinema, which was taking global cinema by storm, but the huge difference was the ending. Whilst Italian cinema took a deep dive into darkness, Boot Polish offered rays of hope, culminating in a feel-good ending that resonated deeply with audiences. The finale tied in with the children’s journey and gave the film great repeat value.
A still from Boot Polish
Path breaker: From its storytelling and unique protagonists to its international success, Boot Polish was a path-breaking film for Bollywood. It helped Indian cinema gain global recognition, becoming the first commercial Hindi film to achieve wide distribution in America. Its achievements gave Indian filmmakers the courage to try new things and expand creatively.
Life-affirming: While some may view it as a tearjerker, Boot Polish is ultimately life-affirming. Decades before Slumdog Millionaire, this film told the story of street orphans overcoming adversity while holding onto their humanity. It shows that kindness can exist in a cruel world and that challenges can be overcome. By illustrating the value of perseverance, Boot Polish has inspired generations and remains a cinematic masterpiece.
Adrian Lester, best known for his work on television and film, returns to the stage in the eponymous role of Edmond Rostand's 1898 comedy, Cyrano de Bergerac.
Rostland’s play centres around Cyrano - a little-known romantic 17th century French libertine poet, soldier, and philosopher. The play is based partly on his letters written on behalf of his love rival Christian de Neuvillette as he tries to charm Cyrano’s cousin, Roxanne with whom Cyrano is also in love.
Cyrano is cursed with an overt self-consciousness in the form of a large nose. His insecurity is such that he prohibits anyone to refer to it directly or indirectly. Together with his wit, his skills as a swordsman, and the directorial splattering of our own vernacular, they provide the play with a certain infectious - albeit teenage - humour.
Despite Cyrano unexpressed love for Roxanne, the latter has fallen for Christian who is handsome, but useless when it comes to expressing his feelings in words. But then, he is also useless as a swordsman and clearly no match for Cyrano’s mastery and maturity. Realising this and being utterly selfless, Cyrano offers his help to the youthful Christian to woo Roxanne by writing for him poetic and hyperbolic proclamations of love and longing. All he wants is Roxanne to be happy even if he himself has to do with nursing a broken heart.
Christian Patterson and Levi BrownMarc Brenner
The result is a farce of the highest order and mistaken identity, coupled with threat and violence
This RSC production is directed by Simon Evans who has provided a very lively and engaging interpretation by all accounts. Apart from a skilled, highly polished ensemble of cast, there’s interesting theatricality at work. Every now and then, for instance, one gets a sense that the stage is a reflection of our own world and vice versa. Characters mingle with the audience, they break the fourth wall, and the theatre band wander around with the characters and referred to with some bemusement and fun.
In a 17th century French world – not unlike our own, 21st century – external beauty, speech, language are prized. Expression has become almost secondary. It’s a world in which fakery, deception and lies are paced above sincerity, honesty, and truth. Looks and external beauty outweigh the inner beauty of man.
Evans removes the original piece from its French setting to England, littering it with a Brummie accent, and accentuating our preconceptions about hopeless romantics and those with meaningless verbiage. The effect is one of joyous atmosphere and true entertainment.
Adrian Lester provides a magnificent performance as the wordsmith, Cyrano. His character is verbose, comedic, and sympathetic in equal measures. Lester is enticing, hilarious and – judging by the reaction of the audience –appreciated as a versatile actor who can do comedy just as well as drama. Levi Brown’s Christian is a fiery - overtly hopeless - romantic who cannot paint his feelings into words. Brown gives a very energetic and magnetic performance. Similarly, Susannah Fielding provides a sprightly Roxanne who is heart-warming and an utter pleasure to watch.
Adrian Lester (front right) and companyMarc Brenner
It’s hard not to notice but as an audience, we are invited to consider the value of language that may sound romantic, but may – in actual fact – be little more than a shallow expression of fancy. Whereas, the seemingly absence of language – though painfully inadequate - may actually embody real sincerity and the true meaning of love.
Whatever you may think, one thing is certain: you will enjoy this production. It’s a real treat.
The play started at the Swan Theatre in Stratford-upon-Avon in early September, with its run lasting until 15th November.
Rating: ***** (5 stars)
(Cyrano de Bergerac is playing at the RSC Stratford until 15th November 2025.)
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