Millions of Britons are skipping meals in current the cost-of-living crisis, a consumer group warned Thursday, having already forecast that many risk fuel poverty after the UK curbed its energy price freeze.
The news came after data showed UK inflation jumped back above 10 percent in September on rampant food prices, as economic troubles pile up for beleaguered Conservative Prime Minister Liz Truss.
Half of UK households are cutting back on the number of meals, consumer group Which? said citing a survey of 3,000 people.
A similar proportion are finding it harder to eat healthily compared with before the crisis, while almost 80 percent are finding it difficult financially.
"The devastating impact of the cost-of-living crisis is, worryingly, leading to millions of people skipping meals or struggling to put healthy meals on the table," said Sue Davies, head of food policy at Which?.
Separately, the consumer group stated Wednesday that the UK government's decision this week to curb its energy price freeze would leave millions unable to adequately heat their homes.
In a series of humiliating budget U-turns, new finance minister Jeremy Hunt announced Monday that he would pull the plug on the flagship energy price freeze in April instead of late 2024.
"The government's decision to end universal energy support in April risks throwing millions of households across the country -- not just the most financially vulnerable -- into fuel poverty," warned Rocio Concha, head of policy and advocacy at Which?.
"The government must clarify how they will support those struggling to make ends meet beyond the spring and ensure that as energy prices remain incredibly high, consumers are not left out in the cold."
The price freeze was aimed at protecting consumers from sky-high domestic fuel costs, which have rocketed on key energy producer Russia's war on Ukraine.
Britain has meanwhile been blighted by strikes this year, as workers protest over wages that have failed to keep pace with runaway inflation.
The retail prices index -- an inflation measure which includes mortgage interest payments and is used by trade unions and employers when negotiating wage increases — leapt to 12.6 percent in September from 12.3 percent in August, data showed Wednesday.
Frances O'Grady, general secretary of umbrella grouping the Trades Union Congress (TUC), demanded this week that Truss step down.
"I have a message for Liz Truss: Working people are proud of the jobs we do. We work hard. We work the longest hours in Europe," she told the TUC's annual gathering in the English seaside resort of Brighton.
"Yet thanks to your party's 12 years in government, millions are struggling to make ends meet."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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