Chahat and Mahmood Ali: ‘Qawwali helps audiences connect to a higher power’
Eastern Eye spoke to the fabulously talented father and son to discuss their fascinating journey, qawwali music, free London show, future hopes, and their music heroes
By Asjad NazirAug 02, 2023
WHETHER it is Rahat Fateh Ali Khan selling out big arenas, iconic festivals like Womad featuring qawwali concerts or compositions from major names like AR Rahman, Sufi music has been red hot in recent years.
The next big breakout act in the devotional genre, rooted in over 700 years of tradition, is Chahat Mahmood Ali qawwal group. The supremely talented group from Pakistan recently arrived in the UK for a six month tour. The world-class nine-man act led by Chahat and Mahmood Ali will deliver their first major London show in Newham at Stratford Youth Zone, as part of South Asian Heritage Month on August 18.
Eastern Eye caught up with the fabulously talented father and son to discuss their fascinating journey, qawwali music, free London show, future hopes, and their music heroes.
How do you reflect on your journey?
Mahmood: This journey has been a blessing. I have worked with great artists, including Ustad Rahat Fateh Ali Khan, for 11 years, and Faiz Ali Faiz for five years. I have travelled to the UK, Europe, Japan, Morocco, Singapore, India and the US.
What has been your most memorable moment so far?
Mahmood: In 1999 till 2002, I joined Rahat Fateh Ali Khan’s qawwali team with a majority of (late) Nusrat Fateh Ali Khan group’s members. it was an honour to be on the second harmonium, while the late Ustad Farrukh Fateh Ali Khan (Rahat’s father) was on the first harmonium.
When did you discover your son had incredible talent?
Mahmood: Chahat was six years old when he started humming. I used to take him to concerts with Rahat saab and he would join in vocally.
Mahmood Ali with his son Chahat and other group members
What connected you to qawwali music?
Chahat: My forefathers have been in the singing profession for many generations. They had migrated from Jalandhar, India. I was surrounded by relations, who were active singers from Faisalabad, from day one. My uncle Haji Babar Hussain was a father-figure, and a member of Ustad Nusrat Fateh Ali Khan’s qawwali team. Nusrat saab hailed from our city Faisalabad and inspired me to pursue qawwali.
How do you feel being in a qawwali group with your father?
Chahat: My father is an experienced and exceptional artist, who has worked with many renowned qawwali groups, so being on my first UK tour with him is inspiring. He is a guide, mentor and someone who brings out the best in me daily. My younger brother Tameer Abbas is also with us - he plays tabla and is a versatile chorus singer.
What do you most love about your father as an artist?
Chahat: I love the way my father plays the lead harmonium. His vocals are amazing. He has a high pitch and very few can hit notes in qawwali like he does.
Tell us about your group?
Mahmood: The group is put together by our promoter Abid Iqbal. My son and I are blessed to have a great group of experienced artists backing us, who have played with lead qawwals like Rahat Fateh Ali Khan and Faiz Ali Faiz for prolonged periods. We have world-class artists Shahid Nadeem, Mohammed Nasir, Mohammed Kashif, Sarfraz Hussain, Sabir Hussain, Tameer Abbas, and Mohammed Rameez.
How do you feel performing shows in the UK?
Mahmood: I have always worked with sayarts.com, who are well connected promoters of qawwali. In the past, it was me as a musician, but now there is more responsibility as both me and Chahat are leading the group.
Chahat: UK helped put qawwali on the international map, so is very important. Some major artists have made a real name for themselves, thanks to the UK, which has a diverse mix of audiences, who value artists. Emerging artists do not get the same appreciation in Pakistan. If you have talent, then UK will push you higher.
What can we expect from your free concert in Newham on August 18?
Mahmood: You will get an energetic live performance of non-stop popular qawwali numbers, like Allah Hu, Tu Khuja Man Khuja, Mere Rashke Qamar, Bol Kaffara, Nit Khair Manga, Tumhey Dillagi, Mast Nazron Sey, Akhiyaan Udeek Diya, and Dam Mast Qalandar.
You are performing in London as part of South Asian Heritage Month. How important is your history to you?
Chahat: It’s very important and it is exactly why I want to connect young people to their roots, through my qawwali performances. Qawwali has connected people to their heritage for centuries and I want to continue flying that flag in a positive way. Mahmood: We are thankful to the honourable mayor Ms Rokhsana Fiaz for organising an event like this. We should all keep connected to our history, heritage, and roots. It is our duty to preserve our roots and why I have passed on what I’ve learned to my children. This has prevented a 700 year old genre from being wiped out.
Chahat Ali with Ustad Rahat Fateh Ali Khan (L)
Tell us about the strong connection you have to Rahat Fateh Ali Khan and his father?
Chahat: My father was a student of the late Farrukh Fateh Ali Khan (Rahat’s father), learning harmonium and qawwali singing from him. He was also part of Rahat saab’s qawwali group as a harmonium player for 11 years (1999-2010). I officially became Rahat saab’s student during his UK tour in July 2023.
Why do you think people love Sufi and qawwali music?
Chahat: Qawwali and Sufi music take audiences on a journey and help connect them to a higher power. It makes you feel something, even if you can’t fully understand the lyrics. It can purify your heart and has lyrics written by some of the greatest saints. It has a message of togetherness, peace, love and understanding.
What inspires you as an artist?
Mahmood: The late Nusrat Fateh Ali Khan showed the world his musical talent and put Pakistan onto the international map. He has also inspired a generation of artists, including us. Chahat: Audiences interacting with me during my performance and clapping along is so inspiring. I feed off their energy and feel motivated to give my best.
Who is your qawwali hero?
Mahmood: The late Ustad Farrukh Fateh Ali Khan for inspiring me. I learned so much from him. Chahat: My qawwali hero is Ustad Rahat Fateh Ali Khan, as he worked hard to create a name for himself. My father worked with Rahat for 11 years, so I have grown up admiring him since I was a young child.
Could you tell us the future plans for your group?
Chahat: We have signed with UK-based sayarts.com for the next 10 years. We want to take our music to the world from the UK. Like Nusrat Fateh Ali Khan, we would like to collaborate with western artists, showcase our talent at international music festivals, as well as record
film music.
How does it feel like partnering up with leading British promoter Abid Iqbal?
Mahmood: I made my UK debut through sayarts.com with Rahat Fateh Ali Khan’s first UK tour in 2003. My son Chahat was a few months old then. I have stuck with Abid for over 20 years now, working with different Pakistani qawwali teams touring the UK. He has rewarded that loyalty by introducing my son Chahat. He has worked hard for the revival of qawwali music and always promoted new talent and given them the platform to break through.
Why should we all come and see you perform live?
Mahmood: Chahat Mahmood Ali is dedicated to developing new audiences in the UK and globally with a youthful voice of qawwali.
Why do you love music?
Mahmood: It’s food for our souls. Music has no language and connects the world. It enables us to gift great memories, travel the world and keep a centuries old tradition alive.
Chahat: Music is in my blood, and in my family. It is an important part of my heritage, history, and future.
Research for the World Curry Festival uncovered evidence of a curry house in Bradford in 1942.
Cafe Nasim, later called The Bengal Restaurant, is thought to be the city’s first.
The discovery coincides with Bradford’s City of Culture celebrations.
Festival events will include theatre, lectures, and a street food market.
Historic discovery in Bradford’s food heritage
Bradford’s claim as the curry capital of Britain has gained new historical depth. Organisers of the World Curry Festival have uncovered evidence that the city’s first curry house opened in 1942.
Documents revealed that Cafe Nasim, later renamed The Bengal Restaurant, once stood on the site of the current Kashmir Restaurant on Morley Street. Researcher David Pendleton identified an advert for the cafe in the Yorkshire Observer dated December 1942, describing it as “Bradford’s First Indian Restaurant”.
Festival organisers confirm findings
Festival founder Zulfi Karim said the discovery ended long-standing debate over which was Bradford’s first curry house. For years, different establishments had laid claim to the title, including restaurants from the 1950s and the Sweet Centre in 1964.
“This was during the Second World War, so it’s hard to imagine what ingredients they had access to with rationing,” Mr Karim said. “Even the current owner of Kashmir Restaurant thought it only went back to the 1950s.”
Bangladeshi roots of curry in Britain
Mr Karim highlighted the role of Bangladeshi immigrants in establishing Britain’s curry houses, noting that many early arrivals to the UK were former Navy workers. “That’s 80 years plus now since we’ve had a curry house in Bradford and that’s a huge story,” he added.
World Curry Festival 2025
The festival, first launched in Leeds in 2008, is being held in Bradford this year as part of the City of Culture 2025 celebrations. Running from 15–29 September, it will feature a mix of food, culture and performance.
Highlights include:
Theatre of Curry: A staged reading of Balti Kings (1999) by Sudha Bhuchar and Shaheen Khan, with curry served during the interval.
Supper club experiences.
Talks by Dr Amir Khan on nutrition and preserving authentic recipes.
Preserving the future of curry
Mr Karim stressed the importance of supporting the industry, which faces challenges due to a shortage of new talent.
“We need to keep it local, keep it authentic, and encourage people to enjoy it but also learn to cook at home,” he said.
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Princess Karam of Kapurthala, photographed by Cecil Beaton in 1935
A FAMOUS photograph taken by Cecil Beaton of an Indian princess features in an exhibition of his work, Fashionable World, at the National Portrait Gallery.
Beaten made his name by taking pictures of the English upper classes and also Hollywood stars, but some of his most striking – and evocative – images are of Indian royalty.
One taken in 1935 was of Sita Devi, Princess Karmajit of Kapurthala, who was also known as Princess Karam and eulogised as “the Pearl of India”.
She was the muse of several photographers, including Beaton, and considered “one of the most beautiful women in the world”. Born into the Hindu Rajput royal family of Kashipur in 1915, she embarked on a remarkable journey at the age of 13 when she married Prince Karamjit Singh, the younger son of Maharajah Jagatjit Singh I of Kapurthala in Punjab. She died in 2002.
According to one report, “her frequent visits to Paris saw her rubbing shoulders with the crème de la crème of European society, enchanting the Parisian elite with her exquisite blend of traditional Indian elegance and European haute couture. Her sartorial choices were a seamless fusion of her royal Indian heritage and the avant-garde fashion of Paris, making her a muse for esteemed designers like Mainbocher and Madame Grès. She effortlessly carried saris with the same grace as she did the luxurious gowns and fur coats designed by these fashion legends, often accessorised with jewels from Cartier and Boucheron.
“At the age of 19, Vogue hailed her as a ‘secular goddess’, a title that reflected her transcendent appeal and impeccable fashion sense. Her influence extended beyond borders, captivating the imagination of the Italian designer Elsa Schiaparelli, who was so inspired by the princess’s saris that she dedicated her 1935 collection to them. This collection was a homage to the traditional Indian garment, reimagined through the lens of European haute couture. Schiaparelli’s designs captured the fluidity and grace of the sari, while infusing it with the avantgarde spirit of the time, thus bridging two distinct cultural aesthetics. The princess’s impact on the fashion world was profound, as she brought the elegance of Indian attire to the forefront of the Parisian fashion scene, influencing styles and trends across continents.”
Gayatri Devi, Maharani of Jaipur at Rambagh Palace
Fashionable World will be the first exhibition to exclusively explore Beaton’s pioneering contributions to fashion photography. “From Hollywood stars and titans of art, to high society and royalty, the exhibition will feature portraits of some of the twentieth century’s most iconic figures, including Marilyn Monroe, Audrey Hepburn, Elizabeth Taylor and Marlon Brando; Queen Elizabeth II and Princess Margaret; as well as Lucian Freud, Francis Bacon and Salvador Dalí,” the NPG has announced.
The exhibition is curated by photographic historian and contributing editor to Vogue, Robin Muir.
In 2020, he curated another Beaton exhibition, Bright Young Things, at the NPG but this had to be closed because of the pandemic. That, too, had a photograph of Princess Karamjit.
The caption to her photograph then read: “A fixture on the social scene in the pre-war years, the Princess was in demand, frequently for jewellery stories, not least because her husband commissioned extravagant pieces from Cartier and Van Cleef and Arpels. Cecil photographed her in diamond bracelet by Cartier, emblazoned with an emerald, which he recalled, was ‘the size of a small fruit’. The princess’s credentials as a style leader were cemented when (Italian fashion designer) Elsa Schiaparelli based a collection on her colourful saris.”
She also merited a whole page in the 2020 catalogue which explained: “Beaton had been transfixed by one Indian in particular, the beautiful Sita Devi, Princess Karam of Kapurthala.
“Her mondaine chic inspired Ira Gershwin’s lyrics to Maharanee(A Night at the Races in Paris), a number from the Broadway revue, The Ziegfield Follies of 1936.”
The lyrics went: Even if you were just half as sweet, /It would still be like heaven to meet/Such a gay Maharanee/Paris is at your feet!
Fashionable World, which will open next month, will display around 250 items, including photographs, letters, sketches and costumes.
Muir commented: “Cecil Beaton needs little introduction as a photographer, fashion illustrator, triple Oscar-winning costume designer, social caricaturist, elegant writer of essays and occasionally waspish diaries, stylist, decorator, dandy and party goer. Beaton’s impact spans the worlds of fashion, photography and design. Unquestionably one of the leading visionary forces of the British twentieth century, he also made a lasting contribution to the artistic lives of New York, Paris and Hollywood.”
Victoria Siddall, director of the NPG, pointed out: “The National Portrait Gallery has a long and distinguished history with Cecil Beaton. His work was the subject of the NPG’s first dedicated photography exhibition in 1968, made in collaboration with Beaton himself, as well as being the first solo survey accorded any living photographer in any national museum in Britain. We are honoured to be working with Vogue’s Robin Muir, whose exhaustive research, vision and flair will guide us through Beaton’s innovative and storied influences on the fashion world.”
Actress Elizabeth Taylor, 1955
The exhibition catalogue will explain why “Cecil Beaton (1904–1980) was an extraordinary force in the 20th century British and American creative scenes. Renowned as a fashion illustrator, Oscarwinning costume designer, social caricaturist, essayist, and decorated writer, Beaton’s impact spans the worlds of fashion, photography, and design.”
The NPG added, “Known as ‘The King of Vogue’, he elevated fashion and portrait photography into an art form. His eradefining photographs captured beauty, glamour, and star power in the interwar and early post-war eras.
“Through several interwoven themes, the world of Cecil Beaton will be examined in detail. The exhibition will follow Beaton’s career from its inception, as a child of the Edwardian era experimenting with his first camera on his earliest subjects, his two sisters and mother (c. 1910), his years of invention and creativity as a student at Cambridge University, to his first images of the high society patrons who put him on the map. Including Stephen Tennant and the Sitwell siblings.
“The exhibition will journey through the London of the 1920s and 1930s, the era of the Bright Young Things and Beaton’s first commissions for his greatest patron, Vogue, to his travels to New York and Paris in the Jazz Age. Drawn to its glamour and star wattage, Beaton photographed the legends of Hollywood in its Golden Age. Cecil Beaton’s first royal photographs appeared in the late 1930s. As the Second World War loomed, he defined the notion of the monarchy for a modern age. Appointed an official war photographer by the Ministry of Information, his wartime service took him around the globe.
Beaton at the opening of his painting exhibition in London, 1966
“The war’s end ushered in a new era of elegance and Beaton captured the high fashion brilliance of the 1950s in vivid, glorious colour. The exhibition will end with what many consider his greatest triumph and by which he is likely best known: the costumes and sets for the musical My Fair Lady, on stage and later on screen.
“Almost entirely self-taught, Beaton established a singular photographic style; a marriage of Edwardian stage portraiture, emerging European surrealism and the modernist approach of the great American photographers of the era, all filtered through a determinedly English sensibility.”
In India he also photographed Gayatri Devi, the Maharani of Jaipur; the Maharani of Pratapgarh, Chimnabai II; and Maharani Kusum Kunwarba of Chhota Udepur in Gujarat.
Photographing Indian royals helped Beaton obscure his own middle-class origins, which greatly embarrassed the photographer. In 1923, he admitted: “I don’t want people to know me as I really am, but as I am trying and pretending to be.”
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Through abstract forms, bold colour, and layered compositions
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.