Charithra Chandran, who became a household name after playing the character of Edwina Sharma in the TV series Bridgerton, has spoken out against an entertainment industry culture that she believes fosters competition among people of colour.
In a conversation with Deadline, Chandran said, “It’s not a zero-sum game,” highlighting how industry gatekeepers perpetuate this mentality to create divisions within minority communities.
“You’re so focused on fighting your own that you become distracted from the people doing the oppressing. The oppressors have imposed the idea that there is only one seat at the table when what other people of colour are doing is just pulling up more chairs,” she said.
Ever since Bridgerton catapulted her to overnight fame, Chandran has expressed her views on colourism and the importance of diversity on multiple occasions.
“I think that is the burden of representation, right?” she added. “It’s so scarce that you’re expected to represent everybody in your community as opposed to just being an individual. The goal is that representation is so nuanced and so consistent that no one individual portrayal has that burden, but while I have it, it’s a really important responsibility that I take seriously.”
Meanwhile, Charithra Chandran was most recently seen in How to Date Billy Walsh, a British teen romantic comedy.
Her upcoming projects include a short film called Maya: Birth of a Superhero and TV shows such as Pillow Talk, Song Of The God, and Arzu.
Everyone is saying it: Diane Keaton is gone. They will list her Oscars and her famous films. Honestly, the real Diane Keaton? She was a wild mash-up of quirks and charm; totally stubborn, totally magnetic, just all over the map in the best way. Off camera, she basically wrote the handbook on being unapologetically yourself. No filter, no apologies. And honestly? She could make you laugh until you forgot what was bothering you. Very few people could do that. That is something special.
Diane Keaton never followed the rules and that’s why Hollywood will miss her forever Getty Images
Remembering the parts of her that stuck with us
1. Annie Hall — the role that reshaped comedy
Not just a funny film. Annie Hall changed how women in comedies could be messy, smart, and real. Her Oscar felt like validation for everyone who had ever been both awkward and brilliant in the same breath.
2. The nudity clause she would not touch
Even as an unknown in the Broadway cast of Hair, she had a line. They offered extra cash to do the famous nude scene. She turned it down. Principle over pay, right from the start.
3. The Christmas single nobody saw coming
3.At 78, she released a song. First Christmas. Not for a movie. Not a joke. Just a sudden, late-life urge to put a song out into the world.
4. The wardrobe — menswear that became signature
Keaton made ties and waistcoats a kind of armour. She was photographed in hats and wide trousers for decades. Style was not a costume for her; it was character. People still imitate that look, and that is saying something.
5. Comedy with bite — First Wives Club and more
She could be gentle one moment and sharp the next. In The First Wives Club, she carried the ensemble effortlessly, landing jokes while letting you feel the heartbreak beneath. Friends who worked with her spoke about her warmth and how raw she stayed about life.
6. A filmmaker and photographer, not just an actor
She directed, she photographed doors and empty shops, she wrote. She loved the weird corners of life. That curiosity kept her working and kept her interesting.
7. Motherhood, chosen late and chosen fiercely
She adopted Dexter and Duke and spoke about motherhood being humbling. She was not pressured by conventional timelines. She made her own map.
8. The last practical act
Months before she died, she listed her Los Angeles home. A quiet, practical move. No drama. It feels now like a final piece of business, a woman tidying her own affairs with clear-eyed calm.
9. The sudden end — close circle, private last months
Friends say her health declined suddenly and privately in recent months. She kept a small circle towards the end and was funny right up until the end, a friend told reporters.
10. Tributes that say it plain — “trail of fairy dust”
Stars poured out words: Goldie Hawn, Bette Midler, Ben Stiller, Jane Fonda, all struck by how singular she was. They kept mentioning the same thing: original, kind, funny, utterly herself.
Diane Keaton’s legacy in film comedy and fashion left a mark no one else could touchGetty Images
So, that is the list.
We will watch her films again, of course. We will notice the hats, laugh at the delivery, and be surprised by the sudden stab of feeling in a small, silent scene. But more than that, there is a tiny, stubborn thing she did: she made permission. Permission to be odd, to age, to keep making mistakes and still stand centre screen. That is the part of her that outlives the headlines. That is the stuff that does not fade when the credits roll.
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