CHINA has expressed hope to extend its multi-billion-dollar Belt and Road Initiative (BRI) into Afghanistan, saying the “Taliban believes” the initiative is good for development and prosperity in the war-ravaged country and the broader region.
China in the recent past outlined plans to extend its $60 billion (£43.27 bn) China-Pakistan Economic Corridor (CPEC) under its tripartite diplomatic initiative, incorporating the three countries.
The plan has not made much headway due to political differences between the previous Ashraf Ghani-led government in Kabul and Pakistan over Islamabad's perceived support to the Taliban militants.
The BRI was launched by Chinese president Xi Jinping when he came to power in 2013. It aims to link Southeast Asia, Central Asia, the Gulf region, Africa and Europe with a network of land and sea routes.
India has been severely critical of the BRI as the CPEC, which is a part of it, passes through Pakistan-administered Kashmir.
With the Taliban in control of Afghanistan and the complete withdrawal of the US troops, China appears to be chalking out plans to extend its BRI to Afghanistan besides investments to exploit the rich minerals and highly lucrative rare-earth mines in Afghanistan.
Rare-earth metals, which are key components for a host of advanced technologies like iPhones and hi-tech missile guidance systems, were estimated to be worth anywhere between $1 trillion (£720 bn) and $3 trillion (£ 2.1 trillion) in 2020 in Afghanistan, according to evaluations by the previous Afghan government.
“China-Afghan cooperation on BRI has delivered tangible benefits,” Chinese foreign ministry spokesman Wang Wenbin told a media briefing here on Friday (3), answering a question whether Beijing will extend the BRI projects into Afghanistan.
“The Afghan Taliban said it will provide a good environment for foreign investors. The Afghan Taliban believes that the BRI is good for development and prosperity in Afghanistan and the broader region," Wang said.
Wang declined to comment directly on the confrontation between the Taliban and the militias of the National Resistance Front (NRF) lead by Ahmad Massoud, whose slain father was known as the "Lion of Panjshir".
According to reports, intense fighting was taking place with heavy casualties on both sides.
Wang said: “China sincerely hopes different parties can meet the aspirations of their own people and expectations of the international community to settle differences through consultations to ensure a smooth transition in the country so that people there can stay away from war and build lasting peace.”
To a question whether China's decision to keep its embassy open in Kabul was a sign of Beijing's recognition of the Taliban government, he said that the Chinese mission is “an important channel for exchanges between China and Afghanistan and it is a normal operation”.
China, Pakistan and Russia have kept their embassies open in Kabul.
Taliban officials have also held talks with the Chinese envoy after the militant group seized the power.
“The new government is yet to be formed. We are closely watching the developments there. We hope the Taliban can build an open and inclusive political structure, follow prudent and moderate domestic and foreign policies, make a clean break with all terrorist groups and live in good terms with all countries, especially the neighbouring countries,” Wang added.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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