Athletics Federation of India President Adille Sumariwalla on Wednesday (18) said star javelin thrower Neeraj Chopra's historic gold medal at the Tokyo Olympics helped in removing a "huge mental block" from the country's track and field athletes.
The AFI chief said by his achievement at the greatest stage of sports, Chopra has shown the world that nothing is impossible and India has the potential to churn out many more champions in future.
Chopra had created history by becoming the first Indian track and field athlete to win a medal at the Olympics, that too a gold, in the Tokyo Games earlier this month.
"The federation is there to guide the athletes and show them the way forward. Neeraj's gold has shown a way that it is possible. He has removed the mental block and I assure you that there are many more things to happen," Sumariwala said during virtual media interaction after the Indian mixed 4x400m relay team won a bronze in the U-20 World Championships in Nairobi on Wednesday.
"Neeraj showed the way, Hima (Das) showed the way and it is a proof that we are emerging into a new India."
The Indian quartet of Bharat, Priya, Summy and Kapil clocked 3:20.60 seconds to finish third in the final and win the country's only fifth medal in the history of the championships.
Nigeria and Poland won the gold and silver medals with timings of 3:19.70s and 3:19.80s respectively.
India had entered the final as the second best team overall with a championship record timing of 3:23.36s in the heat races held in the morning.
Sumariwalla said the bronze in the U-20 World Championships speaks volumes of India's bench strength in athletics.
"Getting an Olympic medal is ultimate but it is not a flash in the pan. This medal at the world junior championships shows the depth and this why this medal is so important," he said.
"As far as I am concerned the best will run, junior or senior doesn't matter, bench strength is important. The federation is there to create enough bench strength, where we can change runners, substitute runners when needed."
The AFI President lauded the performance of the relay team's feat on the first day of the championships and said there were many more to come.
"It's a momentous occasion for us. This goes to show the depth of out junior programme. It's just a matter of time that we start getting more medals from athletics at the world level," Sumariwalla said.
"I think it's a great vision but it's a long-term plan. We can't achieve achieve success overnight."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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