VERSATILE ACTRESS HUMA QURESHI REFLECTS ON HER CAREER, BRAVE APPROACH AND HUGE HOLLYWOOD HIT
BY WORKING in different genres, languages and formats, Huma Qureshi has quite comprehensively shown her incredible versatility as an actress.
She has also become one of the most unpredictable Indian stars working today, which was perfectly illustrated recently with her appearing in Hollywood blockbuster Army Of The Dead and powerful Hindi language drama serial Maharani within weeks of one another. The terrific talent received great acclaim for both performances and is looking forward to dropping more surprises with her forthcoming projects.
Eastern Eye caught up with Huma Qureshi to discuss record-breaking film Army Of The Dead, what actually happens to her character at the end, secrets of a great performance, lockdown life lessons and future hopes.
You have had a remarkable rise in the past nine years. Has lockdown given you a chance to look at your acting journey?
During the lockdown, I went down the memory lane and remembered how I started my journey as an actor and realised that I have come a long way. I am proud of the woman I have become after overcoming many personal challenges in the pursuit to become an actor. I had to overcome a lot of things like my own fear of success, the fact that I came to a new city, had to learn how to make friends, how to pay my taxes, run a household, run my career, and nobody was there to teach me. It has made me the woman I am today. I am very proud when I see myself as an independent woman. I have made my own identity and that’s what gives me a lot of joy and pride.
(Photo: Rahul Jhangiani)
You have always been unpredictable with your choices, what is the root of that?
(Thinks) I guess I get bored easily. So, I keep looking for things to keep me excited and inspired.
You are not afraid of challenges. Would say you are fearless?
I don’t know yaar! I can’t think of myself like that. As an actor I am supposed to act, not think about acting. Currently, I am just having a blast. I don’t want to go with lines like, ‘this is my best work’ or ‘I am in the zone’. I am just having fun. I am not restricting myself as an actor, whether it’s in terms of genre, industry or language.
What was the whole experience of working on Army Of The Dead like?
Army Of The Dead was a unique experience. They made a conscientious effort to get actors from all over the world. Working with my cast mates and spending time with them, the process and the journey was pretty much the same. It didn’t matter which part of the world you were from, the process is the same. The fact that I got to work with (director) Zack Snyder, the cinematic value of that is undeniable. I’m glad to get to work with him and to know him as a person. He’s a genius, there’s no two ways about it.
How much does the record-breaking success of it mean to you?
(Smiles) Well, it feels really good doesn’t it! All I can say is that I feel gratitude. Tons of it.
What was the most memorable moment from working on the movie?
That was the day when my agents told me about the auditions happening while I was in America. I remember I was so unprepared. I saw people holding their lines. I didn’t realise I could read them from a sheet and had already learned them. I asked an assistant for a printout because I didn’t want to be left out. They thought I was crazy! I did my scene, and it went ok. That was a Thursday. I came back to India on Saturday and got the call Monday asking me if I wanted to do Army Of The Dead.
The big question everyone has is, what happened to your character at the end, did she survive or not?
(Laughs) That is a question for Zack Snyder. In a horror film if you don’t die on screen, then you are not dead.
Are you now looking to do more film projects in Hollywood?
Right now is the time for successful experimentation, and as an actor, I am trying and doing something which is never done before and it is extremely gratifying. India is home and working here is what made me an actor, so that will always be my priority. But yes, if I get a good meaty role in the West, I’ll grab it with both my hands.
How much does all the praise for your new series Maharani mean to you?
I am super happy! It’s been a beautiful journey. We all knew that it was a good show. At least, we set out to make one. (writer-creator) Subhash (Kapoor) sir and Karan (Sharma), our director, were trying to bring something creative and new. But the response, even I never imagined. I am so grateful to all my fans for giving Rani Bharti so much love and admiration. This is what encourages me to improve myself as an actor.
You put every ounce of emotion into a role. Does that affect you mentally?
I give it my everything. But then I don’t bring my characters or my work home. It’s my job as an actor to put my heart and soul to whichever part I am given. But that’s it. Beyond that, I don’t let it get to me mentally and I happily move on to other roles.
For me more than a star, you are a great actor. What is the secret of a good performance?
Thank you, for the compliment. But as an actor I feel that good performances come from roles given to you. I have been part of big films as well as small. I make sure that whatever role is offered I give it my best shot. That’s what an actor’s job is, according to me. For me, cinema is my passion.
What inspires you today?
My desire to be better than I was yesterday. I have taught myself to be ‘less critical’ of my work. All of us are trying to do our best and all of us are struggling a lot. In fact, I was harsher on myself a few years ago. I was in a different mindset but now, because of the pandemic, I’m in another mindset. Let’s be kinder. Not just to other people but to your own self as well. I have achieved a lot and don’t have to compare myself to other people. You are doing your best and trusting yourself.
What do you enjoy watching as an audience?
(Laughs) Everything!
If you could master something new what would it be?
Technology is the future. It has enabled us to stay connected and allowed us to communicate with our friends, families and colleagues through some challenging times. Video calling and virtual meetings are now the norm. So, I think I would like to master and perfect myself in making technology my biggest strength and with promoting Army of the Dead and Maharani virtually, I believe I have mastered myself in that area. (laughs).
What is the biggest life lesson lockdown has taught you?
There’s no doubt that the pandemic has taken a huge toll on all of us, mentally, financially and economically. However, there are plenty of lessons learnt that will allow us to improve our ways of working, lifestyles and our personal wellbeing going forward. I am not suggesting the lockdown was a positive experience; however, I am a believer in looking for positives in every situation and cannot deny the lockdownhas helped us learn several lessons. But for me the biggest lesson was putting our health first.
You have played an impressive range of characters already. What kind of roles do you want to play in the future?
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.