Deepak Chopra visits London to support premiere of documentary ‘Never Forget Tibet: The Dalai Lama's Untold Story’
Chopra expressed that he sees no world leader, except for the Dalai Lama, who is making sense in terms of taking care of each other and the environment
Deepak Chopra, the physician and "guy from Oprah", recently visited London to introduce the premiere of the documentary Never Forget Tibet: The Dalai Lama’s Untold Story, lending his star power to the cause of Tibet.
He also recently released his 93rd book, "Living in the Light", which delves into the philosophy behind yoga.
While some have accused the physician of promoting pseudo-science in the past, research has supported some of his ideas about the mind-body connection in disease.
Chopra unapologetically incorporates religion into medicine and wealth into spirituality and is a part-time professor at the University of California, San Diego.
He defends his "quantum healing" theory and wears a combination of Buddhist and Sikh bracelets along with a smartwatch. “Spirituality and technology,” he says, “I’ve got everything covered” he told The Times.
Chopra first met the Dalai Lama more than 30 years ago at the Royal Albert Hall in London, but he describes their relationship as too transcendent for it to be private.
The documentary about the Dalai Lama’s escape from Chinese imprisonment in Tibet in 1959 now serves as a cautionary tale for current events happening in places such as Hong Kong, Taiwan, Korea, Ukraine, India, and Pakistan.
Chopra believes that the film is significant because it highlights how we failed to learn valuable lessons about caring for each other and the environment during the pandemic.
He also expressed that he sees no world leader, except for the Dalai Lama, who is making sense in terms of taking care of each other and the environment.
He states, “They’re putting the interests of themselves first. All of them.”
In fact, Chopra doesn't even show any favouritism towards Rishi Sunak who is of Indian heritage, and believes that what he does matters more than his religion or ethnicity.
And though Chopra acknowledges that some of his fiercest critics such as Richard Dawkins and Brian Cox, are British, he does not think that the British are more sceptical than others.
“I think the British contributed a lot to the world . . . But everything has a lifespan and I think Britain’s dominance is over. It lasted a few hundred years. And that’s pretty good for a small island.”
From Oprah's endorsement to the Duchess of Sussex's support, Chopra's career has been backed by high-profile figures. However, he claims that celebrity endorsements are not useful to him, and people have their own opinions about who he associates with.
Chopra also says he doesn't care about his net worth, as identifying one's self-worth is more important than financial worth.
Asked if he thinks spirituality and wealth are incompatible, Chopra explains that it is not the case in Indian philosophy, where material prosperity is considered one of the four aims of life. He believes in the proper use of money, which is to give.
Chopra's journey began as an exhausted, overworked doctor with a background in neuroendocrinology, studying the "molecules of emotion" such as serotonin, opiates, oxytocin, and dopamine.
For 40 years, Chopra has been talking about the link between emotions and health, specifically the effect of anger and anxiety on the immune system.
Despite being vilified initially, his ideas are now part of medical school training, and he holds a faculty position at the University of San Diego Medical School. Thousands of peer-reviewed journal articles support his findings, and there is a waiting list for his training in integrative medicine.
“Every experience epigenetically modifies your body’s metabolism, second by second,” he says at one point in defence of his “quantum healing” theory. “And I don’t care what mainstream medicine thinks about that, they’re wrong.”
He says his critics “are behind the times, they’re my generation. They say paradigm shifts happen one funeral at a time. So, it’ll take a couple of generations.”
Chopra's book Quantum Healing (1989) caused a lot of trouble for him, forcing him to leave Boston where he was working at a hospital. However, he reissued the book in 2015 with a foreword written by his friend, Harvard professor of neurology Rudolph Tanzi.
Chopra is now working on a new book with a physicist from the University of Alberta, titled Quantum Body, which explores the idea that the body operates as a quantum mechanical object.
The film, Never Forget Tibet: The Dalai Lama’s Untold Story, is set to be released in cinemas nationwide on April 19.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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