He came, he saw, he joked. Smiles and laughter filled the jam-packed auditorium of JLN stadium as celebrated stand-up artist Trevor Noah kickstarted the Indian leg of his 'Off The Record' tour in New Delhi.
Performing his debut gig in India, Noah, who grew up in South Africa watching Bollywood movies and admitted to being "immersed in Indian culture", ran out of neither topics nor laughs in an almost two-hour-long show where he covered everything from Indians' idiosyncrasies to world politics and current events to environmental science.
Though he landed in India just days ago, the funny man showcased his astute observational humour when he opened the show making the typical behaviour of Delhiites as the butt of his jokes.
Be it the poor timekeeping where "five minutes never mean five minutes", the indecipherable head nods and hand gestures -- which could mean anything like come, go, stay, ok and more -- or the scariest of all, one which the comedian just couldn't speak enough of, rash driving of Delhiites, Noah shared all his observations with the audience.
"I am not saying that driving in Delhi is like a death wish, but every time I get into a car in Delhi I hope I get where I am going. I have never been this close to people who were not in my car," Noah said and the audience burst into laughter, well aware that the joke was on them.
The former "The Daily Show" host, known for his insightful take on politics and current events worldwide, didn't take long to talk about his favourite subject: US politics and politicians.
He impersonated several former US presidents, including John F. Kennedy, George W. Bush, Barack Obama and one of his pet peeves Donald Trump, calling them out for having "weird voices".
"Standing for an election in the US? You better have a weird voice," said Noah.
The multiple requests from the audience to discuss Indian politicians, especially Prime Minister Narendra Modi was put down by the comedian, who said he doesn't know enough about Modi to talk about him.
Trevor Noah (Photo by Kevin Winter/Getty Images for The Recording Academy)
When someone in the audience asked if he finds any similarities between Trump and Modi, the 39-year-old comedian didn't bat an eyelid and replied, "There is literally no one like Trump on this planet. He is one of its own kind".
That said, he did take suggestions from the audience about any Indian politician they would like him to look up on the internet and know more about. The winner of an impromptu audience poll: Bihar's former chief minister Lalu Prasad Yadav.
The comedian also gave his two cents about news articles insinuating India changing its name to 'Bharat' and said he is afraid that's going to be hard for the rest of the world with regards to pronouncing the word correctly.
"The tourists would surely struggle for a bit. Take an example of a lady going to your country for a yoga retreat. Now, if someone asks her about the country she is going to, she would be like 'I am going to bha, bha, bha'. Forget it, 'I am going to Bali'," he said to the audience rolling in the aisles. Some dark, rather deadly humour, was also on the offering for the audience as Noah called out the five passengers onboard the ill-fated deep-sea submersible enroute to the century-old wreck of the Titanic for dying in one of the "stupidest ways".
He referred to an old saying in Africa, "Do not chase death and then be shocked about it".
"You have that Titanic wreck at that place for a reason. If you want to watch Titanic, go watch the movie, it is any day a better choice. There is no Leonardo Di Caprio waiting for you down there. When I die, I want people to mourn my death and not judge my death," he said, being both serious and funny in equal proportion.
Be it telling a five-year-old child sitting in the first row to close his ears before every adult joke or funnily extracting information about the love marriage of a couple in the audience married for about 20 years, Noah's fair share of crowd work throughout its act was loved by one and all.
Crowd work, also known as audience work or working the room, is when a comedian engages with the audience during their performance.
Besides the prepared act, it was Noah's quick thinking and strong repartee that stole the show for many.
"I was told that Mumbai is about Bollywood and finance, and Delhi is about politics and power. But sometimes, I guess, the power goes out, " said Noah, as if on cue, soon after a brief instance where some lights on the stage went off.
The 'Off The Record' Indian tour, produced and promoted by BookMyShow 'Live', will be held in the national capital on Saturday and Sunday as well before travelling to Bengaluru on September 27-28 and finally to Mumbai on September 30 and October 1.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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