ENGLAND offered stiff resistance in the final session to secure a hard-fought draw against New Zealand on day five of the first Test at Lord's on Sunday (6).
Having lost day three's play due to rain, New Zealand skipper Kane Williamson made a bold declaration at 169 for 6 at lunch to set England a target of 273.
But England openers Rory Burns and Dom Sibley saw off the new-ball well in a bid to save the Test match.
Sibley spent over five hours in the middle for his unbeaten 60 off 207 balls, while Ollie Pope was unbeaten on 20.
The hosts finished with 170 for 3 in 70 overs before both sides shook hands on a draw late in the evening.
England captain Joe Root, who showed incredible patience for his 40 in the final session, said they adopted a cautious approach given the quality of the visiting bowling attack on a deteriorating surface.
"It was slow and hard to time the ball and get any sort of rhythm," Root told the BBC. "You look at the target and amount of overs you have, it wasn't quite as straightforward as that.
"Of course it will disappoint a few people but from our point of view, we're very much in this series.
"We leave here level and give ourselves a great chance to win the series at Edgbaston."
Conway shines
New Zealand may have missed an opportunity to grab the advantage over England ahead of the second Test at Edgbaston, but captain Williamson can take plenty of positives from Lord's.
Devon Conway produced a masterful double hundred on debut, while Tim Southee and Kyle Jamieson proved difficult to contain with the new ball and combined for 10 wickets in the match.
"Special performance from Conway, a special player," Williamson said. "He showed his class on his debut Test at the home of cricket.
"Special performance from Tim as well, he led the attack beautifully, and (the other) guys complemented him well. We had to be patient on this pitch, and we got rewards for that."
Meanwhile, the England & Wales Cricket Board has suspended Ollie Robinson from "all international cricket" after a series of historical racist and sexist tweets were revealed as the pace bowler was making his debut on Wednesday.
Robinson, who picked up seven wickets in the match, has since apologised for his "thoughtless and irresponsible" social media posts.
Root said: "Ollie's learned a hard lesson. It's unacceptable what he's done," Root said. "He's fronted up to the dressing room and the world.
"We've started doing a lot of good work as a team and we'll continue to do that. We want to make the game as inclusive and diverse as we possibly can and we'll continue to keep looking at finding ways to make that possible."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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