England and South Africa triumph in T20 WC Super Eight clashes
Salt’s 87 not out off 47 balls, which included seven fours and five sixes, powered England to chase down the West Indies’ total of 180-4, finishing at 181-2 in 17.3 overs.
Vivek Mishra works as an Assistant Editor with Eastern Eye and has over 13 years of experience in journalism. His areas of interest include politics, international affairs, current events, and sports. With a background in newsroom operations and editorial planning, he has reported and edited stories on major national and global developments.
Phil Salt's unbeaten 87 and Quinton de Kock's blistering half-century led England and South Africa to victories in their respective T20 World Cup Super Eight matches on Wednesday.
In St Lucia, defending champions England defeated the West Indies by eight wickets. Salt's 87 not out off 47 balls, which included seven fours and five sixes, powered England to chase down the West Indies' total of 180-4, finishing at 181-2 in 17.3 overs. Jonny Bairstow also made a significant contribution with an unbeaten 48.
Player of the Match Salt effectively sealed the victory in the 16th over, hammering 30 runs off Romario Shepherd with three sixes and three fours. "We're not looking too far ahead, just glad to contribute to the win," Salt said after his match-winning performance. He praised Bairstow for taking the pressure off him by maintaining a steady flow of runs. "Jonny was fantastic and took pressure off me by taking calculated risks. I couldn't be happier as a teammate," Salt added.
England's other runs came from skipper Jos Buttler, who scored 25, and Moeen Ali, who added a brisk 13. This victory marked an emphatic return to form for England, who had struggled in the first round group phase and faced the risk of early elimination.
West Indies skipper Rovman Powell lamented his team's bowling performance. "We needed a better display as a bowling group," he said. "We are generally good in the last five overs. The execution wasn't good. Credit to Salt, he always hurts us."
Earlier, a disciplined English bowling performance restricted the West Indies to 180-4. The West Indies made a smooth start with openers Johnson Charles and Brandon King. Despite King retiring hurt for 23 in the fifth over, the runs continued to flow. Charles formed a handy partnership with Nicholas Pooran, with the West Indies reaching 82-0 at the halfway stage.
However, England's spinner Moeen Ali made the breakthrough, catching Charles in the deep for 38 off 34 balls in the 12th over. Powell looked set to boost the total with a quickfire 36 off 17 deliveries, including five sixes. But Liam Livingstone's bowling dismissed Powell, caught by Mark Wood at short third man. Pooran fell soon after, caught behind by Buttler off Jofra Archer, leaving the Windies wobbling at 141-3. Andre Russell was out for one off Adil Rashid, and an unbeaten 28 from Sherfane Rutherford helped the West Indies reach a more competitive total.
In the other match, South Africa secured an 18-run victory over the United States at the Sir Vivian Richards Stadium. The Proteas scored 194-4 after being put in to bat, with De Kock hitting 74 off 40 balls, including seven fours and five sixes. "We've had some tricky wickets, so it was nice to spend some time in the middle today. The USA put us under pressure towards the end. It was a great game," De Kock said after his best performance of the tournament.
South Africa's skipper Aiden Markram also made a significant contribution, scoring 46 from 32 balls with four boundaries and a six. Markram and De Kock put on a 110-run partnership for the second wicket, reaching 101-1 off the first 10 overs. Heinrich Klaasen and Tristan Stubbs added an unbeaten 53-run partnership for the fifth wicket, with Klaasen scoring 36 not out and Stubbs 20 not out.
USA captain Aaron Jones admitted it was a tough result to take. "We did lack discipline in the bowling at times. Once we play good cricket, we can beat any team in the world. But we need to be a lot more disciplined," he said.
The USA made a bright start to their reply, reaching 50 in the first five overs. However, they struggled to maintain momentum against the Proteas' pace-spin attack. Kagiso Rabada removed Steven Taylor for 24 and Nitish Kumar for eight. American hopes suffered a major blow when Jones, who had scored an unbeaten 94 in their win over Canada, was out without scoring, edging spinner Keshav Maharaj to De Kock.
Former New Zealand international Corey Anderson scored a quick 12 before being bowled by Anrich Nortje. The USA limped to 73-4 off the first 10 overs before Andries Gous and Harmeet Singh reignited their hopes. Gous scored an unbeaten 80 off 47 balls, with five fours and five sixes, while Harmeet added 38 off 22 balls. Gous smashed leg-spinner Tabraiz Shamsi for three sixes in the 18th over, leaving the USA needing 28 off 12 balls. Rabada's tight 19th over conceded just two runs and dismissed Harmeet, finishing with figures of 3-18. Shamsi went for 50 runs off his four overs.
These results place England and South Africa in strong positions in their respective groups in the Super Eights stage, with both teams demonstrating depth and resilience in their performances.
Humaira Asghar, 32, was found dead in her Karachi apartment nearly three weeks after her death.
Police discovered her body after executing a court order to vacate the flat over unpaid rent.
Authorities ruled out foul play; an autopsy is awaited to determine the cause of death.
The Tamasha Ghar contestant lived alone and was known for her roles in TV and film.
Humaira Asghar, a Pakistani model and reality TV personality known for her appearance on Tamasha Ghar, was found dead in her Karachi apartment, almost three weeks after her reported death. The 32-year-old, who had lived alone for over seven years, was discovered by police following a court order to vacate her residence due to more than a year’s worth of unpaid rent.
Humaira Asghar appeared at several fashion events before her tragic passingInstagram/humairaaliofficial
Police found Humaira’s body after court-ordered flat eviction
On 8 July, authorities arrived at the residence to carry out a court order related to unpaid rent. When no one answered the door, officers broke the lock and entered the flat, only to find Humaira’s body in an advanced state of decomposition.
South Karachi Deputy Inspector General Syed Asad Raza confirmed to local media that the body appeared to be several days old, suggesting she had died at least two to three weeks prior. Dr Summaiya Syed from the forensic team corroborated that the state of the body indicated a “very advanced stage of decomposition.”
No signs of foul play, but cause of death still unknown
While an autopsy is still pending, police have already ruled out murder as the cause of death. Investigators found no signs of forced entry or struggle, indicating that no foul play was involved.
Officials are now waiting for medical reports to determine the exact cause of death. Until then, police have refrained from speculation, urging the public to avoid jumping to conclusions.
Known for her glamour, Humaira was popular on social media and reality TVInstagram/humairaaliofficial
Humaira Asghar’s rise through reality TV and modelling
Humaira gained national recognition after participating in Tamasha Ghar, Pakistan’s version of Big Brother. Introduced to audiences as a pageant winner, she was initially eliminated in week five but re-entered the show shortly after. She was later removed on day 40 for breaking rules alongside another contestant.
Apart from her reality TV fame, Humaira also appeared in the 2015 Pakistani film Jalaibee, in which she played a model, a role that reflected her real-life career. She had been steadily building a presence on social media and in entertainment circles, often praised for her glamorous persona.
Fans mourn the sudden loss of Humaira Asghar after her body was found in her flatInstagram/humairaaliofficial
Industry mourns, spotlight turns to mental health and isolation
News of Humaira’s death has prompted shock and sadness across the entertainment community, with tributes pouring in online. Many fans and fellow artists have also raised concerns about the lack of support systems for people living alone, particularly in high-pressure industries like entertainment.
The tragic discovery has also sparked a broader conversation in Pakistan about mental health, loneliness, and the need for community, especially for those in the public eye who may suffer in silence.
Humaira’s passing coincides with news of American actor Michael Madsen’s death at age 67, compounding the grief felt across the entertainment world. Like Humaira, Madsen was found dead in his home, though his death was believed to be from natural causes.
Pakistani star Humaira Asghar dies alone at 32 as industry mourns and questions followInstagram/humairaaliofficial
Investigations continue as family, fans await answers
Authorities have confirmed that investigations into Humaira Asghar’s death are ongoing, with a full autopsy expected to clarify the circumstances. Meanwhile, friends, family, and followers continue to express their grief, remembering her as a vibrant personality who left far too soon.
As questions around her final days linger, one thing remains clear: Humaira Asghar’s untimely death has left a void in Pakistan’s entertainment industry and a reminder of the unseen struggles behind public lives.
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Exploring Shared Heritage: Scottish and South Asian Narratives in Art
A powerful new exhibition is now open at the Scottish Storytelling Centre in Edinburgh’s Old Town, spotlighting the cultural links between Scotland and South Asia. Through Kindred Eyes: Two South Asian Artists’ Framings of Scotland brings together two strikingly different yet deeply connected bodies of work that explore identity, belonging, and the beauty of shared heritage.
Running from 3rd to 20th July 2025, this free and non-ticketed exhibition features oil paintings by Vibha Pankaj and documentary photography by Hermann Rodrigues, two South Asian artists based in Edinburgh who offer a distinct, reflective lens on Scotland as home, muse, and memory.
Vibha Pankaj, a contemporary landscape artist who has lived in Edinburgh for 27 years, presents Amaranthine—a selection of oil paintings that blur the boundaries between recollection and scenery. Her works draw upon the raw textures and natural beauty encountered during her treks through the Scottish hills, layered with memories of her life in India.
Each canvas is a meditative world of colour and texture, invoking a sense of peace, nostalgia, and freedom. “There is something deeply therapeutic about Scottish landscapes,” says Pankaj, “but they also awaken the echoes of a homeland. I paint the space where those feelings meet.”
Running alongside Pankaj’s paintings is Broon Scots, a photographic collection by documentary artist Hermann Rodrigues, curated by Puravi Kumar. The project is a long-running visual archive documenting the lives of Bangladeshi, Indian, and Pakistani communities in Scotland from the 1990s to the present day. Themes such as Portraits, Gatherings, Monuments, and a fascinating series on Restaurants offer a rare glimpse into the everyday richness of South Asian life in Scotland.
Rodrigues’s images—warm, candid, and layered—capture multigenerational moments, religious and cultural events, and the quiet dignity of ordinary lives. “It’s about breaking stereotypes,” he explains. “These images are windows. They show that South Asians in Scotland are not just present, but deeply rooted and thriving.”
Despite working in different mediums, Pankaj and Rodrigues are united in their approach. Both artists use colour—vivid, evocative, symbolic—to explore themes of identity, migration, and place. Their artworks echo each other, weaving together a visual narrative of integration and reflection.
Fittingly, the exhibition coincides with the unveiling of a bust of Nobel laureate Rabindranath Tagore just outside the venue, in Sandeman House Garden. The bust adds another layer of cultural homage and relevance, standing as a tribute to one of South Asia’s most influential literary figures, now rooted in Scottish soil.
Through Kindred Eyes is open daily from 10am to 6pm at the Scottish Storytelling Centre, 43–45 High Street, Edinburgh EH1 1SR. While the exhibition is free and non-ticketed, the space may occasionally be used for private events—visitors are encouraged to call ahead to ensure access.
For more information, visit the event website or follow @scottishstorytellingcentre on Instagram. You can also connect via Facebook to stay updated.
Whether you’re drawn by the brushstrokes of memory or the quiet strength of documentary storytelling, this is an exhibition that speaks to the heart of what it means to belong—across continents, cultures, and communities.
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This event aims to draw parallels between their works
Saudha presents A Mint of Mysticism at Nehru Centre, London on 15 July 2025
The show celebrates Nobel Laureates Rabindranath Tagore and Maurice Maeterlinck
Live performances feature Indian classical music, spoken word, and dance
An accompanying art exhibition will run from 14–18 July, with daily talks
Event curated by T M Ahmed Kaysher; free to attend with registration
Tribute to literary mystics takes centre stage in London
The Nehru Centre in London will host A Mint of Mysticism Through Tagore and Maeterlinck on Tuesday, 15 July 2025 at 6 pm, a multidisciplinary performance exploring the mystic and metaphysical philosophies of two Nobel Prize-winning literary icons. Organised by the Saudha Society of Poetry and Indian Music, the event pays tribute to Rabindranath Tagore, the first non-European to win the Nobel Prize in Literature in 1913, and Maurice Maeterlinck, Belgium’s only literature laureate, awarded in 1911.
Curated by poet and director T M Ahmed Kaysher, the evening will feature performances blending Indian classical music, dance, and spoken word. Admission is free, with tickets available via Eventbrite.
Exploring the mystic worlds of Tagore and Maeterlinck
Tagore and Maeterlinck, though from vastly different backgrounds, shared a literary commitment to mysticism, symbolism, and metaphysical themes. Tagore’s Gitanjali, which earned him the Nobel Prize, is known for its spiritual verse and lyrical depth. Maeterlinck, acclaimed for his symbolist plays like The Blue Bird, wrote about the soul, destiny, and the unseen forces of life.
This event aims to draw parallels between their works, offering a philosophical exploration of their writings through the lens of music, poetry, and visual art.
Performers bring mystic poetry to life
The evening’s main performance will feature:
Chandra Chakraborty, a renowned UK-based Hindustani classical vocalist and co-founder of Saudha, known for her emotive renditions of Tagore’s Rabindra Sangeet
Eka, a national award-winning Ukrainian singer, songwriter and Bandura player, known for fusing Ukrainian folk with classical styles
Shree Ganguly, a powerful performance poet
Nazia Amin and Zafira Salam, prominent spoken-word artists
Asmitha Keer, Sewli Bhattacharyya, and Wafi Rahman Ananna presenting classical Indian dance interpretations of mystic themes
A group of Tagore singers from Oxford, performing choral pieces
Together, they will create an immersive sonic and visual interpretation of the mystic philosophies in the works of both writers.
Mystic-inspired visual art exhibition
Running in parallel, an art exhibition inspired by the writings of Tagore and Maeterlinck will be displayed at the Nehru Centre Gallery from Monday, 14 July to Friday, 18 July 2025.
The exhibition features 16 original works by:
Tarek Amin, a national award-winning painter
Bengt O. Björklund, a Swedish poet and painter
Sonia Yasmeen, a London-based landscape artist
Each piece offers a visual interpretation of verses or ideas rooted in mysticism drawn from the authors’ work. Visitors can also attend daily curated talks, readings, and recitations in the gallery from 4 pm to 6 pm during the exhibition dates.
An artistic fusion of East and West
Through its cross-cultural performances and curated exhibitions, A Mint of Mysticism not only highlights the literary legacy of Tagore and Maeterlinck but also fosters an artistic dialogue between East and West. Organisers say the initiative hopes to engage new audiences in both philosophical reflection and artistic expression.
Aryna Sabalenka defeats Laura Siegemund in a three-set thriller
German veteran's slice-and-drop-shot game unsettles the top seed
Sabalenka to face Amanda Anisimova in the semi-finals
Sabalenka digs deep to progress
Aryna Sabalenka was pushed to the edge on Tuesday, enduring a three-hour test of patience and resilience before finally overpowering Laura Siegemund on Wimbledon’s Centre Court to book her place in the semi-finals.
The Belarusian, world number one, eventually broke free from Siegemund’s spellbinding tactics to win 4-6, 6-2, 6-4 and will now face American 13th seed Amanda Anisimova, who earlier beat Anastasia Pavlyuchenkova, for a spot in Saturday’s final.
German veteran's old-school game unsettles top seed
For long stretches of the match, it appeared Sabalenka would find no solution to Siegemund’s vintage approach. The 37-year-old German, ranked 104th in the world, relied on a mix of slices, drop shots and tactical finesse to disrupt the rhythm of the hard-hitting Belarusian.
Siegemund’s playing style drew comparisons to a bygone era, where subtlety triumphed over raw power. Her slice returns, deft lobs, and feathered volleys kept Sabalenka on the defensive for much of the contest.
“After the first set I was just looking at my box thinking, ‘Guys, book the tickets, we might be leaving this beautiful city,’” Sabalenka admitted. “She played an incredible match, an incredible tournament, and I’m just really happy right now with the win. The atmosphere — it’s just another level.”
Nostalgic display on Centre Court
Despite only one previous second-round finish at Wimbledon, Siegemund produced one of the performances of her career. Her strokes landed with subtle precision — a soft brush of the racket replacing the more common heavy thud. Even her serves, often landing midway up the box and spinning out wide, proved deceptively effective.
Her wealth of doubles experience — three Grand Slam titles across women’s and mixed — was evident in her use of angles, soft hands at the net, and her ability to control rallies with minimal force.
Sabalenka found a breakthrough in the second set as Siegemund’s precision dipped slightly. Though only marginal, it gave the top seed just enough room to level the match.
A hard-fought decider
The third set saw both players exchange small advantages as the momentum shifted repeatedly. Siegemund returned to her crafty best, forcing Sabalenka to continue digging deep.
As the match approached the three-hour mark, Sabalenka finally struck the decisive blow, sealing victory with a thunderous overhead and an emotional roar.
“That was a real task,” she said. “Honestly, I have no idea how I managed to stay emotionally prepared and focused. I’m actually really proud of myself because it was a really tough battle.”
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A Post Office van parked outside the venue for the Post Office Horizon IT inquiry at Aldwych House on January 11, 2024 in London.
Public inquiry finds up to 13 suicides linked to wrongful Post Office prosecutions.
Horizon IT system faults led to false accusations, financial ruin, and imprisonment.
Sir Wyn Williams says Post Office maintained a “fiction” of accurate data despite known faults.
A PUBLIC inquiry has found that up to 13 people may have taken their own lives after being wrongly accused of financial misconduct by the Post Office, in what is now described as one of the worst miscarriages of justice in British history.
The report, published on Tuesday (8), exposed the devastating impact of a faulty IT system and called for urgent compensation and sweeping reforms.
Led by Sir Wyn Williams, the public inquiry concluded that the Post Office and technology supplier Fujitsu were aware, or should have been aware, that the Horizon IT system used in branches was prone to errors.
Despite this, they insisted for years that the system was reliable, leading to the wrongful prosecution of around 1,000 subpostmasters between 2000 and 2013.
“I am satisfied from the evidence that I have heard that a number of senior, and not-so-senior employees of the Post Office knew or, at the very least should have known, that Legacy Horizon was capable of error,” Sir Wyn said. “Yet for all practical purposes, throughout the lifetime of Legacy Horizon, the Post Office maintained the fiction that its data was always accurate.”
He added, “Many thousands of people have suffered serious financial detriment. Many businesses and homes have been lost, bankruptcies have occurred, marriages and families have been wrecked. Tragically, I heard too of people whom it is said that they were driven to take their own lives.”
The report detailed how the faulty system, first rolled out in 1999, falsely showed cash shortfalls in branch accounts.
Subpostmasters were forced to pay back money they never took, faced criminal charges, and in many cases, imprisonment. The inquiry heard 17 first-hand accounts of suffering, from small financial losses to wrongful imprisonment and suicide.
Subpostmaster Martin Griffiths died after being wrongly accused of a shortfall in his accounts. After losing his job, he walked in front of a bus and died from his injuries at 59.
The inquiry found six former subpostmasters and seven others who were not postmasters had taken their own lives because of the ordeal.
At least 59 people considered suicide, and 10 attempted it, directly linking their distress to the Post Office’s actions and the faulty Horizon system, the report revealed.
Sir Wyn noted, “I received evidence from at least 59 persons who contemplated suicide at various points in time and who attributed this to their experiences with Horizon and/or the Post Office.”
According to the report, the suffering extended beyond those prosecuted. Families were torn apart, with many reporting mental health problems, relationship breakdowns, and financial ruin. Some children of affected families also suffered psychological harm, it said.
The report was scathing about the conduct of both the Post Office and Fujitsu.
It said, “A number of senior, and not-so-senior employees of the Post Office knew or, at the very least should have known, that Legacy Horizon was capable of error. Yet for all practical purposes, throughout the lifetime of Legacy Horizon, the Post Office maintained the fiction that its data was always accurate.”
Despite repeated warnings and evidence of faults, the Post Office continued to pursue subpostmasters, often after the reliability of the software had already been questioned. The inquiry described this as “wholly unacceptable behaviour” by both organisations.
Former Post Office chief executive Paula Vennells, who gave evidence to the inquiry, broke down in tears recalling the case of a subpostmaster who took his own life after being accused of a £39,000 shortfall.
Public anger over the scandal grew after the ITV drama, Mr Bates vs the Post Office, aired in 2024, leading to new laws exonerating those wrongly convicted. However, the inquiry found that the process of compensation has been slow and fraught with problems.
Fujitsu's European director Paul Patterson told a parliamentary committee later that the firm, which assisted the Post Office in prosecutions using flawed data from the software, was "truly sorry" for "this appalling miscarriage of justice".
Many of those involved are still battling for compensation.
The Department for Business and Trade (DBT) said last month that 7,569 claims out of the 11,208 received had now been paid, leaving 3,709 still to be settled.
Alan Bates, a former subpostmaster who led the fight for justice, has said the compensation process has "turned into quasi-kangaroo courts".
Bates, who was awarded a knighthood by King Charles for his campaign to highlight the scandal, told the Sunday Times in May the DBT "sits in judgement of the claims and alters the goal posts as and when it chooses".
Post Office minister Gareth Thomas said last month the government had made it a priority to speed up the delivery of compensation since taking office in July 2024.
The inquiry has so far held 226 days of hearings and questioned 298 witnesses. The second volume of the final report, which will examine the role of the Post Office in greater detail, is expected in due course.
In the report, Sir Wyn has called for urgent action to ensure “full and fair” compensation, including free legal advice and support for family members. He recommended that compensation should match the highest civil court awards, and that the government, Post Office, and Fujitsu should agree on a programme of restorative justice. The report also calls for a permanent public body to be set up to handle redress for people wronged by public institutions.
Business secretary Jonathan Reynolds said, “I am committed to ensuring wronged subpostmasters are given full, fair, and prompt redress.”
The government has set a deadline of October 10, 2025, for written responses to the inquiry’s recommendations. By October 31, the Department for Business and Trade, Fujitsu, and the Post Office must publish a report on restorative justice plans.
The Post Office scandal has left a deep scar on British society as thousands of families across the country are awaiting justice. The inquiry’s findings and recommendations now put the onus on the government and the Post Office to finally deliver justice and closure to the thousands whose lives were shattered by the scandal.
Asian victims
Harjinder Butoy Harjinder Butoy bought the Forest Side Post Office in Sutton-in-Ashfield in 2004, investing his redundancy pay and a family loan. In 2007, an audit alleged a £200,000 shortfall. Despite a clean audit a week prior, Butoy was arrested, charged with theft, and convicted on 10 counts. He served 14 months in prison and lost his business, home, and reputation. The Post Office seized his assets, and his family faced bankruptcy. His wife and three children were forced to move in with relatives, enduring years of financial and emotional turmoil. Butoy, plagued by depression and unable to find work, saw his convictions quashed in 2021. He continues to seek justice for the ordeal, which left his family devastated and his life in ruins.
Parmod Kalia and Mahesh Kumar Kalia Parmod Kalia, a postmaster since 1990, was convicted of theft in 2001 after a Post Office investigation, receiving a six-month prison sentence. The conviction upended his family’s life: his wife and children struggled to keep their shop afloat, and his son Mahesh, then 17, was forced to abandon his dream of becoming a pharmacist to help the family. The trauma fractured relationships – Mahesh and his father were estranged for 17 years, with siblings moving away and parents separating. Kalia’s conviction was finally quashed in 2021.
Siema Kamran and Kamran Ashraf Siema Kamran and Kamran Ashraf bought a Hampstead Heath Post Office in 2001, but soon faced repeated, unexplained shortfalls. In 2003, an audit found a £25,000 deficit, leading to Siema’s suspension and both facing criminal charges. Kamran, advised to plead guilty, was sentenced to nine months in prison and ordered to pay compensation. The ordeal cost them their business, home, and community standing. Siema struggled with depression and suicidal thoughts, while Kamran developed post-traumatic stress disorder. Their marriage, though still intact, is described as “broken.” Both were ostracised in their community, and their financial losses were devastating. Kamran’s conviction was quashed in 2020, but the couple’s lives remain deeply affected.