THE RELATIONSHIP between India and the United States is based on a common desire to have a strong and peaceful Indo-Pacific region, US Ambassador to India Eric Garcetti said on Monday (15).
He asserted that the two countries are an important part of a mutual strategy to protect the Indo-Pacific region and keep people safe.
Garcetti also said Washington and New Delhi will deepen defence ties and work together in sectors like space and technology.
He told reporters at the Sabarmati Ashram in Ahmedabad during his maiden visit to Gujarat that the place is important not just for Indian history but for the history of humanity.
"Our relationship is...based on a common desire to have stronger economies and a peaceful, prosperous Indo-Pacific region. Wherever that is challenged, we stand together," Garcetti said.
"We want to see stability in the neighbourhood: that's important for India. But we also want to stand for the values that I think the Indo-Pacific region is strengthened by - freedom of movement and commerce, making sure we have a rule of law and people play by the same rules," he said.
Garcetti was responding to a question on China signalling backing the military establishment in Pakistan amid turmoil in the neighbouring country and the US investment in defence and space sectors in India.
He said India and the US will continue to stand together for their respect for sovereignty and borders. "We want to see technology as a positive thing in people's lives," he said while citing the way electronic payments helped empower Indian people from the bottom-up.
"We don't see technology as being used against people from top down. I think there is a contrast where India and the US stand with other countries. But it is never about a third country. It is about us, and I would continue to emphasise this," he said.
On the backlog of visas for Indian students seeking to study in the US, Garcetti said efforts are being made to reduce the wait time and the US embassy will be able to process them and get to even higher numbers than last year.
"My goal as an ambassador is to think of five years and 20 years from now. The president of the United States is very focussed on this too. He told me he wants us to focus on reducing visa wait times for not just students, but for first-time visitors and others."
Garcetti said in the last three months, the wait time has been brought down by 60 per cent from where it was in December and it would be reduced further.
"Indian students are so great for America… Look at the number of Indian-born CEOs of great companies based in America. It is good for the American economy, it's great for the Indian economy, and it's just good for civilisation too," he said.
He said the Sabarmati Ashram stands as an enduring symbol of Mahatma Gandhi’s message of non-violence and the foundation of India’s democracy.
Sharing his connection with India, Garcetti said he first came to the country when he was 14 years old. As a university student at 19, he started studying the teachings and writings of Gandhi "and saw its potential to not only transform the world, but to inspire and touch our hearts."
"And today, while so much has changed since I was 19 years' old, one thing that has not changed is the sense of connection I feel, not only to this place now and to the man who lived here with his family, but to the aspirations of the Indian people and the universal aspirations of all of us to live freely and to recognise the work of every human being," he said.
He said this is an amazing moment in the US and India relations, a moment in which the two countries need to raise their ambitions.
Garcetti said when he first came to India, the trade between India and the US was just $2 billion.
"Today, it is over $100 bn and it (US) is the number one trading partner with India."
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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