Multi-talented Diljit Dosanjh enjoys a remarkable career in Punjabi as well as Hindi cinema. As a Punjabi singer, he has several albums and singles to his credit and has travelled across the world for his music tours. And as an actor, he has starred in some of the most loved Punjabi and Hindi films over the last few years.
On screen, he most recently starred in Punjabi film Shadaa which has smashed several records at the box-office. And now, the turbaned star of Indian cinema is getting good response for his latest Bollywood outing Arjun Patiala which entered theatres yesterday.
In an interview with Eastern Eye, Diljit Dosanjh talks about reprising a cop in Arjun Patiala, his favourite cop films, his acting career in Bollywood, and why he feels that he does not deserve all the appreciation and adulation coming his way as an actor. The singer-actor also reveals his plans about turning producer.
Arjun Patiala is being promoted as 245th cop film of Bollywood.
I do not know whether or not it is 245th cop film. The makers would know whether it is true or not. I have not counted all the cop films that Bollywood has produced so far. So, I have no idea about it.
Tell us something more about the film.
It is an out-and-out comedy film. There is nothing very serious about it. When the makers offered me the film, I asked them which issue it dealt with. They said, “None”. The film has been written by well-known screenwriter Ritesh Shah. He has written several issue-based films in the past. He told me that Arjun Patiala is an out-out-out comedy film. It deals with no issue.
Which has been your most favourite cop film?
I remember watching Zanjeer (1973). So, yeah, that is my most favourite cop film.
What drew you to the film?
I found the entire team very honest and genuine, so I decided to do the film.
Your latest Punjabi film Shadaa (2019) has taken the box-office by storm. Had you ever thought it to be such a huge hit?
If the truth is to be told, no, I had not expected it to be such a big hit. Having said that, when I saw the film for the very first time, I knew that the audience would love it. That’s all that I had expected from the film. When it comes to business and all, I have no idea about that. I have not produced a single film yet, so I have no idea about the business aspect of it.
Do you want to turn producer in future?
(Smiles). Yes, I am planning to produce a Punjabi film. I have seen the producers making a lot of money, so I thought I should also produce a film.
You have done a superhero film in Punjabi. Do you wish to explore the genre in Hindi cinema also?
In the Punjabi film industry, you can make whatever you want to make, just like what we did with Super Singh (2017). We did not have much money to produce the film, but we still wanted to make a film about a superhero. So we took the risk. In Bollywood, I do not have many friends or producers whom I know well. In Punjabi cinema, almost every producer is my friend. If I ask someone, “Bro, let us make this film.” They will be like, “Okay, let us begin.” Here in Bollywood, the scene is totally different.
There is a long list of Punjabis who have played an important role in the growth of Hindi cinema. But why is it that Punjabi cinema has taken so much time in establishing itself?
It was not before 2011-2012 when Punjabi films started registering some kind of business. Before that, Punjabi movies were made few and far between. They were not made in routine. Mumbai has always been the hub for films. You rightly said that many Punjabis have contributed a lot in the success story of Bollywood. Maybe the reason is that Hindi is a language which is spoken in various parts of the country. Resultantly, Hindi films yield more business than any other film producing industry in the country. So, people always rush to the industry which is viable and makes more money.
What was on your mind when you made a crossover to Bollywood from the Punjabi film industry?
I had only one thought on my mind that, no matter what, I would never play second fiddle to any actor. I would never play an actor’s friend, brother, etc. I never wanted to play such characters in Hindi films. I was doing pretty well in Punjab when I moved to Bollywood. I am still doing well in the Punjabi film industry. So, I never wanted to do friend and brother’s roles in Bollywood. That was the only thing I had on my mind when I entered the Hindi film industry. Besides that, I wanted them (Hindi filmmakers) to like me the way I was. I never wanted to compromise with my image for anyone.
After Udta Punjab (2016), you again play a cop in Arjun Patiala? Which cop character was more challenging?
Udta Punjab was a tough film, while Arjun Patiala is an easy film.
We all have grown up watching Mehmood and Kader Khan’s comedy films. How, according to you, comedy has changed over the years?
They all were extraordinary artists. Be it Mehmood or Kader Khan, they were actors par excellence. They did so many great films in their careers. No one can be like them. Today, not just comedy, but everything has changed – from our lifestyle to food that we consume. Mobile phones have become so common. They keep eating our brain throughout the day. The passion with which yesteryear people used to work is missing today. It is not just in the film-line, but everywhere else also. Today, we buy ready-made clothes. Earlier, our mothers used to knit sweaters and other warm clothes for us. It had her emotions attached to it. It was like her blessings for her kids. Those days are gone now. Materialism has taken over everything.
Who is your favourite comedian?
My all-time favourite comedians are Mehmood ji and Govinda.
You just mentioned that you are planning to produce a Punjabi film. What kind of films do you want to produce?
I want to produce any kind of film that makes money at the box-office, otherwise, why would I turn producer (laughs)?
Would you like to produce films in Bollywood also?
No, I do not have that kind of funds. You need a lot of money to produce a Bollywood film. A lot of it.
How do you look at your journey in Bollywood?
I am happy. I feel I am not worth even this. I got an opportunity to do a film like Udta Punjab, which was followed up by another brilliant film like Phillauri (2017), where I played a completely different character. Last year, I got to do Soorma (2018), which was a biopic. People really liked the film and it even got critical acclaim. I do not think that I am worth the appreciation and everything else that I have received in my life. It is all because of His blessings!
Why do you feel so? You are supremely talented.
Talent – I do not know whether I have it or not. I am basically a singer and can play tabla and harmonium. I have learnt how to sing and play these instruments. So, when people appreciate me for my singing abilities, I can understand why they are appreciating me. When a song becomes a hit, I know I have achieved something. However, when a film does well and becomes a success, I cannot take credit for it simply because I have never learnt that craft. I have never learnt how to act. That is why I feel that whatever movies I am getting to work on, it is all because of Him. I am forever grateful to God for it.
Arjun Patiala is running successfully in cinemas near you.
Sydney Sweeney reportedly offered £45m for a leading role in a major Bollywood film
The package includes £35m in fees and £10M in sponsorship deals
Filming is tentatively planned for early 2026 across New York, Paris, London, and Dubai
The project could make Sweeney one of the highest-paid Hollywood stars to join Indian cinema
A record-breaking offer
Hollywood actor Sydney Sweeney has reportedly been approached with a staggering £45M deal to star in one of the most expensive Bollywood films ever produced.
The 28-year-old Euphoria and The White Lotus star is said to have been offered £35m in fees plus an additional £10m through sponsorship agreements.
Details of the proposed project
The untitled film would cast Sweeney as a young American celebrity who falls in love with an Indian star. Filming is expected to begin early next year, with international locations including New York, Paris, London, and Dubai.
Industry insiders describe the project as an effort to bring Indian cinema to an even larger global audience, with Sweeney’s involvement seen as a move to elevate its international appeal.
Industry perspective
A source close to the negotiations said: “Sydney was shocked by the offer at first — £45m is an incredible sum. But the project is intriguing, and it could elevate her global profile even further. Nothing has been decided yet, but it’s a huge opportunity and she is weighing her options carefully.”
A step into Bollywood
If she accepts, Sweeney would join other international stars who have crossed into Bollywood, including Priyanka Chopra and Shilpa Shetty. The Indian film industry has increasingly sought crossover projects to expand its global reach.
Recent career highlights
Sweeney, who rose to fame on HBO’s Euphoria and The White Lotus, has recently been building her film career. Her latest project, Christy, sees her portraying US boxing champion Christy Martin, the first female boxer to appear on the cover of Sports Illustrated.
Speaking about the physically demanding role, Sweeney said: “Every single fight you see, we’re actually punching each other. I always believed that you wouldn’t be able to make it feel real if it’s a stunt double or if it’s faking the hits.” Christy is set for release on November 7.
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Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement
Spain leads a growing boycott movement, with Ireland, the Netherlands and Slovenia also refusing to participate if Israel competes.
The European Broadcasting Union (EBU) is in crisis talks, extending its decision deadline to December 2025.
The situation draws direct comparisons to Russia’s exclusion in 2022, creating a precedent the EBU must now navigate.
The core dilemma pits Eurovision’s non-political ideals against the stark reality of a humanitarian crisis.
The Eurovision Song Contest, that glitter-drenched annual spectacle of pop and unity, is staring into the abyss. The escalating call for a Eurovision boycott over Israel's participation, against the backdrop of the ongoing Gaza conflict, has put the organisers into their most severe political crisis yet. This isn't just about another song entry but a fundamental clash between the contest's cherished apolitical fantasy and the inescapable geopolitics of the real world, threatening to tear the competition apart from within.
Spain announces withdrawal from Eurovision over Israel participation amid growing boycott movement Instagram/eurovision
What is causing the Eurovision 2025–2026 crisis?
The main trigger is Israel’s ongoing military campaign in Gaza. Casualty figures reported by the Hamas-run Gaza Health Ministry exceed 64,000 Palestinians by September 2025, drawing international scrutiny. Several European countries argue that Israel’s presence in a major cultural event like Eurovision would appear to normalise the humanitarian crisis. On the other hand, Israel insists participation is purely cultural and unrelated to politics.
What countries are boycotting Eurovision over Israel?
So, which nations are taking this stance? The movement gained its most significant momentum with Spain's announcement. Its public broadcaster, RTVE, issued a decisive statement, confirming an overwhelming vote to withdraw. The organisation cited Israel's military actions in Gaza and stated it could not, in good conscience, "look the other way." This move is particularly consequential as Spain is one of the "Big Five" major financial contributors to the contest.
They were swiftly followed by Ireland’s RTÉ, which deemed participation "unconscionable" given the situation in Gaza. Public broadcasters in the Netherlands and Slovenia subsequently aligned with similar positions. Iceland's broadcaster has also indicated it is considering its position, formally "reserving the right" to withdraw. This is not a peripheral protest but a movement emerging from within the contest's core European membership, raising questions about which other countries may follow.
How is the EBU handling the Eurovision boycott calls?
The European Broadcasting Union faces an immense challenge. Its standard operating procedure of promoting unity through music appears insufficient for this geopolitical dilemma. The gravity of the situation can be seen in its unprecedented decision to delay the standard deadline for participation confirmations to mid-December 2025. This extension is dedicated to extensive consultation with all member unions in an effort to find a viable resolution that preserves the contest's integrity.
Concurrently, the EBU has been forced to publicly deny reports from Israeli media outlets suggesting it had advised Israel to withdraw voluntarily to avoid a "humiliating elimination," calling these claims false.
Is this Eurovision situation similar to Russia's exclusion?
This comparison forms the crux of the debate for many. The 2022 exclusion of Russia following its invasion of Ukraine established a clear precedent; the EBU justified its decision by stating Russia's participation would "bring the competition into disrepute."
Boycott advocates now argue that the same standard must be applied consistently, questioning why Israel's actions in Gaza do not merit an identical response. The EBU will likely attempt to differentiate the cases based on nuanced legalities of membership and the operational independence of the respective national broadcasters. However, in the court of public and political opinion, the perception of a double standard is a significant threat to the EBU's credibility.
What are the arguments for and against the boycott?
Proponents of the boycott base their position on principles of human rights and conscience. They stress the extensive civilian casualty figures reported by authorities in Gaza, alongside assessments from UN agencies, to argue that Israel’s inclusion on a cultural platform constitutes a form of normalisation of the ongoing conflict.
Conversely, opponents of a boycott contend that cultural events must remain separate from political disputes. They caution that excluding a nation’s artists could veer into prejudice and stress that the Israeli broadcaster, Kan, operates with editorial independence, unlike the state-controlled media of Russia. There is no clear, unambiguous resolution that will satisfy all parties.
What happens if Israel is allowed to compete in Eurovision 2026?
Should the EBU permit Israel's participation, an immediate and consequential withdrawal of several key members is all but certain. The loss of Spain, a major funder, would represent a serious financial and credibility blow. The subsequent absence of Ireland, the Netherlands, Slovenia, and potentially others would noticeably diminish the contest's scale and diversity.
Furthermore, the event itself would likely become a focal point for large-scale protests, potentially disrupting the broadcast and overshadowing the musical competition, further alienating segments of its global audience.
What happens if Israel is excluded from Eurovision?
An exclusion would trigger a different but equally severe crisis for the EBU. It would face vehement accusations of hypocrisy and double standards, particularly from Israel and its allies. The move could prompt legal challenges and potentially lead to Israel's permanent withdrawal from the union.
It would also establish a new and far-reaching precedent for excluding countries involved in international conflicts, fundamentally transforming Eurovision from an inclusive cultural space into an institution that makes overt political judgements.
The future is decidedly uncertain. The EBU is confronted with a dilemma where any decision carries significant negative consequences. The upcoming General Assembly in December is going to be a tense and potentially historic meeting. While some have speculated about a compromise, such as Israel participating under a neutral banner, the EBU has denied pursuing this option.
The underlying truth is that Eurovision has always been intertwined with politics, from historical participation under authoritarian regimes to contemporary voting blocs. The current crisis has simply stripped away the glittering façade, forcing a direct confrontation with this reality. The contest's future will depend on navigating a path that may not exist, balancing its ideals against an increasingly polarised world.
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Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy
Malayalam star Unni Mukundan announced as lead in Narendra Modi biopic titled Maa Vande.
The film will focus on the Prime Minister's early life and bond with his mother.
A pan-India release is planned for 2026 with a major technical crew attached.
Mukundan is currently riding high on the success of his brutal action film Marco.
Malayalam cinema actor Unni Mukundan is stepping into the biggest role of his career. He has been officially cast as Prime Minister Narendra Modi in the upcoming biographical film Maa Vande. The project, announced on the PM's 75th birthday, promises a fresh look at Modi's formative years. Instead of another political portrait, the filmmakers are zeroing in on his personal journey and the profound influence of his mother.
Malayalam star Unni Mukundan to play Narendra Modi in ‘Maa Vande’ tracing PM’s roots and mother’s legacy Instagram/iamunnimukundan
Who is Unni Mukundan and why was he cast?
If you're not deep into Malayalam films, that name might not ring a bell. But down south, he is a proper lead star. He has been working for over a decade, starting off with smaller roles, having a hit with Mallu Singh, and then breaking through with last year’s Malikappuram.
And then Marco happened, a violent film that crossed the £1.2 million (₹100 crore) mark. The actor can portray devotion and then deliver a brutal action scene. Perhaps that versatility is what the filmmakers wanted. Adding to that, he actually grew up in Ahmedabad. He mentioned in a post that he knew Modi as his "Chief Minister" back then. That personal connection is probably a massive factor.
What will the Narendra Modi biopic Maa Vande be about?
The official line is that it traces his journey from childhood to becoming the leader of the nation. But the tagline gives the real focus: "The Anthem of a Mother." So, this is not going to be a policy-by-policy rundown. It is about his relationship with his late mother, Heeraben Modi.
That is the fresh angle, the human story behind the politician. How that relationship shaped him is the emotional hook. It connects with people on a different level. The filmmakers are planning a 2026 release, and it is set to be pan-India, in multiple languages including English.
The crew list is stacked. It is being directed by Kranthi Kumar C.H. and produced by Veer Reddy M. under Silver Cast Creations. The technical team is impressive: KK Senthil Kumar is on camera, the cinematographer of Baahubali. The music is by Ravi Basrur, editing by Sreekar Prasad, and production design by Sabu Cyril. It is clear that this is not a low-effort cash-in. The A-team from Telugu and Malayalam industries has been brought together to mount this project properly. Serious resources are being invested to ensure it looks and sounds huge.
No. Vivek Oberoi played him in a 2019 film directed by Omung Kumar, which was also called PM Narendra Modi. That film focused more on his political rise. Maa Vande seems to be carving its own niche by going back to the start, focusing on his personal roots. It will be interesting to see how they differentiate it. For Mukundan, it is a massive opportunity. After the physicality of Marco, this role is about capturing Modi’s essence, voice, and posture. It is the biggest challenge of his life, no question.
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Bobby Deol says Aryan Khan has fearless spark and rare talent as The Bastards of Bollywood gears up for Netflix release
Bobby Deol has heaped praise on Aryan Khan, calling him a talented actor who could have easily chosen to be in front of the camera. The veteran star, who features in the newcomer’s directorial debut 'The Ba***ds Of Bollywood', said the show’s teaser confirmed his belief that Shah Rukh Khan’s son has a natural screen presence. Deol also opened up about the young director’s meticulous and passionate approach to filmmaking.
Bobby Deol says Aryan Khan has fearless spark and rare talent as The Bastards of Bollywood gears up for Netflix release Instagram/iambobbydeol/redchilliesent
What did Bobby Deol say about Aryan Khan’s acting?
Let's get this out of the way first. Everyone who saw that teaser had the same thought: can Aryan Khan act? Well, Bobby Deol reckons he absolutely can. He didn’t just direct; he apparently performed every part for his cast. Deol told reviewers that Aryan would act out scenes, even mimicking a journalist’s lisp, to show his actors exactly what he wanted.
“Itna talented hai woh bachcha!” Deol exclaimed. He even phoned Aryan after the teaser dropped to say he’d miss seeing him perform on screen. The big takeaway? He looks like his dad, sure, but Bobby insists “he is totally different.”
Oh, absolutely. That’s the word everyone uses. Bobby didn’t sugar-coat it; he called Aryan a “tough taskmaster.” Deol admitted there were moments the cast wondered why they were doing so many takes, but later saw it brought out their best work. It seems that famous Khan perfectionism is a family trait.
Aryan’s focus was apparently unshakeable. Seven-hour narrations? No problem. Chaos on set? He never lost his cool. For a 27-year-old debutant, that’s pretty rare air. He lived and breathed this project, and his conviction was apparently infectious.
How does Bobby Deol feel about Aryan Khan personally?
This is where it gets interesting. Beyond the professional respect, Bobby’s tone shifts to something almost paternal. He openly talked about feeling “fatherly emotions” on set. He knows the pressure of being a star kid, calling it “not an easy task” to step out of the shadow of the “biggest Indian superstar in the world.”
But he sees a fearlessness in Aryan. He mentioned meeting him a year before the project and sensing a special “spark” and a fire to achieve something on his own terms. It’s not just about a famous surname, but about the person determined to carve his own path, and Bobby clearly respects that.
The upcoming Netflix series, produced by Red Chillies Entertainment, is a satirical dive into the inner workings of the Hindi film industry. It follows an outsider, Aasman Singh, navigating the brutal and glamorous world of Bollywood. Bobby Deol plays a top superstar named Ajay Talwar who is desperate to orchestrate a grand launch for his daughter, played by Sahher Bambba.
The show is a mix of sharp, self-aware humour and a gripping narrative. With a cast including Raghav Juyal, Anya Singh, and Manoj Pahwa, it’s one of the most anticipated Indian web releases this year. Mark your diaries for its premiere on September 18.
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Malaika Arora reveals judgement made her stronger and shaped her boldness
The star revealed she was constantly judged for her career and clothing choices.
Malaika said she felt free when she stopped explaining herself to others.
She now sees confidence as moving forward with grace despite self-doubt.
The actor and model insists the only narrative that matters is her own.
Malaika Arora has defiantly addressed the lifetime of criticism she has faced for her personal and professional choices. The actor and model, known for her impeccable fitness and fashion sense, said being labelled “too bold” is something she now wears as a crown. In a new interview, she opened up about her journey to unshakeable self-acceptance and shutting out the noise.
Malaika Arora reveals judgement made her stronger and shaped her boldness Getty Images
What has Malaika Arora said about the criticism she faces?
It seems there is very little Malaika has not been judged for. She laid it all out in a chat with The Hindustan Times, stating, “I was judged for my career, my clothes, my relationships, you name it.” That constant scrutiny from the public and media would be enough to make anyone second-guess themselves.
But her approach changed completely when she decided to stop engaging with it. She called the moment she quit explaining herself the moment she truly felt liberated. Her philosophy is pretty straightforward now: “The only narrative that matters is the one you write for yourself.” It is a powerful shift from being defined to doing the defining.
Malaika Arora owns every label from bold to outspoken and calls them her strength Getty Images
How does Malaika Arora respond to being called 'too much'?
Honestly, she has turned it into a strength. Those very criticisms have become a part of her identity, and she owns them completely. “I have been called too bold, too outspoken, too everything. And honestly? I wear it like a crown now,” she stated.
She even has a sharp, modern clapback for her detractors: “If I am ‘too much’ for someone, they are probably not enough for me.” This mindset is not just for show. It feeds into everything she does, from her fashion collaborations to her fitness brand. She has never followed a template, believing real confidence is when you “stop performing for the world and start living for yourself.”
Malaika Arora insists the only story that matters is the one she writes herself Getty Images
Does Malaika Arora ever experience self-doubt?
Absolutely. It is a reminder that confidence is not about being bulletproof. She is human, after all. Malaika was candid about the fact that self-doubt “never really disappears,” admitting there are days she questions herself just like anyone else. The key difference now is how she handles those moments. Instead of meting out self-criticism, she practises kindness. For her, confidence is not the absence of doubt but the ability to “move forward with grace despite it.”
This nuanced take is a far cry from the perfect, curated images we often see, making her stance all the more relatable to her fans who navigate their own insecurities.
Malaika Arora says she stopped explaining herself and found true freedomGetty Images
What is the core of Malaika Arora's confident mindset?
It all boils down to ownership. Her recent work as the face of a beauty campaign titled Own It felt less like a job and more like telling her own life story. She has had to fight labels and expectations her entire career. This is not about arrogance; it is about a quiet certainty in her own choices.
Whether it is balancing motherhood with her career or navigating public relationships, she trusts her gut. Her message is clear: stop letting outside opinions write your story. The greatest freedom comes from writing it yourself, unapologetically and on your own terms.