Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
FAMILIES across the country are trapped in a state of uncertainty as the Home Office grapples with a massive backlog in handling their requests for visa fee waivers, reported the Guardian.
The backlog, the largest ever recorded, has left around 33,000 applications pending, causing distress and instability among vulnerable families, according to migrant organisations.
In the first quarter of this year, a staggering 18,528 applications for visa fee waivers flooded the Home Office, yet only 69 were approved—a significant drop from the nearly 6,000 approvals in the same period last year.
These fee waivers are crucial for individuals who cannot afford the steep costs of visa applications, especially considering the recent 20 per cent hike in fees for family visas, settlement, and citizenship since October 2023.
The prolonged processing times, now stretching from approximately eight weeks to a staggering eight months, are exacerbating anxiety among families, many of whom already have legal residency in the UK. This delay is impeding their access to employment, housing, and essential benefits.
Nick Beales, head of campaigns at the Refugee and Migrant Forum of Essex and London (Ramfel), criticised the government's management of the immigration system, particularly citing the unjustifiably lengthy delays in determining whether individuals on minimum wage or receiving universal credit or disability benefits can afford the hefty visa fees.
One such affected family is that of Muhammad Rashid Khan, 45, and his wife Farhad Alauddin Shaikh, 44, who have been waiting for over six months for a response to their visa fee waiver application, despite being recipients of universal credit. The delay has hindered their ability to extend their visas, impacting their employment prospects and causing significant stress.
The situation is further complicated by the inability to travel abroad, which would jeopardise their visa application, and the rising cost of visa fees and the immigration health surcharge, exacerbating the financial strain on migrants.
"If we could obtain a visa now, I could work continuously to support my family, and Shaikh could apply for a job. Without legal status, every job application asks for a visa or passport, which we don't have," he was quoted as saying.
"I don't want my children to face any difficulties. I can sacrifice and do any job necessary to provide for them, ensure they attend school, receive a good education, and grow up to be good people."
Shaikh noted that their first fee waiver application was processed within a month, stating, "Our case is straightforward, yet we can't understand why there's a delay this time."
Sairah Javed, a solicitor at the Joint Council for the Welfare of Immigrants, said that her clients are facing increasing delays, which is hindering their ability to verify their legal status in the UK.
A spokesperson for the Home Office said: “We always aim to process fee waivers as quickly as possible. These waivers are based on affordability and will only be considered when applicants are unable to pay the fee after meeting their essential living costs.”
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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