THE FASHION DESIGNER ON HER INSPIRATIONS, SECRET TO LUXURIOUS STYLE AND COLOURFUL NEW COLLECTION.
ACCLAIMED Indian fashion designer Masaba Gupta has been in tune with the modern day
woman and those who wear her outfits exude impressive power.
The big-thinking design genius has done that again with her striking and unique latest collection, which is the perfect combination of luxury, power, comfort and accessibility. The collection continues her run of eye-catching outfits aimed at a diverse clientele of all ages.
Eastern Eye caught up with Masaba to talk about her amazing fashion journey, eye-catching latest collection and forthcoming trends.
How do you look back on your journey in fashion so far?
It has been quite something because I’ve had the privilege of finding success both commercially and creatively in something I love doing. More than that I have had the power to take my own decisions. I’m just grateful to get the applause and appreciation for something I enjoy doing every day.
What is the secret behind maintaining such a high standard?
I don’t think about it very much. I feel like when you try too hard to make things look a certain way or take yourself too seriously it reflects on your work. I am someone who takes myself lightly, but takes my work very seriously.
The other thing is that with each collection we think about how we are moving forward. It’s not just about doing a collection, colours or print that people have liked. It is about giving them that extra something they didn’t really expect. In that sense we are seen as leaders, as opposed to people just churning out collection after collection. They see us as
people trying to do something new, experimenting and giving people a choice of a wardrobe that could be different from what they usually get. I think that is
why people keep coming back.
Do you ever feel pressure?
Yes, I feel the pressure all the time. It sometimes gets to me and at other times, I don’t let it get to me. I feel like if I didn’t have that pressure I wouldn’t be doing my best work. It is easy to become complacent and think that now this is running on autopilot. But the pressure of delivering and making people really believe that we can constantly do these things is something that keeps me going. But I also think about it on days I should think about it because doing work out of pressure can kill the creative process in a big way.
Today where do you draw your fashion inspirations from?
My mum (Neena Gupta) has been a constant source of inspiration. Also, my surroundings do have a lot to do with how I am feeling at a given point of time. It could have a lot to
do with an incident that might have happened in my life, be it a place I travelled to and how it made me feel. It could be music, a piece of poetry, a song or anything. Inspiration is all around me.
Tell us about your latest collection, which is very striking?
That is actually something we worked on excessively because it is one of the larger, heavier collections we have done. So the idea was to give women a really fun, comfortable, yet inspirational wardrobe for the festive season.
India is a market driven by weddings, festivals and celebrations, so we wanted the clothes to reflect that. There is a lot of fusion in my work and it is about two different worlds coming together. So, yes, they are striking and unique, but also extremely comfortable. That for me is what luxury is. It shouldn’t be intimidating and should be something
people can touch, feel and own a part of.
There is a girl power element in the clothes. Was that intentional?
Girl power is something that has become a part of my being. Everything I do and say on social media has, in a way, become a little bit of a movement for women. I believe that the way women dress says a lot about them. The kind of things they pick to wear on a day-to-day basis says everything about how they feel.
There are different pieces for different kinds of women in the collection. There is something for someone older, quirky, very sophisticated; someone who doesn’t like colour at all; someone who loves colour and more. That, to me, is what girl power is – to be able to dress as per the way you are feeling. That is why we have so many different emotions in the clothes.
How does London compare to other cities in terms of fashion?
What I love about London is that it is a very earthy, relaxed city, but they are also very fashion conscious. With London a lot of thought goes into what they are wearing. It is clean, practical clothing and Londoners think a lot about the weather when dressing up. A lot of practicality goes into the way people dress in London.
You inspire others with your designs, but what inspires you in terms your own outfits?
I am really inspired by comfort. I don’t think I would be caught dead in something that is too tight and body hugging, and something that makes me feel not like myself. I feel my best when I am most confident and comfortable in my own skin, when I am wearing baggy, oversized clothes. I feel that gives me a lot of room to breathe and think clearly. It’s important I am inspired by my mood and state of mind. I am also big on fitness; so looking
after myself is also a big inspiration for me.
What are your fashion predictions for 2019?
Fashion will largely be driven by comfort and also be about personal expression as opposed to what trends dictate.
I don’t think people will look at trends any more because people are taking a lot of time to
understand themselves, including their bodies, who they are and what they say with their clothes. As a trend that is something that will move forward in fashion and will become sustainable because that is the way global fashion is going. People will become more conscious about what they wear and fabrics. Everything will become about consciousness and awareness in the future with respect to fashion.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.