Pramod Thomas is a senior correspondent with Asian Media Group since 2020, bringing 19 years of journalism experience across business, politics, sports, communities, and international relations. His career spans both traditional and digital media platforms, with eight years specifically focused on digital journalism. This blend of experience positions him well to navigate the evolving media landscape and deliver content across various formats. He has worked with national and international media organisations, giving him a broad perspective on global news trends and reporting standards.
THE Financial Conduct Authority (FCA) recently announced that it is revising its controversial approach to publicly identify firms under investigation.
This change follows strong opposition from the financial industry, which argued that the policy could harm reputations without due process, reported the Times.
FCA’s chief executive Nikhil Rathi informed the House of Lords financial regulation committee that the regulator is re-evaluating its plans.
While the FCA’s original intention was to deter misconduct and encourage whistleblowing by naming companies under scrutiny, Rathi clarified that the updated strategy would be “fundamentally reshaped.”
This means the FCA will avoid an extensive disclosure approach, which was never the intent, according to Rathi.
Only a limited number of companies—two to three annually—would likely be identified, and those companies would be granted a ten-day notice period to respond before any public announcement. This notice period was extended from the one-day warning in the original proposal.
FCA chairman Ashley Alder, also present at the committee, admitted that the FCA had not communicated the plan clearly, which led to confusion and backlash. He stressed that there had been “miscommunication” about the extent of the disclosures.
While acknowledging industry concerns, Rathi promised a comprehensive update on the revised strategy soon. The final decision is expected in the first quarter of next year.
The FCA initially proposed the idea in February, suggesting that public disclosure would better align it with other UK regulators, such as the Serious Fraud Office and the Competition and Markets Authority, which typically announce their investigations.
However, critics argued that the approach could unfairly tarnish firms’ reputations, especially as many investigations conclude without punitive actions. During consultations that concluded in April, feedback from the industry highlighted the need for a balanced approach that would not unduly damage firms yet maintain transparency for the public.
In another development, the FCA also issued a warning to motor finance lenders, advising them to prepare for a surge in consumer complaints due to a recent Court of Appeal ruling. This ruling broadened the accountability of lenders, stipulating that they must fully disclose commissions to consumers.
According to the watchdog, lenders might face substantial financial provisions, as they may need to compensate consumers for past undisclosed commission payments.
Major motor finance companies, including Lloyds Banking Group and BMW’s financing division, have already set aside significant funds to address potential compensation claims, with provisions ranging in the millions.
As the FCA considers additional extensions for complaint responses, lenders are bracing for a potential financial impact on their operations and shareholder distributions, the report added.
The motor finance industry is under increased scrutiny as legal cases continue, with a final decision awaited from the Supreme Court.
Romesh admits he’s aware of possible overexposure but says he chooses work based on gut feeling and quality.
He makes his West End debut opposite Sheridan Smith in Alan Ayckbourn’s Woman in Mind.
The play runs at the Duke of York’s Theatre from 9 December to 28 February, then in Sunderland and Glasgow in March.
Romesh will play Bill, the doctor who links Susan’s real and imagined worlds.
He balances television, radio, and stage work by turning down offers he doesn’t think he can do well.
Romesh Ranganathan says he knows the word “overexposure” follows him around and he’s decided it’s a risk worth taking. The comedian, who is making his West End debut, told the BBC he deliberately turns down roles at times but will say yes when a job feels right, putting “overexposure” and the play’s pull, plus the chance to work with Sheridan Smith, at the centre of his decision. This new stage turn comes as Romesh juggles television presenting, radio, and touring stand-up, and it is also his first proper stage role since primary school.
Romesh Ranganathan makes his first West End appearance in Woman in Mind alongside Sheridan Smith Getty Images
What does Romesh mean by overexposure?
He’s not talking theory. He’s talking experience. Romesh openly acknowledges people tell him “you’re on everything,” a phrase he quotes, not hides from. His defence, though, is practical. He asks whether the project is something he’d watch, whether he can do it justice, and yes, whether there’s a fee. That’s his filter. Plain as that.
Romesh portrays Bill the doctor linking Susan’s real and imagined worlds on stage Getty Images
Why take the West End risk with Sheridan Smith?
Because the role felt right. Romesh will play Bill, the doctor connecting Susan’s two worlds, in Alan Ayckbourn’s Woman in Mind. Sheridan Smith leads as Susan, and Romesh says working opposite her is “exciting and intimidating.” He’s honest about nerves; that’s part of the point. He wants the challenge, even if it raises his profile further.
The production runs at the Duke of York’s Theatre in London from 9 December until 28 February, followed by dates at Sunderland Empire and a run at Theatre Royal, Glasgow, in March 2026 (Glasgow 10–14 March; Sunderland 4–7 March). The revival is directed by Michael Longhurst and keeps close to Ayckbourn’s original while offering a fresh staging.
How Romesh is balancing television, radio, and theatre
Romesh fronts shows including Parents Evening and hosts a BBC Radio 2 slot, plus podcasts and tours. He’s selective, he says. He’ll keep doing varied work, including television, radio, and stage, but only when he feels it’s the right fit. If the public tires of him? He joked he might go and work in a café. For now, he’s stepping on stage.
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