Skip to content
Search

Latest Stories

Female-led blockbusters: A global shift in cinema's power dynamics

From Hollywood to Bollywood and beyond, female-driven films are reshaping the global box office and cinematic storytelling

Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.

More For You

Sonia Sabri's dance journey: From major stages to 'Roshni' at London's Rich Mix

Sonia Sabri in 'Roshni'

Sonia Sabri's dance journey: From major stages to 'Roshni' at London's Rich Mix

SONIA SABRI sees her remarkable journey in dance as a true blessing.

The acclaimed dancer and choreographer’s work has ranged from performing on major stages and festivals like WOMAD to collaborating with internationally renowned talents such as Shyam Benegal, Nitin Sawhney and Sir Trevor Nunn.

Keep ReadingShow less
'Salt Cosmologies' exhibition unpacks UK’s colonial ties with India
The Hedge of Halomancy (2025)

'Salt Cosmologies' exhibition unpacks UK’s colonial ties with India

A NEW exhibition at Somerset House explores salt’s dual nature while examining its deep connections to imperial history, said the project’s co-curator.

Salt Cosmologies, by Himali Singh Soin and David Soin Tappeser, due to be unveiled on Thursday (20), explores Britain’s ties with India during colonial times.

Keep ReadingShow less
Architect Asif Khan’s family memories add
personal layer to Barbican revamp

The Barbican apartment complex

Architect Asif Khan’s family memories add personal layer to Barbican revamp

THE Barbican Centre, which the late Queen Elizabeth described as “one of the wonders of the modern world” when she opened the arts venue in 1982, is now showing its age and will undergo a major renewal.

The eminent architect and multi-disciplinary artist, Asif Khan, told a touching personal tale about how his father, Riaz Khan, was very emotional and began crying when he learnt his son would have play a leading role in the project.

Keep ReadingShow less
Viras’ book 'Art Under the Indian Sun' dives into artistic legacies of Raj

Jennifer Howes, Ratna Vira and Sona Datta

Viras’ book 'Art Under the Indian Sun' dives into artistic legacies of Raj

Dr Sona Datta

ON A crisp evening before Christmas, I found myself at the Traveller’s Club in London’s posh Pall Mall.

Like other anachronisms of old England, this particular place doesn’t permit unaccompanied women. So, Jennifer Howes (an expat Canadian) and me (a British-born Bengali) arrived as two arch Indophiles, sporting silk scarves and lipstick, for an author-talk at the invitation of the Indian High Commissioner, Vikram Doraiswami.

Keep ReadingShow less
AA Dhand: ‘My hero Virdee is inspired by the Dirty Harrys of this world’

AA Dhand

BBC

AA Dhand: ‘My hero Virdee is inspired by the Dirty Harrys of this world’

THE BBC’s new six-part crime drama, Virdee, which began transmission on Monday (10), is making history as it is the first of its kind, with a diverse British Asian cast. It is also very much author AA Dhand’s baby. The credits state that it was “created and written by AA Dhand”; is “based on City of Sinners by AA Dhand”; and Dhand is also its executive producer, along with Paul Trijbits.

The drama is named after its eponymous hero, Detective Chief Inspector Hardeep Virdee, a clean-shaven Sikh who prefers to be addressed as “Harry”.

Keep ReadingShow less