THE Ganges-Brahmaputra-Meghna delta covering parts of eastern India and Bangladesh, and home to 200 million inhabitants, may experience a water level rise of up to 140 centimetres by the end of this century, a new study showed.
The findings of the study, published in the journal PNAS on Monday (6), provides refined regional estimates of water level rise, and land subsidence the gradual settling or sudden sinking of the Earth's surface and may lead to better flood mitigation efforts in eastern India and Bangladesh.
According to the researchers, including those from CNRS in France, this region is the largest and most densely populated delta in the world, and one of the most vulnerable places to climate change.
However, they cautioned that the extent and impact of water level rise there remain poorly known.
This delta, which covers nearly two thirds of Bangladesh, and part of eastern India, is already regularly prone to flooding, the study noted.
The region also frequently experiences intense monsoon rainfall, rising sea levels, river flows, and land subsidence, according to the researchers.
Until now, the scientists said, it has been difficult to disentangle these various factors.
Forecasts carried out so far have been based on highly regional measurements of water level, they added.
In the current study, the researchers analysed monthly readings from 101 gauges measuring water and sea levels across the delta.
Aggregating this data over geographical areas, they filtered out local effects and offset quality differences between gauges.
Over time, the scientists obtained more refined estimates for water level changes.
According to the study, between 1968 and 2012, water levels increased by three millimetres per year (mm/year) on average, a little more than the global mean sea level rise, which was two mm/year during the same time period.
The researchers then estimated the contribution of land subsidence obtained by subtracting the measurements of relative water level obtained previously from the absolute sea level.
Their calculations revealed that the maximum land subsidence in the delta between 1993 and 2012 was between one and seven mm/year.
These values, the scientists said, are lower than some local measurements between one and two centimetres per year (cm/year) in Dhaka, Bangladesh which have been used as a reference until now.
The study cautions that if subsidence continues at the same rate, and even under a greenhouse gas mitigation scenario, water level rise in the delta, depending on the area, may reach 85-140 cm by the end of the century compared to the period 1986-2005 twice as high as the projections provided in the latest IPCC report.
According to the researchers, the study may lead to better forecasts of water level in the Ganges-Brahmaputra-Meghna delta and improved flood mitigation efforts.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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