England opener Haseeb Hameed said he will cherish walking out to bat in a Test match at Old Trafford, two years on from being cast aside by home county Lancashire.
After bursting onto the international scene as a teenager in exacting Indian conditions with England in 2016, an alarming and prolonged loss of form prompted the Red Rose to release Hameed.
Back in the England fold after reviving his career at Nottinghamshire, Hameed, still only 24, is in for an emotional return to Manchester for the fifth Test against India.
"Growing up, that is the dream for a young Lancs player," he said. "But obviously when you're going through difficult moments that seems a long way away and it is only natural to feel that way and wonder if it will happen.
"But I'm extremely grateful to be in this position. I'm looking forward to it because my memories of Lancs are all positive. It was where I made my first-class debut, made my maiden first-class century, I had a lot of success.
"I've always said that the club holds a special place in my heart. And I don't want the last couple of years to overshadow what I feel like has been a good relationship and a good time at the club.
"I feel very lucky and privileged to be in this position. But I realise we've got a big game as a team and hopefully we can put on a show for them and draw level in this series."
Hameed's 63 could not prevent an England second-innings collapse in the fourth Test at The Oval to fall 2-1 behind in the series.
The man once dubbed the "Baby Boycott" also made two half-centuries in his first three Tests five years ago before a finger injury preceded his dramatic downturn.
"The way I put it in my mind now is that it was something that was just part of the journey," he added.
"I guess it was quite extreme in terms of the highs of India then the lows were very low. It was just part of something that I had to experience. I guess there's a number of different reasons as to why that could be the case.
"But it is not something I want to dwell on too much. I'm just happy to take the learnings from that and hopefully be confident that it will help me going forward and make me a better player and person for it."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.