Actress Amber Heard is unable to pay her ex-husband Johnny Depp more than $10 million in damages, her lawyer said Thursday after a US jury took the side of the “Pirates of the Caribbean” star in a bitter defamation trial.
The high-profile televised court battle ended Wednesday when a seven-person jury found that Depp and Heard had defamed each other, but weighed in far more strongly with Depp.
The jury, after a six-week trial featuring claims and counterclaims of domestic abuse, awarded him $10.35 million in damages, in contrast with $2 million awarded to Heard.
Asked on NBC's TODAY show if Heard will be able to pay up, her attorney Elaine Bredehoft said: "Oh no, absolutely not."
She added that the Aquaman star wants to appeal the verdict and "has some excellent grounds for it."
The 58-year-old Depp, who lost a libel case against the British tabloid The Sun in London in 2020 for calling him a “wife-beater,” celebrated the split verdict in the case as a victory while Heard said she was "heart-broken.”
Depp sued Heard over an op-ed she wrote for The Washington Post in December 2018 in which she described herself as a “public figure representing domestic abuse.”
The Texas-born Heard did not name Depp in the piece, but he sued her for implying he was a domestic abuser and sought $50 million in damages.
The 36-year-old Heard countersued for $100 million, saying she was defamed by statements made by Depp's lawyer, Adam Waldman, who told the Daily Mail her abuse claims were a "hoax."
Horrible message
Bredehoft said Depp's legal team worked to "demonize" Heard and suppressed crucial evidence in the trial, preventing the jurors from examining evidence of Depp's alleged abuse.
"A number of things were allowed in this court that should not have been allowed, and it caused the jury to be confused," she said.
"We had an enormous amount of evidence that was suppressed in this case that was in the UK case," she said. "In the UK case when it came in, Amber won, Mr. Depp lost."
The lawyer said the ruling bodes ill for the MeToo movement and will discourage women from reporting sexual harassment and abuse.
"It's a horrible message," Bredehoft said. "It's a significant setback, because that's exactly what it means.
"Unless you pull out your phone and you video your spouse or your significant other beating you, effectively you won't be believed."
Bredehoft was asked by TODAY about Heard's immediate reaction to the verdict in the trial, which took place in Fairfax County Circuit Court near the US capital.
"One of the first things she said is that, 'I am so sorry to all those women out there,'" she said. "This is a setback for all women in and outside the courtroom, and she feels the burden of that."
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.