How 'Lage Raho Munnabhai' inspired a positive change
Why the movie which turns 17 this week is a lot better than you might remember and one of the greatest comedies ever made
By Asjad NazirAug 24, 2023
THIS week marking the 17-year anniversary of Lage Raho Munnabhai, is a perfect time to point out that the movie is a lot better than you might remember and one of the greatest comedies ever made.
The satirical comedy-drama released on September 1, 2006, was a follow up to the hugely successful 2003 film Munnabhai MBBS, so had to be really good to avoid inevitable comparisons and writer/director Raj Kumar Hirani realised this very early on.
After making a stunning directorial debut in the story of a streetwise gangster going back to school to become a doctor, he needed a brand new story, which would once again combine comedy with an important social message. The initial plan was to make a story based around lawyers, but Hirani realised that it wasn’t a strong enough concept and would just be a legal version of the medical theme tackled in part one.
The filmmaker, who would go on to have a 100 per cent hit rate with blockbusters 3 Idiots, PK and Sanju, had the inspired decision of incorporating Mahatma Gandhi and the universal messages of humanity he stood for into the plot.
Ace director Hirani took everything he learned in Munna Bhai MBBS and added more layers to the stunning sequel. This time around, the street-smart hoodlum and his sidekick Circuit have a different set of circumstances to deal with and do so in a way that hadn’t been seen in Hindi cinema before.
After falling in love with a radio host, Murliprasad Sharma, alias Munna Bhai, cheats in a competition to meet her by pretending to be a Mahatma Gandhi expert. When she asks him to deliver a lecture, he learns about the late great leader and starts seeing speaking visions of him. What follows is him trying to solve people’s problems and an old people’s home, with the help of the Gandhi apparition only he can see and speak to. This resulted in a fabulous feel-good movie, which seamlessly mixed up comical moments with important thought-provoking social messages.
Unlike other films, it wasn’t preachy, and gifted nuggets of wisdom, which remained with audiences long after the end credits rolled.
Like Munna Bhai MBBS, it puts across enlightening messages of human goodness, but also went beyond that with added layers of love, kindness, tolerance and sacrifice for the greater good. It showed that many of Gandhi’s teaching of peaceful struggle remain relevant today. There have been countless films, TV shows, books, theatre plays and more about Mahatma Gandhi, but none have had the originality or accessibility of Lage Raho Munna Bhai.
The beautifully written contemporary film crossed different time periods, by connecting with ideologies from decades gone by. This, along with characters, which range from younger protagonists to those living in an old people’s home, gave this movie the kind of cross-generational appeal that few films have.
Such was the impact of the central themes that there was a renewed interest in Mahatma Gandhi, which is something that many biopics were unable to do. The movie also revived the idea of peaceful protests, which grew in the years that followed the release of this movie. There were reports that everyone from a mafia don to farmers, students, politicians, and green peace activists were inspired by the movie to make a positive change, such was the impact of the brilliant writing. An illustration of how powerful this movie’s central message of non-violence was is illustrated by it becoming the first Hindi movie to be screened at the UN. There were also screenings at universities around the world, including Harvard Law School, and at the 2007 Cannes Film Festival as part of the Tous Les Cinema du Monde section.
Although the Gandhi style goodness was the heartbeat of this movie, there was so much more. Sanjay Dutt and Arshad Warsi once again delivered masterful performances as the kind-hearted hoodlums, which consolidated the characters’ positions as modern day movie icons.
The brilliant supporting cast included newcomer Vidya Balan, in only her second film, showing quite comprehensively she had star potential – it would carry her towards a massively successful career. Boman Irani returned with another unique antagonist character.
The music may have perhaps been the film’s weakest element, but Lage Raho Munna Bhai still has the timeless romantic number Pal Pal Har Pal, which would equally be at home in 1953 or 2023, and the rousing anthem Bande Mein Tha Dum VandeMataram.
Apart from the high entertainment value, the movie had many memorable scenes from start to finish, like the two male protagonists having a heart to heart in the toilets. There are many more that have a lasting impact. Whether it was his advice to a young man who has lost his father’s money or an individual dealing with a neighbour spitting on his doorstep, there were moments that had important life lessons for everyone.
It put across the message of taking the difficult path in a 21st-century era where people are looking for shortcuts, which is more relevant than ever in a social media driven 2023.
Another aspect of the movie that can’t be underestimated is that it was a great sequel. That is remarkable in an industry that doesn’t do sequels well.
Last, but not the least, the sequel was so good that the planned third instalment didn’t happen because they couldn’t match the all-round brilliance of a film that made everyone want to do the right thing.
Fragments of Belonging is Nitin Ganatra’s first solo exhibition
Opens Saturday, September 27, at London Art Exchange in Soho Square
Show explores themes of memory, displacement, identity, and reinvention
Runs from 3:30 PM to 9:00 PM, doors open at 3:15 PM
From screen to canvas
Actor Nitin Ganatra, known for his roles in EastEnders, Bride & Prejudice, and Charlie and the Chocolate Factory, is embarking on a new artistic chapter with his debut solo exhibition.
Titled Fragments of Belonging, the show marks his transition from performance to painting, presenting a deeply personal series of works at the London Art Exchange in Soho Square on September 27.
Exploring memory and identity
Through abstract forms, bold colour, and layered compositions, Ganatra’s paintings reflect themes of memory, displacement, and cultural inheritance. The exhibition has been described as a “visual diary,” with each piece representing fragments of lived experience shaped by migration and reinvention.
What visitors can expect
The exhibition will showcase original paintings alongside Ganatra’s personal reflections on identity and belonging. The London Art Exchange promises an intimate setting in the heart of Soho, where visitors can engage with the artist’s work and connect with fellow creatives, collectors, and fans.
The event runs from 3:30 PM to 9:00 PM on September 27, and is open to all ages.
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£1 tickets available for families receiving Universal Credit
The Peter Rabbit™ Adventure runs at Hampton Court Palace from 25 July to 7 September 2025
Trail includes interactive games, riddles and character encounters across the gardens
Children can meet a larger-than-life Peter Rabbit in the Kitchen Garden
Special themed menu items available at the Tiltyard Café
£1 tickets available for families receiving Universal Credit and other benefits
Peter Rabbit comes to life at Hampton Court
This summer, families visiting Hampton Court Palace can step into the world of Beatrix Potter as The Peter Rabbit™ Adventure takes over the palace gardens from 25 July to 7 September 2025.
Explore the Kitchen Garden, Tiltyard and WildernessHRP
The family trail, officially licensed by Penguin Ventures on behalf of Frederick Warne & Co., combines the palace’s historic gardens with the much-loved tales of Beatrix Potter. Visitors will encounter interactive activities, puzzles and games while exploring the Kitchen Garden, Tiltyard and Wilderness.
Interactive activities and wildlife learning
Along the trail, children can try Mrs Tiggy-winkle’s washing equipment to make music, search for Peter Rabbit under wheelbarrows, or test their hopping skills alongside Beatrix Potter’s characters.
The experience also highlights Potter’s role as a committed environmentalist. Young visitors are encouraged to look for real wildlife such as hedgehogs, squirrels and toads while learning about habitats and conservation in the palace grounds.
Children can meet a larger-than-life Peter Rabbit HRP
Meet Peter Rabbit and enjoy themed treats
Peter Rabbit himself will make appearances in the Kitchen Garden at set times each day, where families can take photos among the seasonal produce. Fresh fruit and vegetables grown in the gardens will feature in special Peter Rabbit™ menu items at the Tiltyard Café.
After completing the trail, children can also explore the Magic Garden playground or visit Henry VIII’s Kitchens inside the palace, where live cookery demonstrations take place each weekend.
Tickets and access
The Peter Rabbit™ Adventure is included in general admission:
Off-peak (weekdays and bank holidays): Adults £27.20, Children (5–15) £13.60, Concessions £21.80
Peak (weekends and events): Adults £30.00, Children £15.00, Concessions £24.00
HRP Members go free
Families in receipt of Universal Credit and other means-tested benefits can access £1 tickets throughout the summer (advance booking required).
Membership offers unlimited visits to Hampton Court Palace and other Historic Royal Palaces sites, including seasonal events such as the Hampton Court Palace Food Festival and Henry VIII’s Joust.
For more details and booking, visit
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The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday
Gary Lineker named best TV presenter, breaking Ant and Dec’s 23-year run
Former Match of the Day host left BBC after social media controversies
Netflix drama Adolescence wins two awards, including best drama performance for 15-year-old Owen Cooper
Gavin & Stacey takes home the comedy award
I’m a Celebrity wins in the reality competition category
Lineker takes presenter prize after BBC departure
Gary Lineker has ended Ant and Dec’s record 23-year winning streak at the National Television Awards (NTAs). The former Match of the Day presenter was voted best TV presenter by viewers at the ceremony on Wednesday.
Lineker stepped down from Match of the Day in May after 26 years, following controversy around his social media posts. Accepting the award, he thanked colleagues and said the prize showed “it is OK to use your platform to speak up on behalf of those who have no voice.” He added: “It’s not lost on me why I might have won this award.”
Asked if he might work with the BBC again, Lineker said he was uncertain but was “really looking forward to working with ITV.”
The last winner before Ant and Dec’s run was Michael Barrymore in 2000.
Netflix drama Adolescence scores double win
Netflix’s hit drama Adolescence won best new drama and best drama performance for 15-year-old Owen Cooper. The show, which follows the story of a teenage boy accused of murder, became a national talking point earlier this year.
Cooper beat fellow nominee Stephen Graham, who plays his on-screen father, though neither attended the event.
Gavin & Stacey named best comedy
Gavin & Stacey’s Christmas finale, watched by more than 20 million viewers, was named best comedy. Ruth Jones, who plays Nessa, accepted the award and joked: “Alright, calm down. I’m going to the bar now for a pint of wine.”
Backstage, Jones paid tribute to co-writer and co-star James Corden, who could not attend, and addressed reports of a new Apple TV+ project, saying nothing had yet been confirmed.
I’m a Celebrity beats The Traitors
In the reality competition category, I’m a Celebrity… Get Me Out of Here! triumphed over The Traitors, Love Island, and Race Across the World. Presenters including Coleen Rooney and Oti Mabuse collected the award.
Other winners of the night
Michael McIntyre’s Big Show won the Bruce Forsyth Entertainment Award
Molly-Mae Hague’s Behind It All won best authored documentary
Wallace & Gromit received a special recognition award
Gogglebox won factual entertainment, while Call the Midwife secured returning drama
The NTAs remain unique in British television for being entirely voted for by the public.
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UN human rights office urges India to drop cases against Arundhati Roy
ARUNDHATI ROY’S forthcoming memoir, Mother Mary Comes To Me, is about the author’s close but fraught relationship with her mother, Mary Roy, whose death in 2022 her daughter has likened to “being hit by a truck”.
Mary Roy, who insisted her children call her “Mrs Roy” in school, belonged to the Syrian Christian community. She does not seem a very nice person.
The Financial Times, which interviewed Arundhati at her home in Delhi, reveals: “In an episode to which the writer makes oblique reference early in the book but withholds until later — because of the pain it caused — she returned from boarding school for the holidays, aged 13, to find that Mrs Roy had had her beloved pet dog, Dido, shot and buried as ‘a kind of honour killing’ after Dido mated with an unknown street dog.”
In 1996, someone tipped me off that a publisher had won an auction by paying £1 million for The God of Small Things by an unknown Indian writer. This was unprecedented for a debut novel. But the buzz among the bidders was that the novel was a possible contender for the Booker Prize.
As I was writing my story at the Daily Telegraph, the night editor, Andrew Hutchinson, leant over and quipped: “Writing about your sister again?” As we know, Arundhati Roy did win the Booker in 1997. I had actually met Arundhati two years previously when she had stuck up for Phoolan Devi, the subject of Shekhar Kapur’s movie, Bandit Queen, based on Mala Sen’s biography.
Phoolan had been repeatedly raped by upper class Thakurs (the men were later lined up in the village of Behmai and executed by Phoolan’s gang in 1981). The film was exploitative, claimed Arundhati, because for Phoolan, it was like being raped again. She wrote a piece in Sunday in Calcutta (now Kolkata), headlined, “The Indian rape trick”.
Mala arranged for me to interview Phoolan who was refusing to talk to Channel 4 which was making a documentary in India on the controversial movie. In public, she supported Arundhati, but behind the scenes did a deal with C4 which paid her £40,000.
The FT interview says Arundhati “left home at 16, putting the length of the subcontinent between her mother in Kerala and herself in New Delhi, where she was admitted as one of the few women students at the School of Planning and Architecture. ‘I left in order to be able to continue to love her, because I knew she would destroy me if I stayed,’ she says.
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The mural has been covered and is being guarded by security
A new mural by street artist Banksy has appeared on the Royal Courts of Justice building in central London.
The artwork depicts a judge hitting a protester, with blood splattering their placard.
It comes days after nearly 900 arrests at a London protest against the ban on Palestine Action.
The mural has been covered and is being guarded by security; Banksy confirmed authenticity via Instagram.
Banksy’s latest work at the Royal Courts of Justice
A new mural by the elusive Bristol-based street artist Banksy has appeared on the side of the Royal Courts of Justice building in central London.
The artwork shows a judge in traditional wig and black robe striking a protester lying on the ground, with blood depicted on the protester’s placard. While the mural does not explicitly reference a specific cause or incident, its appearance comes just two days after almost 900 people were arrested during a protest in London against the ban on Palestine Action.
Security and public access
Social media images show that the mural has already been covered with large plastic sheets and two metal barriers. Security officials are guarding the site, which sits beneath a CCTV camera.
Banksy shared a photo of the artwork on Instagram, captioning it: “Royal Courts Of Justice. London.” This is consistent with the artist’s usual method of confirming authenticity.
Location and context
The mural is located on an external wall of the Queen’s Building, part of the Royal Courts of Justice complex. Banksy’s stencilled graffiti often comments on government policy, war, and capitalism.
Previous works in London
Last summer, Banksy launched an animal-themed campaign in London featuring nine works. The series concluded with a gorilla appearing to lift a shutter at the London Zoo. Other notable pieces included piranhas on a police sentry box in the City of London and a howling wolf on a satellite dish in Peckham, which was removed less than an hour after unveiling.