Skip to content
Search

Latest Stories

Pallavi Sharda: Hurray for a Hollywood game of cat and mouse

Pallavi Sharda: Hurray for a Hollywood  game of cat and mouse

ACCLAIMED AUSTRALIAN ACTRESS PALLAVI SHARDA ON STARRING IN THE NEW TOM AND JERRY MOVIE

by ASJAD NAZIR


AUSTRALIAN actress Pallavi Sharda has had an incredibly varied career that has seen her mix up genres, languages and different industries around the world, from Bollywood to Hollywood.

Her most unique project is a starring role in the newly released big budget Tom & Jerry: The Movie, which is an entertaining mix of animation and live action. She plays one half of an affluent couple preparing for a lavish Indian wedding in a plush hotel that soon gets disrupted by the mayhem-causing iconic cartoon characters.

Not surprisingly, Pallavi Sharda enjoyed the whole process and was happy to speak to Eastern Eye about starring alongside a legendary cartoon duo that has entertained different generations, since first appearing in 1940.

You have got to do such a wide variety of work in different languages and genres, but is there any one space you are happiest in?

What a great question. A big modus operandi of my career is diverse roles and changing it up as much as I can. I think the unique opportunities I’ve had in my career are a real privilege. Right now, what I’m really enjoying is exploring the different facets of what it is to be a woman of the Indian diaspora because that concept has a multitude of faces. And Preeta in Tom and Jerry is one version. I’ve done shows in Australia which have different versions, and right now, I’m doing an action film, which is totally different. So, I think what it really is about is taking away the monolith that is south Asian culture in the way that we see it presented on-screen or we have thus far presented in popular culture, and contributing to that narrative.

You have done diverse projects, but did you ever imagine being part of a Tom and Jerry feature film?

I did not! That was unimaginable, you’re correct, and I was very pleased to be part of it.

Tom & Jerry: The Movie is very unique. How did you prepare for it?

I really didn’t have much time to prepare. I was litera lly on a plane from one set in Australia to London and thrown into the deep end, but luckily, we had such a great team and they were so receptive to any of conversations I wanted to have about how we portray an Indian bride on-screen, a woman from New York.

Tell us more…

I think Preeta is a very real representation of an Indian American woman and our lovely director Tim Story recognised that. I was closest to that identity and he was very open to having discussions with me about things that might seem simple, like how does she wear her chunni, with a lehenga. I am like she is a Punjabi woman and that has particularities associated with it. And I  hink Indian audiences need to feel that those particularities have been taken care of, as opposed to just presenting one’s idea of what an Indian wedding should look like

The bride usually wants a huge wedding and the groom wants something intimate, but here they flipped it in this film, which was interesting?

Yes, that was one of the things on a script level that really intrigued me. It did flip the narrative of what we normally see and Preeta is very grounded. She’s kind of like the straight and narrow one of the two and just wants simple things in life, even though she comes from this big socialite family, and I liked that. She was so unaffected by everything and what she did was out of love for her partner, as opposed to wanting the societal let’s show the community what we’ve got kind of attitude, which is often portrayed. It was a lot of fun working with Colin (Jost), and he, obviously, did such a brilliant job. (Laughs) He got to be funnier than me, which was a little annoying but I’ll take it.

Was it difficult to play the most grounded character, when everyone else around you was so wacky and zany?

It was so hard to keep it simple and the line deliveries really real. I had to block out a lot of the mayhem that was going on around me because as a character, Preeta is not buying into it. She’s just trying to get something done and get to the end of this wedding. So, obviously, there were these moments where Michael and Colin were like doing comedic sparring and I was like, ‘I want a joke. Can I have a joke?’ They were like, Preeta is not the funny one.

Lead inset Pallavi Sharda in Tom and Jerry 2 55 Pallavi Sharda in Tom & Jerry: The Movie

How did you do animated scenes. Did you have to imagine carrying a cat or did you have props?

For Toots, I had a prop, which was a soft toy. It was an inanimate object, but I had to pretend it was squirming and moving. I’m a very physical actress, having been a dancer, which kind of is a bit of an advantage sometimes in those moments. Obviously, having worked in Bollywood, I think there’s a larger-than-life element to the way films are shot there and that kind of expression, ironically, came in handy with Tom and Jerry because it’s a kids movie. So, everything is a little bit bigger than you would normally play it in sort of an everyday drama.

When I was younger, I always saw Jerry as the hero, but now I am not so sure after watching it as an adult because of how much mischief he causes. Do you think Jerry is a good or bad guy?

(Laughs) He just knows what he wants and he goes for it. You know he just represents the go getter, whereas Tom is the guy who surrenders to his fate – he is a dreamer. They’re just two different archetypes – we can’t say one’s better than the other. Jerry is just a little bit smarter.

I love it when you ask the manager to take your giant dog for a walk and what happens. Do you have a favourite moment in the film?

Well, that was great just because of Michael Pena’s performance. On set it was so hard not to laugh because he’s so funny – there were many moments with him, where it was like ‘come on Pallavi, you are an actress, like stop laughing at the other actors and play the role’. For me it was the emotional moments that Preeta has because it really brought back the film into the here and now. And kind of anchored what this is about, in terms of, yes, Tom and Jerry are the stars of the show, but it’s also a love story on many respects and levels.

Which moment from that did you like in the film?

I liked the way the second wedding sequence was shot, where there was a lot of truth to that moment. I guess, as an actress, you want to be able to play those emotions. Doing the car chase was fun because we had set up New York City in studios in London and I was just so impressed. I mean I couldn’t believe the scale of that set and it was just exciting as an actress to be on a set like that.

What was it like shooting in London where the weather is so unpredictable?

I shot three projects in London in quick succession. I had done the whole gamut of it. I think Beacham was shot in late summer and this was in the peak of summer. Then I stayed on to shoot something in Bristol for the peak of winter. (Laughs) But having said that, I grew up in Melbourne and it’s not that different.

How does comedy compare to other genres you have done?

I love comedy. In fact, I was very fortunate last year in Australia to do two projects that were comedy as a lead. To be able to carry shows as a comedic actress was new to me, but very rewarding because if you know me in person, I’m a bit of a jokester and everything I say is laced with a bit of sarcasm. So, especially, after working in India for so many years, where it’s a different brand of humour, being able to do comedy now in the west is really a release for me finally. I mean my friends that have seen some of my recent work, are like ‘are you acting coz this just looks like you’.

What inspires you as an actress?

I think more than inspiration, it’s the process. I think I find acting very meditative and it’s such an escape. It is my escape from everything else and anyone that works with me knows I am always wanting to be back on set, when I am not there because I feel most in my body, I feel most grounded when I’m performing. I always have been a performer since I was a child on stage, so it’s really about the process now, I think. When I was younger, it was more about inspiration and aspiration, but now that this is my everyday job, it’s about getting lost in it.

Why should we all watch Tom & Jerry: The Movie?

It brings a lot of joy, and we need a lot of joy right now and need to have a laugh.

Tom & Jerry: The Movie is available to rent at home now

More For You

LGBTQ+ representation in global media: How queer stories are evolving

A celebration of queer stories worldwide – diverse, powerful, and unapologetically authentic

LGBTQ+ representation in global media: How queer stories are evolving

Media has transformed from just a form of entertainment into a dynamic platform for representation, validation, and social change. For young queer individuals, seeing their identities reflected authentically on screen can be nothing short of transformative. Positive, nuanced portrayals of queer lives not only encourage self-acceptance but also challenge outdated societal norms, making space for the beautiful diversity of human experiences.

Over the last few years, queer representation in global media has undergone a remarkable evolution, shifting away from harmful stereotypes and embracing stories that are rich, real, and relatable.

Keep ReadingShow less
Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

Female-led blockbusters: A global shift in cinema's power dynamics

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.
Keep ReadingShow less
Chinese new year 2025: Traditions, symbolism, and what the year of the snake represents

Celebrating the start of Chinese New Year 2025: The year of the snake

iStock

Chinese new year 2025: Traditions, symbolism, and what the year of the snake represents

As the Chinese New Year begins, it ushers in a time of reflection and renewal marking the arrival of the Year of the Snake, according to the Chinese zodiac, which follows a 12-year cycle of animals. With deep cultural significance, the festival not only celebrates the end of winter and the beginning of spring but also offers a chance to start anew with hope, tradition, and joy.


Chinese New Year, also known as the Lunar New Year or Spring Festival, has roots that stretch back over 3,500 years. It is the most important holiday in China, marked by various customs that bring families together to honour the past and welcome the future. This year, the holiday falls between January 28 and February 4, marking the return of the Snake in the zodiac cycle. The last Year of the Snake was in 2013, and those born in 2025 will share this animal’s traits—known for being wise, perceptive, and resilient.

In Chinese culture, each zodiac animal influences the characteristics of those born in its year. The Snake is associated with intelligence and intuition, often seen as both mysterious and strategic. This year, the Snake symbolises both the yin and yang: it represents darkness, femininity, and mystery but also renewal, growth, and wisdom. Known as a "little dragon," the snake’s ability to shed its skin signifies new beginnings, transformation, and good luck.

The customs and traditions associated with the festival reflect a deep respect for family and heritage. Homes are meticulously cleaned to rid them of bad luck, while red decorations such as lanterns and spring couplets adorn doorways to invite prosperity. The giving of red envelopes (hongbao) filled with money is a symbol of good fortune and a way to strengthen familial bonds. This is a time for families to come together, share meals, and embrace optimism and hope for the year ahead.

The Snake’s symbolism is powerful, intertwining notions of love, wealth, wisdom, and longevity. In Chinese folklore, the snake is often paired with the turtle and crane to represent these virtues. In particular, the “Legend of the White Snake” speaks to the complex nature of the snake, showing its connection with both danger and beauty, love and wisdom.

As the Year of the Snake begins, it is a chance to embrace its qualities of renewal and insight, navigating the year with wisdom and perseverance while celebrating the rich traditions that make this time so special.

Keep ReadingShow less
Nayantara Roy’s debut novel traces
love and secrets in family home

Nayantara Roy

Nayantara Roy’s debut novel traces love and secrets in family home

AMIT ROY

NAYANTARA ROY, who lives in Los Angeles – where she has a satisfying creative job as a television executive – has been talking to Eastern Eye about her debut novel, The Magnificent Ruins.

Roy has been safe from the fires where she lives in Silverlake in the east side of the city. But she can see the orangetinged cloud in the sky – “the situation is still dire in LA”. Santa Monica, where she works, has been threatened.

Keep ReadingShow less
Stories that captivate: 2025’s most anticipated south Asian reads

Readers can look forward to everything from heartfelt memoirs to gripping thrillers and stories that explore new creative territories

Stories that captivate: 2025’s most anticipated south Asian reads

A DIVERSE range of forthcoming books signals another strong literary year for authors of south Asian descent.

In 2025, readers can look forward to everything from heartfelt memoirs to gripping thrillers and stories that explore new creative territories. Additionally, more affordable paperback versions of popular books will be available for those who love a good read.

Keep ReadingShow less