A man arrested at Queen Elizabeth's Windsor Castle home on Christmas Day last year wearing a mask and holding a crossbow told security "I am here to kill the queen", a British court heard on Wednesday.
Jaswant Singh Chail, 20, who has been charged under Britain's Treason Act, had spent months planning the attack and trying to gain access to the royal family, London's Westminster Magistrates' Court was told.
Prosecutors said Chail, from Southampton in southern England, recorded a video before he entered the grounds of the castle to the west of London where the 96-year-old monarch mostly resides. She was there on the day of the intrusion.
"I am sorry for what I have done and what I will do. I am going to attempt to assassinate Elizabeth, queen of the royal family," he said in the video, in which he was seen holding a crossbow and wearing a face covering.
"This is revenge for those who died in the 1919 massacre," Chail said, referring to an incident when British troops shot dead nearly 400 Sikhs in their holy city of Amritsar in northwestern India.
"It is also revenge for those who have been killed, humiliated and discriminated on because of their race," he said.
Indians have long demanded a formal apology from Britain for what is also known as the 1919 Jallianwala Bagh massacre when British troops opened fire on unarmed civilians who had gathered to protest against a colonial law.
Queen Elizabeth laid a wreath at the site of the massacre during a visit to India in 1997 and referred to it as a "distressing example" of "difficult episodes" in the past.
'SUPERSONIC X-BOW'
Chail, who appeared at Wednesday's court hearing via video link, spoke briefly to confirm his name, his date of birth and gave his address as Broadmoor, a high-security psychiatric hospital. He did not enter a plea.
The queen was at the castle on the day of the intrusion with her son and heir Prince Charles and other close family members.
The prosecution said Chail had entered the grounds at 8.10 a.m. and was spotted by a protection officer in an area where the intruder would have access to the private quarters of the castle.
The officer, who said Chail looked like something out of a vigilante film or dressed for Halloween in a hood and mask, asked: "Can I help you?"
The court heard that Chail responded: "I am here to kill the queen". The officer drew his taser and shouted at Chail to get on his knees and drop the crossbow. Chail complied.
The recovered crossbow was a "Supersonic X-bow", the discharged bolt from which has the potential to cause serious or fatal injuries, the prosecution said.
Searches of Chail’s home found a gas mask, rope and electronic devices which showed he had previously applied to the Ministry of Defence and the Grenadier Guards in an effort to make contact with the royal family.
Chail has been charged with making threats to kill, possession of an offensive weapon and an offence under section 2 of the Treason Act 1842, which details punishment for having a weapon with intent "to injure or alarm Her Majesty".
The case will be heard next at London's Old Bailey on a date yet to be confirmed.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
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