Steven Spielberg finally saw SS Rajamouli's "RRR" and came out impressed with the Indian director's "visual style".
The Hollywood legend called the Telugu film "outstanding" during a conversation with Rajamouli over "The Fabelmans”, Spielberg's Oscar-nominated semi-autobiographical drama.
Produced by Amblin Entertainment & Reliance Entertainment, "The Fabelmans”, which is nominated for seven Oscars, released in Indian theatres on Friday.
"Well I have to tell you, I thought your movie was outstanding. I hadn't seen it when we met, but I saw it last week and it was just amazing. I couldn't believe my eyes. For me, it was like eye candy," the filmmaker told an elated Rajamouli.
He praised the cast of "RRR" that include Ram Charan, Jr NTR, Alia Bhatt as well as Alison Doody, who also featured in Spielberg's 1989 movie "Indiana Jones and the Last Crusade".
"... a beautiful visual style and I just thought it was extraordinary to look at and experience. So congratulations for 'RRR'," Spielberg, 76, said about the blockbuster movie, which is nominated in the Best Song category at the Oscars for its track "Naatu Naatu".
"RRR" is a pre-Independence fictional story focusing on two real-life Indian revolutionaries in the 1920s -- Alluri Sitarama Raju and Komaram Bheem.
Rajamouli, 49, said he was willing to stand up and "do a dance" after the Hollywood veteran's praise for his film.
The Indian director, a self-confessed Spielberg fan, had a number of questions about "The Fablemans" and the Hollywood auteur's filmography that boasts of global hits like the "Jurassic Park" series, "Jaws", "E.T.", "Schindler's List", "Saving Private Ryan", "Munich", "Lincoln" and "West Side Story" to name just a few.
Rajamouli said he was surprised to know that the film was inspired by not just the filmmaker's life but also included details from his parents and siblings' lives.
He asked whether the director felt scared to tell such a personal story.
Spielberg said he always felt safe in telling the stories of others but he wanted to take responsibility by going back to his life with "The Fablemans".
"I've always felt so safe in telling the stories of others, and I've always found my place behind someone else's story, steering the story and communicating the story, but not taking responsibility for the content of the story because the content was authored by novelists, historians or other people's stories...
"I've always been a pretty good captain of a ship I did not build, but all of a sudden, I'm now the captain of a ship where I was not only on the crew building from scratch, along with my sisters and my mother and father, but suddenly I have a larger responsibility to tell the truth about some of the things that happened to me in my formative growing up years," Spielberg said.
The filmmaker said his only concern while telling "The Fabelmans" story was to ensure that it did not hurt anyone or "embarrass" his family.
The movie features an ensemble cast of Gabriel LaBelle, Michelle Williams, Paul Dano, Seth Rogen, and Judd Hirsch.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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