PRESIDENT Donald Trump voiced optimism on Monday (22) that Pakistani prime minister Imran Khan could help broker a political settlement to end the nearly 18-year-old US war in Afghanistan and held out the possibility of restoring aid to Islamabad.
"I think Pakistan is going to help us out to extricate ourselves," Trump said, with Khan sitting next to him at the start of a White House meeting.
Trump spoke of possibly restoring $1.3 billion in American aid that he had cut last year, depending upon the results of the meeting.
The United States and Pakistan have a complicated relationship. Trump last year complained on Twitter that the Pakistanis "have given us nothing but lies & deceit" and "give safe haven" to militants. Pakistan has denied the accusations.
"They were really, I think, subversive. They were going against us," Trump said on Monday, adding that the US relationship with Pakistan had improved.
Khan told Trump that a peace deal with the Taliban was closer than it had ever been.
"We hope that in the coming days we will be able to urge the Taliban to speak to the Afghan government and come to a settlement, a political solution," Khan said in the Oval Office meeting when reporters were present.
Trump wants to wrap up US military involvement in Afghanistan and sees Pakistan's cooperation as crucial to any deal to end the war and ensure the country does not become a base for militant groups like Daesh (Islamic State).
Meanwhile, Afghan president Ashraf Ghani said on Tuesday (23) the US should clarify remarks Trump made about Afghanistan, including a claim he could easily win the war but didn't "want to kill 10 million people".
Trump said the previous day that he had plans that would ensure a speedy end to the Afghan conflict, but which would wipe the country "off the face of the Earth". His comments sparked outrage in Afghanistan, where the war-weary and traumatised population is already worried about a precipitous pull-out of US forces and whether that means a quick return to Taliban rule and civil war.
Afghanistan "would be gone. It would be over in literally, in 10 days", Trump said, adding, "I don't want to go that route", and that he didn't want to kill millions.
"The government of the Islamic Republic of Afghanistan calls for clarification on the US president's statements expressed at a meeting with the Pakistan prime minister, via diplomatic means and channels," Ghani's office said in a statement.
Afghanistan has long blamed Pakistan for fuelling the Afghan conflict and for supporting the Taliban -- which Islamabad denies -- and Ghani is furious about being continually sidelined by the US in ongoing peace talks with the Taliban.
Washington wants Islamabad to pressure Afghanistan's Taliban into a permanent ceasefire and participation in talks with the Afghan government.
US special envoy Zalmay Khalilzad will travel to Afghanistan and to Qatar, where he will resume talks with the Taliban, from July 22 to August 1, the State Department said.
The Pentagon said Pakistan's army chief, General Qamar Javed Bajwa, was set to meet the top American military officer, chairman of the US Joint Chiefs of Staff General Joseph Dunford.
Analysts believe Bajwa will play a key role in behind-the-scenes discussions, with the military looking to persuade Washington to restore aid and cooperation.
Pakistan has not released Shakil Afridi, a jailed doctor believed to have helped the CIA track down former al Qaeda leader Osama bin Laden, whose organisation was responsible for the Sept. 11, 2001, attacks on the United States that triggered the American military intervention in Afghanistan the following month. US forces killed bin Laden in Pakistan in 2011.
Trump told reporters he would discuss Afridi's case with Khan as well as other "hostages." Khan told Trump that he had brought him "good news" on two hostages, but did not elaborate on what he meant while reporters were present.
UK music industry continue to face systemic barriers that hinder progress, visibility, and career growth – despite decades of contribution and cultural influence, a new report has revealed.
The study, South Asian Soundcheck, published last Tuesday (7), surveyed 349 artists and professionals and found that while many are skilled and ambitious, structural obstacles are still holding them back.
Prepared by Lila, a charity focused on empowering south Asian artists and music professionals, the survey showed that nearly three-quarters of respondents earn some income from music, but only 28 per cent rely on it full time.
More than half struggle to access opportunities or funding, and many said they lack industry networks or knowledge about contracts and rights.
Beyond structural issues, almost half said they face stereotypes about the kind of music they should make; two in five encounter family doubts about music as a career, and one in three has experienced racial discrimination.
Although 69 per cent said there was progress in visibility, but 68 per cent still feel invisible within the industry.
Respondents sought urgent action, including mentorship and networking opportunities, stronger south Asian representation in key industry roles and fairer access to funding.
Veteran musician and composer Viram Jasani, who chaired the Asian Music Circuit and led a national enquiry into south Asian music in 1985, told Eastern Eye the findings were “disheartening”.
“I read the report and my heart sank – it feels as though nothing has changed,” he said.
“Back in 1985, we had already identified the same problems and made clear recommendations for better representation, employment and long-term support. Four decades later, we are still talking about the same issues.”
Jasani, a sitar, tabla and tambura expert, said the report focused mainly on modern genres and overlooked traditional south Asian music, which he believes is central to cultural identity.
“Since colonial times, British attitudes have not changed much,” he said. “If they can erase Indian traditional culture and create a community that lives entirely within an English cultural bubble, then they will have succeeded.”
He added that young south Asian artists were often drawn to Western contemporary music, while neglecting their own heritage.
“We are brilliant in Western genres, but that should come after we are grounded in our traditional shashtriya sangeet (classical music),” he said. “Without that foundation, we lose our sense of identity.”
Jasani also warned a lack of unity within the south Asian community continues to weaken its cultural progress.
He said, “People compete with each other while the world watches. For too long, massaging egos has taken priority over producing the best of our culture.”
According to the survey, one in three has experienced direct racial discrimination. One respondent said, “There are virtually no visible and successful south Asian artists in the mainstream – people simply do not know where to place us.”
Another added: “I want south Asian artists to be part of the collective mainstream industry, not just put on south Asian-specific stages or events.”
While the visibility of south Asian artists has improved, with more names appearing on festival line-ups and in the media, the study revealed this progress remains “surface level”.
Lila’s founder, Vikram Gudi, said the findings show progress has not yet been translated into structural inclusion.
“The data exposes what we call the progress paradox. Seventy-three per cent of the people we surveyed earn some money from music, but only 27 per cent earn enough to rely on it as a sustainable career,” he said.
“The Soundcheck gives us the evidence to enact real change and identifies three essential needs – mentorship, representation, and investment.”
Three-quarters of participants said mentorship from experienced professionals would make the biggest difference to their careers. Many stressed the importance of being guided by people who “understand how the industry works and can connect them to decision-makers”.
Nearly the same proportion called for greater south Asian representation across the music industry – not just on stage, but within executive, programming and production roles at festivals, venues, record labels and streaming services.
Dedicated funding also emerged as a priority, with many describing the current grant systems as inaccessible or ill-suited to the diverse and cross-genre work that defines south Asian creativity today.
Two in five respondents reported that family or community resistance remains a challenge, often due to the perceived instability of a music career. The report argued this scepticism is “economically logical”, when there are so few visible south Asian success stories in the mainstream.
Responding to the report, Indy Vidyalankara, member of the UK Music Diversity Taskforce and BPI Equity & Justice Advisory Group, said: “South Asian music is rich, vibrant, and hugely influential. We need south Asian representation at every level of the ecosystem, plus support and investment to match that influence.”
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