SINGER INDER PAUL SANDHU DISCUSSES HIS MASTERPLAN TO MAKE MEANINGFUL MUSIC
by ASJAD NAZIR
BRITISH talent Inder Paul Sandhu has maintained a brilliantly high standard with the soulful songs he has released.
Whether it was his recent single Monster or his awesome EP The Colindale Tape, the singer-songwriter has delivered a cool combination of meaningful lyrics, deeply soulful vocals and artistic music with a commercial edge.
One of the best kept secrets in British music has cross-generational appeal and is getting better with each release.
Eastern Eye caught up with the remarkable Inder Paul Sandhu to discuss his music journey so far, soulful sound and future plans.
What is it that led you towards your soulful sound?
Growing up, I was exposed to a lot of different music in my household, but hip hop and soul music in particular were like that pretty girl in school you couldn't take your eyes off. She's been with me since childhood.
Which of your tracks is closest to your heart?
It would be Cold from my most recent tape The Colindale Tape. It was only after writing it I realised just how much of myself I poured out. It's like my heart exploded! I never intended for it to be heard by anyone, but it did and ended up being made the track of the month on BBC – mad respect to Sunny and Shay for that. It's crazy though, my frame of mind at the time wouldn't have allowed me to write that song if I knew people were actually going to hear it.
Musically, where do you draw your inspiration from?
Everything Asjad, honestly! I’m always observing. Life is art, man, and in every alive or dead thing, you see that art.
How important is it for you to have meaningful lyrics?
Instrumentals aside, it is everything, absolutely everything, because without substance music is just fast food. Music is a spiritual tool for warfare, healing, declaration and joy, and by virtue of that, it demands substance.
Have you learned anything about yourself through your songs?
Yeah, no matter what my circumstance is, be it good or bad, I can always make a song out of things and sing for that matter. They have also shown me just how much of my observations and feelings I haven't spoken about with myself, others or even God.
What do you enjoy more, singing or the process of creating?
Definitely singing and certain parts of the musical and visual production; those are the divine aspects for me. I find them fun. The rest, in my opinion, is weaving through the red tape of man and I’ve seen enough of that in myself. Just to clarify, by red tape I mean human nature.
How are you able to generate so much emotion in your voice?
Pain and desire really. Suffering and trials are inevitable in this life and I empower myself by using them as fuel for the sound. Desire comes in where I desire to make God proud, as well as my mum and dad.
What can we expect next from you?
I’m putting out a new tape in the next three months called The Renaissance Tape. We're currently just finishing up the production stage with an amazing band out in Houston, Texas, called Tonecrafters. I know people are going to love it. There’s going to be a whole bunch of flavours on this tape – think Hendrix, Fleetwood Mac and Oasis, all on the same project.
What is your musical masterplan going forward?
Hopefully, perform my next tape throughout the UK, as well as my previous tape, and then set my eyes on the states. We’ve already finished production on my tape after The Renaissance Tape, which I know is back to front, but between these two tapes the world is truly my oyster. I am still trying to get my music into TV and film, which is another area I got my eyes set on. With that being said, though Asjad, one of my greatest strengths in my musical journey has been not having a plan and bulldozing my way into any and everywhere. It’s how I live! Shoot from the hip and all that.
Who would you love to collaborate with in future?
Jimi Hendrix and Ray Charles would have been amazing because they were true geniuses and masters of their own lane. If I were to choose from the land of the living though I’d say Lauryn Hill; I believe her to be one of the greatest songwriters ever. Her song Adam Lives In Theory is unmatched, and her unplugged tape is heavenly. King Krule would be cool to work with too, now that I think about it.
What music dominates your playlist?
I would say rock, gospel worship and r’n’b, but, to be honest, I listen to everything. Music is truly too magical to confine my ears to any one sound. I could go a whole week with just listening to Pavarotti and then spend the next week listening to Black Sabbath.
Who is your own musical hero?
I don't have one to be honest, and I admire many artists but there are really none that I have promoted to a ‘hero’ status in my heart.
If you could ask any question to an artist, alive or dead, who would it be and what would you ask?
DMX! I would ask him what were some of the revelations he had from his walk with God that he didn't get to share with the public. Rest in peace X.
What is the first thing you will do when lockdown is fully over?
I would probably go to a concert or a venue where I could hear and see some live music act or I may just keep my head down until my own show. I might have said too much there.
Why do you love music?
It’s one of the few sincere soundtracks in life we have left in a world where much is synthetic and made for profit.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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