Tales from south India included in international Booker shortlist
The International Booker Prize celebrates the finest longform fiction and short story collections translated into English
By Eastern EyeFeb 26, 2025
INDIAN writer, activist, and lawyer Banu Mushtaq’s short story collection Heart Lamp, translated from Kannada to English by Deepa Bhasthi, has been longlisted for the International Booker Prize 2025.
It is among 13 titles chosen globally.
Judges praised Heart Lamp for its “witty, vivid, moving, and excoriating” portrayal of family and community tensions.
This marks the first time a Kannada title has made it to the longlist of the prestigious £50,000 prize, which is split equally between the author and the translator.
Mushtaq is based in Karnataka state in south India.
“Exploring the lives of those often on the periphery of society, these vivid stories hold immense emotional and moral weight,” the judges said of Heart Lamp. It is a collection of 12 stories set in the Muslim communities of southern India, originally published between 1990 and 2023.
It will now compete against works from across the globe for a place on the shortlist.
Mushtaq emerged as a powerful literary voice within the progressive protest movements of southwestern India during the 1970s and 1980s.
As part of the Bandaya Sahitya movement – a radical literary wave that challenged caste and class hierarchies – she was among the few women who carved a space for themselves alongside influential dalit (so called untouchables) and Muslim writers.
Writing primarily in Kannada, Mushtaq has authored six short story collections, a novel, an essay collection, and a poetry collection. Her work has earned accolades, including the Karnataka Sahitya Academy Award.
Her stories were previously translated into Urdu, Hindi, Tamil, and Malayalam.
The International Booker Prize celebrates the finest longform fiction and short story collections translated into English and published in the UK or Ireland between May 2024 and April 2025. The shortlist will be revealed on April 8, with each shortlisted title receiving £5,000, shared between the author and translator. The winner will be announced on May 20 at a ceremony at Tate Modern in London.
In 2022, Geetanjali Shree and translator Daisy Rockwell made history by winning the award for the Hindi novel, Tomb of Sand. Perumal Murugan’s Tamil novel Pyre, translated by Aniruddhan Vasudevan, was longlisted in 2023.
Max Porter, chair of the 2025 judging panel, highlighted the universal appeal of translated fiction, “Translated fiction is not an elite or rarefied cultural space requiring expert knowledge; it is the exact opposite. It tells stories of every conceivable kind from everywhere, for everyone. It is a miraculous way for us to meet one another in all our strangeness and sameness, defying the borders erected between us.”
Others on the list are The Book of Disappearance by Ibtisam Azem, translated from Arabic by Sinan Antoon; On the Calculation of Volume I by Solvej Balle, translated from Danish by Barbara J Haveland; There’s a Monster Behind the Door by Gaëlle Bélem, translated from French by Karen Fleetwood and Laëtitia Saint-Loubert; Solenoid by Mircea Cartarescu, translated from Romanian by Sean Cotter; and Reservoir Bitches by Dahlia de la Cerda, translated from Spanish by Heather Cleary and Julia Sanches.
AN ASIAN writer has explained how his new book makes Britain’s imperial past “accessible, engaging and thought-provoking” for a younger audience.
Award-winning author and journalist Sathnam Sanghera’s new book, Journeys of Empire, explores empire through 10 journeys he described as being “extraordinary”. Sanghera said his book, published last month by Puffin UK, is “a way of helping children understand how Britain’s biggest story still shapes the world today.”
“We’re not taught this history very well,” he told Eastern Eye.
“The empire is morally complex – sometimes we were good, sometimes bad – so, how do you even begin talking about it? It’s also contentious. There are millions of us whose families were colonised, and millions whose families were the colonisers.”
Teachers cannot teach what they themselves were never taught, Sanghera pointed out.
“There are multiple layers to why British people are so bad at talking about this history. It touches on race, misogyny and geopolitics. It’s easier just not to talk about it.”
And , the cover of his book
Following the success of his bestselling children’s title Stolen History, Sanghera’s this latest work continues Sanghera’s mission to write for readers aged nine and above. With a focus on human experiences, Sanghera said he wanted show that history is not just a list of dates or conquests – it’s a tapestry of stories that connect people.
Born in Wolverhampton to Punjabi immigrant parents, he began school unable to speak English. Later he graduated with first-class honours in English language and literature from Christ’s College, Cambridge.
He has since built a career as a writer and journalist.
His memoir, The Boy with the Topknot, and his novel, Marriage Material, were both shortlisted for the Costa Book Awards. Empireland, Sanghera’s exploration of Britain’s colonial legacy, was longlisted for the Baillie Gifford Prize for Non- Fiction, named a Book of the Year at the 2022 National Book Awards, and inspired the Channel 4 documentary series Empire State of Mind.
His first children’s book, Stolen History, introduced young readers to the complex and often overlooked realities of empire. With Journeys of Empire, Sanghera aims to go further. “When I finally learned about the British empire, it changed how I saw myself, how I saw Britain, and how I saw India,” he said.
“It seemed obvious that you’d want to give this gift to young people – because your 40s is a bit late to be learning all this.”
Sanghera said the 10 journeys in the book take readers across continents and centuries, revealing both the ambition and the brutality of empire.
“The British empire covered a quarter of the world’s surface and a large portion of its population. It was seven times the size of the Roman empire,” he said.
Aiming to ensure diversity in both perspective and geography, Sanghera said he chose stories from various countries and different phases of the 400-year history.
Alongside India and Mahatma Gandhi, readers will learn about Guyana’s indentured labour system, Gertrude Bell’s adventures in Iraq, and the British invasion of Tibet led by Francis Younghusband.
“I wanted to highlight areas often left out of mainstream narratives,” the writer said. The stories are written with an accessible and honest tone, and with humour.
“Violence is a tricky area,” Sanghera said. “You can’t go into graphic detail, but you also shouldn’t whitewash it. The violence and racism of colonialism were intrinsic. “I tried to strike a balance - acknowledging the brutality without overwhelming young readers.”
Writing for children isn’t much different from writing for adults, Sanghera said.
“You still need engaging stories and to hold attention. The main thing is to avoid big words that might put them off.”
He pointed out how storytelling can counter the allure of digital screens.
“Kids are addicted to screens, and reading rates are falling globally. That’s disastrous for mental health, intellectual development, and politics,” he said.
“When you get news from screens, you’re in an echo chamber – you’re not being challenged or taught to think in a nuanced way.”
Sanghera’s hope is that stories of Journeys of Empire – from pirates to princes and explorers to rebels – will draw in young readers to a world of curiosity and reflection. He said, “The British empire is a complex story. Even the ‘good guys’ had flaws. That’s what makes it worth understanding.”
At the heart of his book is a message about complexity and contradiction. “The empire involved slavery and the abolition of slavery. It caused environmental destruction and inspired environmentalism. We live in a world that struggles with nuance, but that’s what makes us human,” Sanghera said.
“My hope is that readers – kids and adults – learn that opposite things can be true at the same time.”
After six years of writing about empire, Sanghera said he’s ready for a change. His next book will focus on the late pop star George Michael, due out in June next year.
“I thought George Michael would be a nice break from empire. But then I learned that his father came from Cyprus - which was under British rule. The reason he left Cyprus was because of the British. So, even George Michael’s story connects back to empire. You can’t escape it, wherever you go.”
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