Scrapping the money-spinning Indian Premier League this year because of the coronavirus pandemic would cost more than half a billion dollars, but cutting players' pay was not yet being considered, a top official has told AFP.
The world's richest Twenty20 tournament is staring at a first wipeout in its 12-year history after the original March 29 start date was postponed repeatedly.
Cancellation of the IPL for 2020 would mean a huge financial hit.
"The BCCI is looking at a big revenue loss. In case the IPL does not take place, the loss would be close to 40 billion rupees ($530 million), or even more," said Board of Control for Cricket in India treasurer Arun Dhumal.
India, like other cricket nations, is anxious to see a return to competitive international sport, but has to follow government orders and advice.
"We are not sure whether we will be able to have it this year," he admitted.
A one-day international series against South Africa in March has already been cancelled but it is the IPL, which began in 2008, that generates the bulk of BCCI revenue and is thought to be worth more than $11 billion a year to the Indian economy.
"We will only be able to figure out the exact revenue loss once we are sure of how many games we have lost," said Dhumal.
The IPL brand value was estimated at $6.7 billion last year by the Duff and Phelps financial consultancy.
Indian broadcaster Star Sports paid more than $220 million for five years of TV rights up to 2022. But it was reportedly targeting $400 million of revenue in 2020 alone.
- 'Safety is paramount' -
Gripped by an international lockdown, many national boards have been forced into cost-cutting.
Cricket Australia has laid off most of its staff while the England and Wales Cricket Board has announced pay cuts.
Other top sports, such as football's English Premier League and Spain's La Liga, have also seen players accept wage cuts.
But Dhumal, who joined the BCCI leadership last year alongside president Sourav Ganguly and secretary Jay Shah, said that it was hoped to avoid pay cuts for players.
"That would be the last thing that we would want to do at our end," said Dhumal.
"That is why we are working (on) how much is the loss finally we have to pay.
"So once we are able to assess that then we might consider it, but it will be the last thing on our agenda."
Dhumal said India's tour of Sri Lanka, scheduled to begin in June, would only go ahead if the pandemic eases.
"The safety and health of our cricketers is paramount and any shred of doubt, we will not shy away from calling it off."
He said The BCCI leadership was in constant discussions with the International Cricket Council about restarting competitive cricket.
Doubts remain over the Twenty20 World Cup beginning in October in Australia and India's four-Test, three-ODI tour afterwards.
Dhumal has been quoted as saying that Indian players would be ready to go into a two-week quarantine before the tour. But he told AFP this would only apply if the World Cup were cancelled.
"In case we are already there for the T20 World Cup then there is no question of quarantine because we will already have been there for a month or so," he said.
"Cricket Australia are also not in a position to come up with something concrete. A lot will depend on the government and the travel bans in place. Let's see how they go about it."
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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