Writer-director Jayant Digambar Somalkar's debut feature film Sthal (A Match) and Tarsem Singh Dhandwar's Dear Jassi emerged winners on Sunday at the closing ceremony of the 48th Toronto International Film Festival (TIFF).
While Sthal, which is a Marathi-language Indian film, won the NETPAC Award, Dear Jassi (Punjabi/English) earned the Platform Award, according to TIFF's official website.
Sthal recently had its world premiere at the prestigious gala. It is backed by the production company Dhun, co-founded by Karan Grover, Shefali Bhushan, Somalkar and Riga Malhotra.
The NETPAC Award is presented by the Network for the Promotion of Asian Cinema to honour the best film from the Asia-Pacific region screened at the TIFF.
Told from the viewpoint of Savita, a young girl, portrayed by first-time actor Nandini Chikte, Sthal is set in Somalkar's hometown of Dongargaon in Maharashtra's Vidarbha region and explores the custom of arranged weddings.
Somalkar, who has previously co-directed the Prime Video web series Guilty Minds, dedicated the award to all the brave women who challenge their adverse circumstances.
"The official selection of Sthal at the prestigious 48th Toronto International Film Festival was a great honour for us! And now this award is an added feather. I, along with my entire team, am thrilled and honoured to receive the 2023 NETPAC Award for Sthal at TIFF. This is for our love, belief and passion for good cinema," the filmmaker said in a statement.
Sthal is the third Indian film to win the NETPAC Award following Margarita, with a Straw (2014) and Qissa (2013).
According to the makers, it was the only Indian film to be selected for the Discovery Programme, which showcases the first and second features of emerging filmmakers from around the world.
Bhushan, who also co-directed Guilty Minds, said Sthal receiving the NETPAC award reaffirmed her belief that one only needs vision and hard work to make a good film.
"An independent film like Sthal, which is also a debut for the director, Jayant Somalkar, the entire cast and many of the crew too, has been an inspiring journey for all of us," the producer said.
"Belief in the art form comes alive with accolades being showered by the fraternity and viewers. As an independent producer, it's never easy but the impact of being awarded is far greater a motivation and brings faith to self-belief. Humbled with love people have shown to Sthal - A Match," added Grover.
Taranath Khiratkar, Sangita Sonekar, Suyog Dhawas, Sandip Somalkar, Sandip Parkhi, Swati Ulmale, Gauri Badki and Mansi Pawar also round out the cast of Sthal.
Dear Jassi, a film inspired by a real-life honour killing in Punjab, won an award of $20,000 CAD under the Platform, TIFF's competitive programme that "champions bold directorial visions".
Directed by India-born filmmaker Dhandwar, the 1990s-set film also marks a debut for producer Sanjay Grover, son of actor Gulshan Grover.
The story follows Indo-Canadian Jassi (Pavia Sidhu), who meets Mithu (Yugam Sood), a rickshaw driver who lives down the street when on a trip to visit her extended family in Jagraon in Punjab's Ludhiana.
The sweethearts begin exchanging love letters and Mithu starts making travel plans. But when Jassi sees her family lashing out at one of her cousin's suitors, she realises there's no easy way to pursue their relationship.
So, Kajol and Twinkle Khanna’s show, Two Much, is already near its fourth episode. And people keep asking: why do we love watching stars sit on sofas so much? It’s not the gossip. Not really. We’re not paying for the gossip. We’re paying for the glimpse. For the little wobble in a voice, a tiny apology, a family story you recognise. It’s why Simi’s white sofa mattered once, why Karan’s sofa rattled the tabloids, and why Kapil’s stage made everyone feel at home. The chat show isn’t dead. It just keeps changing clothes.
Why Indian audiences can’t stop watching chat shows from Simi Garewal to Karan Johar Instagram/karanjohar/primevideoin/ Youtube Screengrab
Remember the woman in white?
Simi Garewal brought quiet and intimacy. Her Rendezvous with Simi Garewal was all white sets and soft lights, and it felt almost like a church for confessions. She never went full interrogation mode with her guests. Instead, she’d just slowly unravel them, almost like magic. Amitabh Bachchan and Rekha, they all sat on that legendary white sofa, dropping their guard and letting something real slip out, something you’d never stumble across anywhere else. The whole thing was gentle, personal, and almost revolutionary.
Simi Garewal and her iconic white sofa changed the face of Indian talk showsYoutube Screengrab/SimiGarewalOfficial
Then along came Karan Johar
Let’s be honest, Karan Johar changed the game completely. Koffee with Karan was the polar opposite. Where Simi was a whisper, Karan was a roar. His rapid-fire round was a headline machine. Suddenly, it stopped being about struggles or emotions but opinions, little rivalries, and that full-on, shiny Bollywood chaos. He almost spun the film industry into a full-blown high school drama, and honestly? We loved it up.
Kapil Sharma rewired the format again and took the chat show, threw it in a blender with a comedy sketch, and created a monster hit. His genius was in creating a world or what we call his crazy “Shantivan Society” and making the celebrities enter his universe. Suddenly, Shah Rukh Khan was being teased by a fictional, grumpy neighbour and Ranbir Kapoor was taunted by a fictional disappointed ex-girlfriend. Stars were suddenly part of the spectacle, all halos tossed aside. It was chaotic, yes, but delightfully so. The sort of chaos that still passed the family-TV test. For once, these impossibly glamorous faces felt like old friends lounging in your living room.
Kajol and Twinkle’s Amazon show Two Much feels like friends talking to people in their circle, and that matters. What’s wild is, these folks aren’t the stiff, traditional hosts, they’re insiders. The fun ones. The ones who know every secret because, let’s be honest, they were there when the drama started. On a platform like Amazon, they don’t have to play for TRPs or stick to a strict clock. They can just… talk.
People want to peep behind the curtain. Even with Instagram and Reels, there’s value in a longer, live-feeling exchange. It’s maybe the nuance, like an awkward pause, a memory that makes a star human, or a silly joke that lands. OTT gives space for that. Celebs turned hosts, like Twinkle and Kajol in Two Much or peers like Rana Daggubati in Telugu with The Rana Daggubati Show, can ask differently; they make room for stories that feel earned, not engineered.
How have streaming and regional shows changed the game?
Streaming freed chat shows from TRP pressure and ad breaks. You get episodes that breathe. Even regional versions likeThe Rana Daggubati Show, or long-running local weekend programmes, prove this isn’t a Mumbai-only appetite. Viewers want local language and local memories, the same star-curiosity in Kannada, Telugu, or Tamil. That widens the talent pool and the tone.
From White Sofas to OTT Screens How Indian Talk Shows Keep Capturing HeartsiStock
Are shock moments over?
Not really. But people are getting sick of obvious bait. Recent launches lean into warmth and inside jokes rather than feeding headlines. White set, gold couch, or a stage full of noise, it doesn’t matter. You just want to sit there, listen, get pulled into their stories, like a campfire you can’t leave. We watch, just curious, hoping maybe these stars are a little like us. Or maybe we’re hoping we can borrow a bit of their sparkle.
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